Анализ сайта easterndaze.net
Основное Готовность: 100%
Домен
easterndaze.net
Состояние доменного имени
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Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Домен второго уровня идеален для продвижения.
Отличный запоминающийся домен.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Цепочка редиректов:
http://easterndaze.net
301 MovedPermanently
https://easterndaze.net/
200 OK
Безопасность
Сайт безопасен
Использование HTTPS и SSL-сертификат
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HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
На сайте работает защищенный протокол ssl и сайт открывается по https.
Ssl-сертификат действителен до 17.10.2026 21:32:56.
Включён HSTS (Strict-Transport-Security) — защита от подмены на http.
HTTP автоматически перенаправляется на HTTPS.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
UTF-8
Кодировка символов страницы
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Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице UTF-8.
Язык
en-US
Атрибут lang в HTML-теге
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Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en-US.
Скорость загрузки
~1,82сек
Время отклика сервера (TTFB)
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Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 1,82сек превышает 1 секунду. Желательно улучшить работу сайта!
Объем документа
426Кб
Размер HTML-кода страницы
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Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 426Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 3
Внешние ресурсы страницы (CSS, JS, изображения)
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Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 3 достаточно.
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | https://easterndaze.net/wp-content/themes/easterndaze/style.css?ver=1.0.0 | |
| js | https://easterndaze.net/wp-content/themes/easterndaze/js/navigation.js?ver=1.0.0 | |
| js | https://easterndaze.net/wp-content/themes/easterndaze/js/cookies.js?ver=1.0 |
Серверные заголовки
Кол-во: 9
HTTP-заголовки ответа сервера
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Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 9шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| Server | nginx |
| Date | Fri, 21 Aug 2026 04:17:34 GMT |
| Transfer-Encoding | chunked |
| Connection | keep-alive |
| Vary | Accept-Encoding |
| Link | <https://easterndaze.net/wp-json/>; rel="https://api.w.org/" |
| X-Frame-Options | SAMEORIGIN |
| Content-Security-Policy | frame-ancestors 'self'; |
| Strict-Transport-Security | max-age=31536000; includeSubdomains; preload |
CMS
WordPress
Система управления сайтом (движок)
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CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS WordPress.
Веб-сервер
nginx
Программное обеспечение сервера
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Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Сайт работает на веб-сервере nginx.
Мета-теги Готовность: 43%
Title
Easterndaze
Заголовок страницы в браузере и поисковой выдаче
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Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо увеличить число символов в title (текущее значение мало: 11, минимум: 25, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Описание страницы в поисковой выдаче (сниппет)
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Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Установите мета-тег description!
Keywords
Список ключевых слов страницы (устаревший тег)
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Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
Указывает поисковику основную версию страницы
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Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Рекомендуем прописать канонический Url.
Robots
Есть ошибки
Директивы для поисковых роботов на уровне страницы
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Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots указан, но в нем содержится неизвестное значение...
Адаптивность
width=device-width, initial-scale=1
Настройка масштабирования на мобильных устройствах
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Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport со значением-константой width=device-width задаёт ширину страницы в соответствии с размером экрана.
Meta-тег viewport со значением initial-scale=1.0 определяет масштаб 1:1, т.е. «не масштабировать».
Разметка OpenGraph
Кол-во: 5
Мета-теги для красивых превью в соцсетях
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OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph задана. Страница оптимизирована под социальные сети.
Показать полный список og мета-тегов
| Тип | Значение |
|---|---|
| og:type | website |
| og:title | Easterndaze |
| og:description | Easterndaze is a project that explores and highlights the best new music from Central and Eastern Europe through a variety of channels, including radio shows, concerts, music releases and this blog. |
| og:image | https://easterndaze.net/wp-content/themes/easterndaze/ed-og.jpg |
| og:url | https://easterndaze.net |
Все мета-теги
Кол-во: 8
Полный список мета-тегов страницы
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Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 8шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | viewport | width=device-width, initial-scale=1 |
| name | robots | max-image-preview:large |
| name | generator | WordPress 7.0.4 |
| property | og:type | website |
| property | og:title | Easterndaze |
| property | og:description | Easterndaze is a project that explores and highlights the best new music from Central and Eastern Europe through a variety of channels, including radio shows, concerts, music releases and this blog. |
| property | og:image | https://easterndaze.net/wp-content/themes/easterndaze/ed-og.jpg |
| property | og:url | https://easterndaze.net |
Оптимизация Готовность: 50%
Структура
Ошибок нет
Семантические HTML-элементы страницы
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Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют по одному на документ).
Контент
Есть ошибки
Объём и качество текстового содержимого
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Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 1 встречаются в тексте редко. Добавьте в контент страницы слова из тега <title>!
Абзацев с текстом 1222 достаточно.
Среднее число слов в абзаце 23 достаточно.
Кол-во знаков контента 207623 на странице оптимально.
Кол-во слов 32651 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
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H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 594. Это прекрасно.
Тошнота
24,39
Насколько одно слово доминирует в тексте
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Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота превышает норму 5. Измените текст страницы!
