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<center><h2 id="wrap-left"> ACADIA 2020 | DISTRIBUTED PROXIMITIES | October 24-30, 2020 | Online + Global</h2>
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<p><span id="link-size">ACADIA 2020 Proceedings</span><br>
The proceedings for the ACADIA 2020 Conference can be purchased on Amazon using these links:<br>
<a href="https://www.amazon.com/ACADIA-2020-Distributed-Proximities-Conversations/dp/0578952130/" target="_blank"> Volume I: Technical Papers, Keynote Conversations</a><br>
<a href="https://www.amazon.com/ACADIA-2020-Distributed-Proximities-Architecture/dp/057895253X" target="_blank"> Volume II: Projects, Field Notes, Videos, Awards, Workshops </a><br><br>
The proceedings for the ACADIA 2020 Conference can be downloaded as PDF files using these links:<br>
<a href="https://drive.google.com/file/d/1G80fRDWei0xtrZjCBmevyYqGLDSwjtCj/view?usp=sharing" target="_blank"> PDF - Volume I: Technical Papers, Keynote Conversations</a><br>
<a href="https://drive.google.com/file/d/1QF0ME5a42vzZp37EZp6UXtdRxhWsHi2Y/view?usp=sharing" target="_blank"> PDF - Volume II: Projects, Field Notes, Videos, Awards, Workshops </a></p>
<p><a id="link-size" href="http://proximities.acadia.org/" target="_blank">Click Here to Access the ACADIA 2020 Conference Platform</a><br>The Distributed Proximities conference platform is an interactive, spatial visualization of the research presented and discussed at this year’s conference. It uses machine learning algorithms to analyze the conference content, identify key terms, and cross reference these terms with over 13,000 entries in the CumInCAD repository of research presented at ACADIA and its sibling organizations CAADRIA, eCAADe, SIGraDi, ASCAAD and CAADFutures over the past 40+ years. It also serves as an exhibition and archive of all research and design work presented at the 2020 ACADIA conference.</p>
<p><a id="link-size" href="https://www.youtube.com/c/ACADIAorg/videos" target="