Академич. тошнота
105,90%
Насколько текст перенасыщен ключевыми словами
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Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
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Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| published | 595 | 1,82% |
| project | 96 | 0,29% |
| easterndaze | 88 | 0,27% |
| slovak | 78 | 0,24% |
| electronic | 68 | 0,21% |
| polish | 66 | 0,20% |
| experimental | 65 | 0,20% |
| release | 65 | 0,20% |
| november | 64 | 0,20% |
| december | 62 | 0,19% |
| october | 60 | 0,18% |
| underground | 54 | 0,17% |
| through | 52 | 0,16% |
| january | 52 | 0,16% |
| september | 51 | 0,16% |
| artists | 50 | 0,15% |
| festival | 48 | 0,15% |
| august | 47 | 0,14% |
| released | 43 | 0,13% |
| artist | 43 | 0,13% |
Индексация Готовность: 20%
Индексирование
Есть ошибки
Разрешено ли индексирование страницы
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Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 606 слишком много. Проведите ревизию и оптимизацию ссылок сайта.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
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Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 1579 байт. Загружен за: 0сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Цепочка редиректов для файла robots.txt:
http://easterndaze.net/robots.txt
301 MovedPermanently
https://easterndaze.net/robots.txt
200 OK
Показать содержимое robots.txt
User-agent: AI2Bot
User-agent: Ai2Bot-Dolma
User-agent: aiHitBot
User-agent: Amazonbot
User-agent: anthropic-ai
User-agent: Applebot
User-agent: Applebot-Extended
User-agent: Brightbot 1.0
User-agent: Bytespider
User-agent: CCBot
User-agent: ChatGPT-User
User-agent: Claude-SearchBot
User-agent: Claude-User
User-agent: Claude-Web
User-agent: ClaudeBot
User-agent: cohere-ai
User-agent: cohere-training-data-crawler
User-agent: Cotoyogi
User-agent: Crawlspace
User-agent: Diffbot
User-agent: DuckAssistBot
User-agent: FacebookBot
User-agent: Factset_spyderbot
User-agent: FirecrawlAgent
User-agent: FriendlyCrawler
User-agent: Google-CloudVertexBot
User-agent: Google-Extended
User-agent: GoogleOther
User-agent: GoogleOther-Image
User-agent: GoogleOther-Video
User-agent: GPTBot
User-agent: iaskspider/2.0
User-agent: ICC-Crawler
User-agent: ImagesiftBot
User-agent: img2dataset
User-agent: imgproxy
User-agent: ISSCyberRiskCrawler
User-agent: Kangaroo Bot
User-agent: meta-externalagent
User-agent: Meta-ExternalAgent
User-agent: meta-externalfetcher
User-agent: Meta-ExternalFetcher
User-agent: MistralAI-User/1.0
User-agent: NovaAct
User-agent: OAI-SearchBot
User-agent: omgili
User-agent: omgilibot
User-agent: Operator
User-agent: PanguBot
User-agent: Perplexity-User
User-agent: PerplexityBot
User-agent: PetalBot
User-agent: QualifiedBot
User-agent: Scrapy
User-agent: SemrushBot
User-agent: Sidetrade indexer bot
User-agent: TikTokSpider
User-agent: Timpibot
User-agent: VelenPublicWebCrawler
User-agent: Webzio-Extended
User-agent: wpbot
User-agent: YouBot
Disallow: /
Sitemap
Кол-во: 0
XML-карта сайта для поисковиков
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Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
Robots.txt не содержит ссылку на карту сайта. Рекомендуется добавить карту сайта и указать ссылку на нее в robots.txt.
Внутренние ссылки
Кол-во: 593
Ссылки на другие страницы своего сайта
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Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 593 слишком много. Проведите оптимизацию сайта!
Внутренние ссылки не запрещены к индексации в robots.txt.
На странице присутствуют изображения 1.
Показать первые 100 внутренних ссылок
| Url | Анкор | Состояние | Анализировать |
|---|---|---|---|
| /privacy-policy/ |
privacy policy
|
|
Анализировать url |
| /about/ |
About
|
|
Анализировать url |
| /tags/ |
Tags
|
|
Анализировать url |
| /emguide/ |
EM GUIDE
|
|
Анализировать url |
| /privacy-policy/ |
Privacy policy
|
|
Анализировать url |
| /weve-seen-a-big-necessity-to-form-stronger-communities-an-interview-with-daniel-styles/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2026/04/Screenshot-2026-04-20-at-11.20.28.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">“We’ve seen a big necessity to form stronger communities.” Daniel Styles on community radios and local cultures.</h1>
<p>
Brno is the second largest city in the Czech Republic, or the first city of the Moravian Region. Culturally vibrant, not suffering from the peripheral, non-capital syndrome, far from it. </p>
<p>Published April, 2026</p>
|
|
Анализировать url |
| /graham-st-john-is-raving-now-merely-a-simulation-of-the-original/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2026/02/Screenshot-2026-02-27-at-10.21.46.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Graham St John: “Is raving now merely a simulation of the original?”</h1>
<p>
Graham St John is an intellectual adventurer on the borderline between anthropology and digital spirituality who has devoted his career to mapping the "invisible landscapes" of modern counterculture. As a world-renowned expert on rave culture and psychedelics, he explores dance floors not only as places of entertainment, but also as modern ritual spaces where technology meets mysticism. </p>
<p>Published February, 2026</p>
|
|
Анализировать url |
| /almost-any-engagement-with-codified-sonic-traditions-brings-up-issues-of-ownership-appropriation-and-misinterpretation-an-interview-with-musician-and-ethnomusicologist-ben-wheeler/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2026/02/Promo-Ben-Bneleti2.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Ben Wheeler: “Almost any engagement with codified sonic traditions brings up issues of ownership, appropriation, and misinterpretation.”</h1>
<p>
Tbilisi-based musician and ethnomusicologist Ben Wheeler relocated to Georgia in 2012, a place he says is profoundly musical. While living in the region, he has researched the folk music of the Caucasus, including music sung in endangered languages and instruments nearing extinction. </p>
<p>Published February, 2026</p>
|
|
Анализировать url |
| /i-wanted-to-hold-the-beauty-and-the-violence-together-talking-to-composer-and-violinist-galya-bisengalieva/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2025/10/000002610028-scaled.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">‘I wanted to hold the beauty and the violence together.’ Talking to composer and violinist Galya Bisengalieva </h1>
<p>
Kazakh composer, producer and violinist Galya Bisengalieva was born into a family of classical and folk musicians in the Kazakh capital Almaty in the late 1980s. Her own early childhood overlapped with the latter part of the forty-year period during which the former Soviet Union conducted 456 nuclear tests, creating more fallout than Chernobyl. </p>
<p>Published October, 2025</p>
|
|
Анализировать url |
| /easterndaze-x-amek-present-the-listening-biennial-in-varna/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2025/08/531977558_1305870638210716_55959001943333418_n.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Easterndaze x Amek present the Listening Biennial in Varna</h1>
<p>
On 29 August Varna will become part of the global sound initiative THE LISTENING BIENNIAL for the second time. The event is organized by the Bulgarian experimental music label Amek Collective and the Easterndaze platform. </p>
<p>Published August, 2025</p>
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<h1 class="entry-title">Braille Satellite 2025: An Extraordinary Exercise in Community</h1>
<p>
There is an amateur graffiti in Warsaw that reads ‘dear music, thank you’. Two weeks ago, I felt similar gratitude heading to Braille Satellite: a four-day festival taking place in Mushroom Manor, a forest park some 80 kilometres away from Vilnius. </p>
<p>Published July, 2025</p>
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| /to-understand-and-unmake-this-world-we-need-to-become-it-first/ |
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<h1 class="entry-title">To understand and unmake this world, we need to become it first</h1>
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I have been friends and collaborators with Tamás Páll for many years, but his latest video work, Rumble, was even a trip for me—in a good way. The 20-minute-long story begins to unfold in a hangar filled with Cybertrucks and pallet structures. </p>
<p>Published July, 2025</p>
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| /xion-championing-the-hidden-experimental-scene-of-czechia/ |
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<h1 class="entry-title">XION: Championing the hidden experimental scene of Czechia</h1>
<p>
The first time I came to Prague I got taken to Noise Kitchen, a small synthesiser shop in the Vršovice neighbourhood. Between tapping away on some of the first hardware electronic instruments I’d ever played on and checking tapes and records, a little 3D-printed puzzle caught my eye, which became my introduction to the XION label. </p>
<p>Published July, 2025</p>
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| /recordings-belong-to-the-people-an-interview-with-sound-archivist-ketevan-davitashvili/ |
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<h1 class="entry-title">“Recordings Belong to the People” — An Interview with Sound Archivist Ketevan Davitashvili </h1>
<p>
Archives elicit an aura of discovery, secrecy, and age. The potential to unearth forgotten manuscripts, to “dig” through dust-covered boxes and emerge with something unexpected—these are often over-romanticized expectations we have before delving into a collection for the first time. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">Michaela Turcerová’s 33-minute journey into the microcosm of a saxophone</h1>
<p>
In the context of contemporary experimental music, you can often jump into conversations about extended playing techniques and how uneasy it is to push their boundaries. This is particularly true when it comes to wind instruments. </p>
<p>Published July, 2025</p>
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| /the-myth-that-you-can-make-a-living-from-playing-underground-music-is-still-very-much-alive-an-interview-with-sandor-kispal-programme-organiser-at-golya/ |
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<h1 class="entry-title">“The myth that you can make a living from playing underground music is still very much alive” – An interview with Sándor Kispál, programme organiser at Gólya</h1>
<p>
Most people have heard of Sándor Kispál aka “Saskó,” through his electronic music programming at Gólya, the PÉNZ collective, or his DJ alter ego, csinovnyik. Last year marked the 5th anniversary of Orczy Street’s Gólya, and PÉNZ turns 10 this year, Saskó has gathered quite a lot of experience about, let’s say, the music industry – so that’s what we asked him about. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">Jugoslavija Wave: New compilations revisiting the ex-Yu post-punk and new wave legacy</h1>
<p>
If I had a single ticket for the time machine that could take me to any historical or prehistoric period, I admit I would impulsively use it for the 1980s. And I’d certainly be in for a disappointment. </p>
<p>Published July, 2025</p>
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| /between-transformation-and-apathy-the-dynamics-of-the-independent-scene-in-sofia/ |
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<h1 class="entry-title">Between transformation and apathy – the dynamics of the independent scene in Sofia</h1>
<p>
<p>We’ve sat on this article for too long because it’s hard to be objective and unbiased about something we’ve spent many years of our lives trying to be an active part of, and improve. It’s even harder to admit we’re not certain what the actual state of our scene is anymore, because we feel disconnected and irrelevant. What we think we observe does not seem homogeneous enough, or it is not headed towards a state that we can understand, explain, or predict.</p>
<p>Published July, 2025</p>
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| /and-yet-it-moves-an-in-depth-overview-of-north-macedonias-new-music-scene-through-the-work-of-the-gola-planina-collective/ |
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<h1 class="entry-title">And yet it moves: an in-depth overview of North Macedonia’s new music scene through the work of the Gola Planina Collective</h1>
<p>
<p>This article focuses on the work of ‘Gola Planina’, a band collective whose work and general activity has been a key actor in shaping the post-pandemic music landscape in Macedonia, as well as on their most recent endeavor: a festival caravan titled „Сепак се Врти“, the Macedonian translation of Galileo Galilei’s words that signify a resilience of knowledge and action: ‘And yet it moves’.</p>
<p>Published July, 2025</p>
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| /niansa-gathering-the-iridescent-whimsy-of-listening-closely/ |
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<h1 class="entry-title">NiANSA Gathering: The iridescent whimsy of listening closely</h1>
<p>
“It is important for humans to produce signals similar to those in nature - because we often forget that we are also from nature.” This sentiment, described by Boštjan Perovšek and Brane Zorman (BBtrem. </p>
<p>Published July, 2025</p>
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| /the-past-not-gone-refusing-to-leave-an-interview-with-gajek/ |
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<h1 class="entry-title">“The past not gone, refusing to leave” – An interview with GAJEK</h1>
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In March 2025 Gajek released his latest and critically acclaimed album, Cutting Together Apart (stroom.tv). </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">The story of jazz in Armenia</h1>
<p>
I am Lucia Kagramanyan, host of the NTS show Panorama Yerevan that showcases Armenian music in its huge variety. I am a DJ and selector, and now also a sound researcher and artist. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">Blackout Tape: Documenting Post-2022 Ukrainian Scenes</h1>
<p>
The first release by 20ft Records, a label started by Kyiv’s independent station 20ft Radio, invites artists to recreate their music-making process during blackouts.
In the winter of 2022/2023, the perception of blackouts in Ukraine gradually changed from a shock to a routine that you built your daily life around. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">Through Acoustic Aperture: Jauna Muzika’s Amateur Spirit</h1>
<p>
There’s a certain looseness to the way sound moves through Vilnius during Jauna Muzika, which happened in April this year. It’s not just the acoustics—though they certainly matter—but the feeling of being let in on something that doesn’t need to be polished to be affecting. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">“Love cannot tolerate laziness” – Interview with Sándor Vály</h1>
<p>
Sándor Vály moved to Finland in 1990 and has gradually turned to audiovisual art over the last three decades. We talked about his beginnings, his musical development, personal and collective art. </p>
<p>Published July, 2025</p>
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<h1 class="entry-title">Sound & Vision: Inside the 2025 DokStation Music Documentary Festival</h1>
<p>
The Dokstation Music Documentary Film Festival concluded its ninth annual edition in Bucharest on June 1. Running the week prior, from May 28, across several screening and concert venues in the Romanian capital, Dokstation continues to attract fans of the niche non-fiction genre. </p>
<p>Published June, 2025</p>
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<h1 class="entry-title">Drums in the Spirit Swamp; Amphibian Records’ Metamorphosis </h1>
<p>
<p>When looking at any instance of in vivo nightlife culture, it’s interesting to see which of the following comes first: the rave, or the music; the physical manifestation of culture which precedes music, or the music’s cultural markers re-invoked. </p>
<p>Published June, 2025</p>
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<h1 class="entry-title">Shopsh: Circassian Vocal Tradition of Zhiu</h1>
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<p>As the sun rises on 21 May, marking the Day of Remembrance for the Circassian Genocide, we invite you to listen beyond the silence that often surrounds the wounds of colonialism. In the following article, Bulat Khalilov, co-founder of Ored Recordings – a label dedicated to traditional and post-traditional music from the North Caucasus – reflects on a paradox within Circassian music today.</p>
<p>Published June, 2025</p>
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| /15-central-and-eastern-european-festivals-you-need-to-attend/ |
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<h1 class="entry-title">15 Central and Eastern European festivals you need to attend</h1>
<p>
From abandoned sanatoriums to fields and disused mills, these festivals and their places become acoustic laboratories where music takes on a physical presence.
In recent years, Europe has witnessed a resurgence of music festivals that defy the rigid categories of mass events and commercial lineups. </p>
<p>Published June, 2025</p>
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<h1 class="entry-title">ANTIBO*: Belgrade’s Techno-Folk Uprising</h1>
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On the streets of Belgrade, music and counterculture have long been instruments of collective expression, resilience, and social critique. From the heady days of Yugoslavia’s New Wave in the 1980s, through the tumult of the 1990s turbo-folk propulsion, to the experimental electronic underground of the 2000s, the city has fostered generations of defiant artists. </p>
<p>Published May, 2025</p>
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<h1 class="entry-title">EM GUIDE FEST: Music, resistance and the power of listening</h1>
<p>
<p>EM GUIDE is a network of independent music magazines that focus on stories often found on the margins: in DIY venues, local experimental music scenes, community radio stations, listening rooms, art university studios and grassroots communities whose voices are all too frequently drowned out by the mainstream narratives.</p>
<p>Published May, 2025</p>
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<h1 class="entry-title">Music Biennale Zagreb: A Diary</h1>
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With the inherent precariousness of the music industry and the disjointed pockets of various happenings and events, it's rare these days to attend a music festival that is more than 60 years old. Music Biennale Zagreb (MBZ) counts among the legendary East/Central European music happenings, along with the iconic Warsaw Autumn - which have aimed to highlight avant-garde, contemporary musical streams and artists. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Sonic Adventures in Search of the Source — an Interview with Arma Agharta </h1>
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Armantas Gečiauskas, aka Arma Agharta, can now be regarded as a person without whom the Lithuanian experimental scene wouldn’t be as rich as it is. Arma carved his own small, crazy, unpredictable and always-exciting universe with his array of activities, which include performing, label curation, event organising and frequent globe-trotting tours spanning across all continents. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Bucharest’s Post-Pandemic Experimental Music Scene</h1>
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The COVID-19 pandemic in Romania conspicuously altered the landscape of the music scene. While there is a strange and inexplicable feeling that something is missing, the post-pandemic experimental music scene in Bucharest has faced significant challenges, struggling with the inherent difficulties of operating independently. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Erfana Barbad: “Change can only happen if everyone unites.”</h1>
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I saw Erfana speak with vigour and deep dedication to her pursuit of community and underground culture during a panel discussion on queer safe spaces held at the Budapest club Turbina — the same club where Erfana throws her popular Kink Budapest parties. This took place just a few days after Hungary's prime minister declared that the organisers of Pride Budapest shouldn’t even bother planning the annual event this year, as it would be shut down. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">The pain of not sharing a language</h1>
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When Adela Mede, Marta Forsberg and Nindya Nareswari met up for this interview in late January, there was relief, happiness and exhaustion in the air: it was the day after their first collaboration, a site-specific music and light piece for CTM festival at the Kuppelhalle.
Their performance was built on songs by Slovak vocalist and composer Adela Mede, who combines in her lyrics the three languages she grew up with – Slovak, Hungarian (her parents’ mother tongue) and English. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Adam the World: Humanity doesn’t need hierarchy</h1>
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Adam the World is a rapper and alternative R'n'B artist from Kremnica in Slovakia, currently living in Prague. His explosively diverse, syncretic work is characterized by elements of neosoul and alternative R'n'B. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Noise Every Wednesday: A Lesson in Sustainability From Kyiv’s Experimental Scene</h1>
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A series of events with an open concept and ceaseless adventurism has been tie-forming and genre-bending for the post-2022 explorative music scene of Ukraine’s capital. People in charge of Wednesdays, Kseniia Yanus and Vadym Oliinykov, tell the story of the most sustainable long-duration performance in Ukraine. </p>
<p>Published April, 2025</p>
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<h1 class="entry-title">Krista Papista on queering Cypriot & Balkan pop </h1>
<p>
Cyprus with its complex history and geopolitics has become a reference to be deconstructed in the work of Berlin-based Cypriot musician and performance artist Krista Papista. In July 1974 a coup d'etat was staged by Greek Cypriot nationalists and Athens’ far-right military junta, followed by a Turkish invasion a few days later. </p>
<p>Published March, 2025</p>
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| /subcultures-vs-sculptures-a-quick-glimpse-into-skopjes-local-music-scene/ |
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<h1 class="entry-title">Subcultures vs. sculptures: a quick glimpse into Skopje’s local music scene</h1>
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<p>Amidst the folding maps of history, there are certain cities that, when mentioned, we may find ourselves thinking of endless processes of destruction and renewal. Such is the case with Skopje, the capital of Macedonia.</p>
<p>Published March, 2025</p>
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| /an-insight-into-the-romanian-jazz-legacy/ |
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<h1 class="entry-title">An Insight into the Romanian Jazz Legacy </h1>
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To some refined music enthusiasts and jazz traditionalists beyond Romania, the notion of Romanian jazz might appear lofty. However, it embodies a unique heritage and a rich musical tradition in its own right. </p>
<p>Published February, 2025</p>
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<h1 class="entry-title">Gin&Platonic: Sounds plucked off the floor after dripping through a black hole</h1>
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<p>Likely my favourite musical discovery since moving to Czechia has been the nascent experimental and ambient scene; here is a hive of musicians, thrumming with activity, making amazing and strange music to fill your ears with. </p>
<p>Published February, 2025</p>
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<h1 class="entry-title">The voices that wait</h1>
<p>
<p>This essay explores my encounter with the archive of Chile al día, a broadcast transmitted from Radio Berlin International in the GDR between 1973 and 1990, during the same period as Pinochet’s dictatorship in Chile. I visited the Deutsches Rundfunkarchiv in Babelsberg, where this archive resides, six times between 28 August and 18 October 2024. Those visits involved me with it on different levels, whereas my listening practice was affected as I opened myself up to an aesthetic of resonance.</p>
<p>Published February, 2025</p>
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<h1 class="entry-title">Not that kind of era…</h1>
<p>
Ever since it exploded into public consciousness, the punk subculture has been subject to a discourse that questions its legitimacy, its credibility, and sometimes even its existence. Beyond stylistic limits and posers, the subculture is simultaneously facing expectations of creating a utopia while being dismissed as noisy but powerless infantilism. </p>
<p>Published January, 2025</p>
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<h1 class="entry-title">Toolkit: Esteban de la Torre</h1>
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<p>Esteban de la Torre is a musician and cross-disciplinary media and sound artist. Deriving from his background in visual arts, animation and sound design, his work spans from large scale art installations through multichannel spatial sound spaces and audio-visual performances, to soft circuitry for embedded electronics on experimental interfaces.</p>
<p>Published December, 2024</p>
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<h1 class="entry-title">Periphery as an autonomous space for experimentation in music and education in Southern Hungary</h1>
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<p>In the south of Hungary, 30 km from the Croatian border, in a former mining town, with uniquely diverse ethnic, religious and industrial heritage is where you will find Hungary’s oldest experimental electronic music and media arts university department.</p>
<p>Published December, 2024</p>
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<h1 class="entry-title">On the experimental electronic music scene of Pécs</h1>
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A round-up of what is likely the last relevant electronic music-wise relevant rural town in Hungary. We spoke to Balázs Kovács, Roland Nagy and Tamás Hámori about the Electronic Music Media Arts BA/BSc course, new music experiments, club music, venues and organiser forces. </p>
<p>Published December, 2024</p>
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<h1 class="entry-title">Ece Özel: „I don’t like to be in the center of attention“</h1>
<p>
It’s quite cold in Istanbul now, reports Ece Özel at the start of our Zoom call. It’s 12 degrees, but that’s just the beginning, the real winter is yet to come, including snow. </p>
<p>Published December, 2024</p>
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<h1 class="entry-title">Farbwechsel reloaded</h1>
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An overview of the Farbwechsel label, looking back at its story so far and mapping out what’s coming up next.Farbwechsel was founded in 2012, injecting a new burst of colour to the Hungarian electronic music scene with their signature blend of ominous downtempo, the crackle of sizzling cassette tapes, gritty ambient textures, and introspective house releases. </p>
<p>Published December, 2024</p>
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| /unapologetically-cnt-in-the-face-of-complex-socio-political-maelstrom-enter-estrogun/ |
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<h1 class="entry-title">ESTROGUN: Unapologetically c*nt in the face of the complex socio-political maelstrom</h1>
<p>
<p>In the first of a series of articles exploring the cultural and social diversity of Prague and Czechia, music journalist Freddie Hudson interviews the Prague-based transfemme collective ESTROGUN. </p>
<p>Published December, 2024</p>
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<h1 class="entry-title">Reflections on the Past and the Present of Manele Music in Romania</h1>
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<p>In today’s Romanian society, few topics have the power to polarize as much as Manele (the more commonly used plural for manea) music – a genre of contemporary pop music with Oriental/Balkan influences – owned, produced, and played by the Roma societies spread for centuries throughout various geographic areas of the country. </p>
<p>Published November, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/11/R1_17_f0324867c3.jpeg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Time doesn’t work; here it doesn’t make sense – an interview with Ankali</h1>
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<p>A talk with the representatives of Ankali & Planeta Za, underground gems of the Prague night life, inspired by a random visit to the venue by Bori for MMN Magazine.</p>
<p>Published November, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/11/REK_7378_197cca6c01.jpeg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">“Healing is communal; it occurs in collectivity.”</h1>
<p>
<p>Zosia Hołubowska’s music comes alive with multilayered mythical environments, emotive landscapes, fairytale-ish characters, and mystical concepts engraved in plots profound and unique in their conception and execution, well-rooted in time while defiantly spiraling towards the unknown. </p>
<p>Published November, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/10/Snop_6-6-18-Foto-by-Aleksandar-Selak-1.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Echoes of Persistence: The Evolution of Zagreb’s Experimental Music Scene</h1>
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<p>Nina Maštruko’s write-up on the past ten years of Zagreb’s underground music scene.</p>
<p>Published October, 2024</p>
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<h1 class="entry-title">Underground Culture Under Threat II. — Nomadic festival ICKPA sparks solidarity and wrestles Westsplaining</h1>
<p>
<p>Gábor Erlich presents ICKPA (spark in Ukrainian), a Kyïv-born festival promoting underground music and culture from Ukraine, Georgia, and beyond. </p>
<p>Published October, 2024</p>
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| /a-snapshot-into-festivals-clubs-networks-in-electronic-music-through-the-independent-movement-for-electronic-scenes-times/ |
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<h1 class="entry-title">A snapshot into festivals, clubs & networks in electronic music through The Independent Movement for Electronic Scenes</h1>
<p>
<p>Taking the example of a recently launched large-scale EU cooperation project of 10 festivals to understand how they’re paving the way of the future of electronic live music. </p>
<p>Published October, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/10/milan-w-tulnicarese.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">The Tulnic Culture of the Romanian Apuseni Mountains</h1>
<p>
<p>An analysis of the tulnic – a woodwind instrument found only in the Apuseni Mountains.</p>
<p>Published October, 2024</p>
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| /shaking-up-the-boys-club-a-rising-wave-of-female-artists-carving-their-space-in-budapests-underground-music-scene/ |
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<h1 class="entry-title">Shaking Up the Boy’s Club: A Rising Wave of Female Artists Carving Their Space in Budapest’s Underground Music Scene</h1>
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<p>The underground music scene in Budapest is alive with the rebellious energy of female artists challenging both the status quo and the lingering sexism of the industry.</p>
<p>Published October, 2024</p>
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<h1 class="entry-title">An End of an Era: UH Fest Concludes Its Second Chapter</h1>
<p>
<p>It’s not the end, but it’s an end of an era — UH Fest concludes its second chapter this week.</p>
<p>Published October, 2024</p>
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| /listening-to-other-realities-elia-moretti-on-sound-art-the-carpathians-and-dissidence/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/09/em_by-anna-bastyrova-4-1150x.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Listening to Other Realities: Elia Moretti on sound art, the Carpathians and dissidence</h1>
<p>
<p>Interview with composer, performer and music researched Elia Moretti about his artistic motivations, practice-based research in the context of institutional precarity, and his interest in outsiderism and unfamiliarity.</p>
<p>Published September, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/09/ATLvG43jSwiRdyt9d9Pp.webp) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Signals2Noise festival: A radiophonic marathon comes to Berlin on 4 October!</h1>
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S2N gathers some of the most interesting artists, performers and speakers working with community radios from across Eastern, Central and Northern Europe. Curated and hosted by Cashmere Radio and Easterndaze, S2N has emerged from several years of discursive and creative online collaboration with community radios from across Europe. </p>
<p>Published September, 2024</p>
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| /borderline-noise-festival-electronic-experimental-noise-bordering-with-philosophers-and-circus-performers/ |
<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/09/image_6487327-1.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Borderline Noise Festival — Experimental Art Between Philosophers and Circus Performers</h1>
<p>
<p>Hayden Potter visits the experimental electronic music gathering in the rolling rural landscape of the Jizera Mountains.</p>
<p>Published September, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/09/01-DSCF1381-leadimage.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Toolkit: Obwigszyh</h1>
<p>
<p>Budapest-based composer and DJ Obwigszyh discusses his residency in Sweden, his creative methods, his upcoming material, and a new project.</p>
<p>Published September, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/08/34cc.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Maqame Daxe: Sounds of pop, jazz and rock from the Soviet Caucasus</h1>
<p>
<p>Interview with Andrei Yemelianov – explorer, seeker and gatherer of early jazz, rock and lyrical pop song samples from the Caucasus through his label Maqame Daxe (“beautiful melody” in Circassian).</p>
<p>Published August, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/07/4X9A4264-scaled.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">“I try to make order from chaos.” — in talks with Martyyna about what is written in the scars</h1>
<p>
<p>Prague-based Czech producer and DJ Martina Svobodová on turns the focus on herself with her debut album, released on the esteemed Mexican label Infinite Machine, seeking self-understanding by healing the wounds life can inflict on each and every one of us.</p>
<p>Published August, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/08/unnamed-2.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">n:ear festival: A haven of experimental music in central Slovakia</h1>
<p>
The 4th edition of Slovak experimental n:ear festival took place in Banská Štiavnica, central Slovakia. Focusing on all kinds of experimental music, the festival combines local and international artists and perfomers with a wide range of artistic expression, also with allusions to traditional music. </p>
<p>Published August, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/07/photo1_Bolka_737b2c9214.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">“Subversion is my compositional process.” Slovak experimental musician Bolka talks about his releases. </h1>
<p>
Exactly one year to the day since the release of his last album Smutné stropy (Sad Ceilings), one of the most remarkable Slovak recordings of the last year, the follow-up EP to Žiadzasamy is being released via the Weltschmerzen label. Bolka studied sonology in The Hague. </p>
<p>Published July, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/07/digicore.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">The Digicore scene in Slovakia — How to make music and build community</h1>
<p>
It can be challenging to pinpoint the precise origins of hyperpop as a musical genre. The term was first used in the 1980s in connection with the Scottish band Cocteau Twins, but they can hardly be described as the predecessors, let alone pioneers of the genre. </p>
<p>Published July, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/07/Screenshot-2024-07-17-at-12.40.26-1.png) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Underground Culture Under Threat I. — Georgia’s illiberal turn and resistance movement</h1>
<p>
<p>The illiberal frenzy has hit Georgia hard. Gábor Erlich sketches out some of the key challenges facing this tiny gem of a country in the South Caucasus — including its creators, selectors, promoters, clubs, venues, electronic music scene, and its entire civil society as such. Essentially: of 2024 in Eastern Europe.</p>
<p>Published July, 2024</p>
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<h1 class="entry-title">„It’s a tropical landscape played from broken speakers.“</h1>
<p>
<p>At the brink of the emerging summer tropical heat, we spoke to experimental duo SSRI about urban illness, the creative process behind their new album, and Łódź’s thriving musical scene.</p>
<p>Published July, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/06/DSC0200.jpeg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Pavilon and Terra Kontra join forces for a small festival coalition</h1>
<p>
This year, you don't have to choose which small festival to attend. We've looked into what to expect from the joint venture between Pavilon and Terra Kontra this July in Felsőtárkány. </p>
<p>Published June, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/06/2024-06-23-23-03-42-2000x.jpeg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Ored Recordings: Punk ethnography and the sounds of the North Caucasus</h1>
<p>
Founded in 2013 by Bulat Khalilov and Timur Kodzoko, Ored Recordings is a pioneering label dedicated to documenting and preserving the traditional and post-traditional music of the North Caucasus.
Through field recordings, dinner parties, communal gatherings and local festivities, the label has captured a wide range of musical traditions and manifestations, from Circassian epic sagas to Cossack songs and Sufi rituals in Chechnya. </p>
<p>Published June, 2024</p>
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<h1 class="entry-title">Music without Agency – The struggles of acting in the alternative scene </h1>
<p>
At the age of the great alienation and dopamine addiction due to short format content dump, creating something that sticks and brings people together can feel like a task for Sisyphus. Promoters and organisers fight for audiences and venues and challenge themselves by finding the perfect date for their release or event. </p>
<p>Published June, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/06/Why_wont_you_marry_me-1-scaled.jpg) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Exploring the evolution and impact of the traditional Croatian dance.</h1>
<p>
Written by Tiiu Meiner
The ways we move our bodies are deeply ingrained in us and influenced by cultural teachings. These movements, collectively shared and practiced, play a significant role in shaping our societies, becoming living repositories of our cultural heritage. </p>
<p>Published June, 2024</p>
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<h1 class="entry-title">The Muscut and Shukai sounds of lost futures</h1>
<p>
At first glance, the sonic worlds of Ukrainian labels Muscut and Shukai sound very similar. While the aesthetics of both share the sound of the nostalgic allure of blurred, overdubbed tape loops, they diverge in their creative approach. </p>
<p>Published June, 2024</p>
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<div style="width:100%;background:url(https://easterndaze.net/wp-content/uploads/2024/05/penzkazirelgroup-scaled-1.webp) no-repeat black;background-size:cover;display:block;background-position:center;aspect-ratio:4/3;"></div>
<h1 class="entry-title">Punkraves in pubs, forests, factories and clubs — nearing a decade-long run, PÉNZ debuts their new mixtape</h1>
<p>
The PÉNZ collective coined (invented?) a trademark sound and vibe within the Budapest nightlife scene. Considering that they’ve been active for almost a decade, perhaps it’s not too much of a stretch to discuss their “life’s work”. </p>
<p>Published May, 2024</p>
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<h1 class="entry-title">KAROLINDA: “I think the Polish electronic music scene has a lot to offer.”</h1>
<p>
We continue our collaboration with the Oramics collective, focusing on the north Polish collective DEKONSTRUKT. Here you can read an interview by Zosia Holubowska with KAROLINDA, a musical project by a queer interdisciplinary artist Karo Linda, who is fascinated by bass, strong beat, and skittering rhythms. </p>
<p>Published May, 2024</p>
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<h1 class="entry-title">With mappa on the fluid boundaries between fictional and real sound worlds</h1>
<p>
Between Lučenec and Banská Štiavnica, Jakub Juhás, founder of the mappa label, forms soundscapes that naturally wander between the real and the fictional. Be it sonic ecosystems of ponds or eclectic electronics drowned in the meditative sound of organs. </p>
<p>Published May, 2024</p>
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<h1 class="entry-title">“Taking matters into our own hands and offering an alternative”. An interview with Polish trans-femme and non-binary collective DEKONSTRUKT</h1>
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Oramics is a queer feminist artist platform established in 2017 to support and empower femme, non-binary, and queer artists on the Polish electronic and club music scene and to promote music from the Eastern-European region. To give more context you can check out the podcast research showing that despite a wide range of talents and initiatives, artists from the area are rarely invited to show their art in international podcast series. </p>
<p>Published May, 2024</p>
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<h1 class="entry-title">We essentially do the same thing, just better – interview with makrohang</h1>
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Not many bands have had as big an impact on me as Makrohang. I was in mourning for quite a while when they disappeared from the scene. </p>
<p>Published May, 2024</p>
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<h1 class="entry-title">“After the success I wanted to erase everything, I will always be the Rat King.” Vojtík on his work, the periphery and the mainstream.</h1>
<p>
He discovered his musical role models on TV Očko when he was thirteen years old. He grew up listening to alternative pop by Ethel Cain and Lana del Rey, and developed his own musical expression in the folklore ensemble Romka. </p>
<p>Published April, 2024</p>
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<h1 class="entry-title">“It’s just wild that all of this exists, that we are here to experience it.”</h1>
<p>
Lukasz Polowczyk is a Berlin-based sound artist, poet, and educator. His artistic practice is based around the protocols of translating the poetic intentionality of an idea across a variety of expressions and media. </p>
<p>Published April, 2024</p>
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<h1 class="entry-title">“Earthly” meditation accessible to anyone</h1>
<p>
<p>Line Gate, currently an one-person project of Michalovce-born and Prague-based musician Michal Vaľko, started with first public performance in 2011, later reformed as quintet consisting of Marta Laurincová (cello), Ľubor Kučera (bass), Jakub Lysý (piano), Michal Vaľko (guitar, vocals), Martina Mazániková (drums), which released their first album Split Lines in 2013. </p>
<p>Published March, 2024</p>
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<h1 class="entry-title">Toolkit: Triglav</h1>
<p>
In talks with (Működésben in Hungarian) is a new series started out on MMN Magazine, that features interviews with notable figures of the local Hungarian and international electronic music scene. The focus of the interviews is on artistic practices and creative methods, but of course, each interview touches upon other topics too, may that be a more specific or a general one, including past events or future plans. </p>
<p>Published March, 2024</p>
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<h1 class="entry-title">Cultivating tenderness through listening with Warm Winters Ltd.</h1>
<p>
Bratislava-based label Warm Winters Ltd. strives to weave a tender musical tapestry. </p>
<p>Published March, 2024</p>
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<h1 class="entry-title">Re-Enchanted Kingdoms </h1>
<p>
<p>Or the idiosyncratic topography of contemporary Slovak folk-music </p>
<p>Published March, 2024</p>
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<h1 class="entry-title">Don’t call me G, but rather next one </h1>
<p>
<p>Where is the new generation of Slovak rap heading? Slovakia is a small country with large regional disparities. This results in the experienced binary division into the more developed West with the capital city Bratislava and the East, which remains in the shadow of the Western part.</p>
<p>Published March, 2024</p>
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<h1 class="entry-title">“The traditional music industry has had to deal with its new speed of virality.” – Talking to Bucharest’s Ion D and Inana</h1>
<p>
With the ATOPIA collaborative residency, Rokolectiv Festival brought together Ukrainian musician Maryana Klochko and Bucharest producers Ion D and Inana to work on new music outputs. On this occasion, we caught up with Future Nuggets’ Ion D and Inana to talk about the Romanian music scene, pop, TikTok, and speculative philosophy. </p>
<p>Published July, 2023</p>
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<h1 class="entry-title">Easterndaze On Air – our second radio event celebrating community radio in Central / Eastern Europe</h1>
<p>
Live broadcast event on December 9, 2022, including a panel on community radios moderated by Ieva Gudaityte.
December 9, 2022 sees the second Easterndaze On Air radio day. </p>
<p>Published December, 2022</p>
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<h1 class="entry-title">Easterndaze x Berlin 2021 – Community Radio special Archive</h1>
<p>
Community radios from Central and Eastern Europe connected through the Easterndaze Berlin platform. Easterndaze Berlin On Air facilitated conversation and exchange between diverse voices which you can follow both locally and all over the world. </p>
<p>Published June, 2021</p>
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<h1 class="entry-title">Easterndaze x Berlin 2021</h1>
<p>
From March to September 2021
As the world is unraveling this past year, cultural events in physical space remain postponed indefinitely. Most of these happenings have shifted online with artists and audiences atomized across the world, connecting via 0s and 1s. </p>
<p>Published June, 2021</p>
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<h1 class="entry-title">Easterndaze x Berlin in videos</h1>
<p>
The 3rd edition of our Berlin encounters brought together collectives, thinkers, ideas and people from avantgarde digital sonics of Conditional vs Serious Serious, to manele vs Brazilian performance courtesy of Paradaiz and Voodoohop to art to techno/electro/acid from Forbidden Planet and Mechta, to talks about the relevance of notions of East and West nowadays, the precariousness of cultural endeavours and necessity to be active and try to change existing societies in the face of adversity (rising rightwing, nationalism, xenophobia, lack of resources, etc). Here are some of the moments. </p>
<p>Published December, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019 presents KAJET Journal panel talk & D’EST videoteka</h1>
<p>
On Saturday the accompanying talk curated by Kajet Journal is held at the exhibition and space of ZÖNOTÉKA in Neukölln, and takes up central topics on the theme “Subcultural Peripheries: Remapping the East”. Event takes place on Saturday from 4pm, Facebook event here. </p>
<p>Published November, 2019</p>
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<h1 class="entry-title">Easterndaze x 2019 presents Voodoohop</h1>
<p>
The Brasil-Berlin cultural underground activist collective Voodoohop pioneered the new Latin American downtempo sound. Though it was started in Sao Paulo, Brazil, their party series has since expanded to a Berlin outpost with events appearing regularly around town at different venues creating a multi sensory tropical cabaret. </p>
<p>Published November, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019 presents Forbidden Planet</h1>
<p>
Forbidden Planet is a label, radio show and party started in Montreal, Canada. They operate partly from Berlin, and their sound pays homage to the subterranean basements of the German capital (especially in its more underground, 90s semblance). </p>
<p>Published November, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019 presents Bucharest’s Paradaiz</h1>
<p>
PARADAIZ TAPE MAȘINA is a DJ duo based in Bucharest that exclusively plays original hand-picked muzică de petrecere and early Manele cassettes. Manele is a musical genre from the Balkans, also described as contemporary Romani wedding music. </p>
<p>Published October, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019 presents Conditional</h1>
<p>
Conditional is a record label dedicated to forward-facing electronic and computer music, established in 2015 by Calum Gunn and based in Berlin, Germany. Releases are primarily disseminated on cassette tapes, but have included vinyl, CDs, lanyard, t-shirts, video games and posters. </p>
<p>Published October, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019 presents Tallin’s Serious Serious</h1>
<p>
Serious Serious is a label/collective based between Vienna and Tallinn. Their roster varies from cut’n’paste maestro Ratkiller, to existential beatmaker Benzokai and several artists from the Tallinn underground. </p>
<p>Published October, 2019</p>
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<h1 class="entry-title">Easterndaze x Berlin 2019</h1>
<p>
THIRD EDITION OF FESTIVAL CONTINUES TO PAIR ELECTRONIC MUSIC COLLECTIVES OF EASTERN EUROPE + BERLIN TO CELEBRATE DIY ARTS & COMMUNAL ETHOS
28-30 November 2019 Various venues in Berlin
Tickets for each event can be purchased directly at the door.
The Easterndaze x Berlin festival once again invites artists, actors and activists from the electronic music scene of Eastern Europe to Berlin, pairing them with locally-based labels/collectives for live performances, DJ sets and talks. </p>
<p>Published October, 2019</p>
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<h1 class="entry-title">Cranky Bow: Why Your Aikido Will Fail On The Street</h1>
<p>
Cranky bow is the psychedelic step-son of Gábor Kovács. A weird and often absurd collage-project that deals with the forgotten members of the audio-spectrum. </p>
<p>Published June, 2019</p>
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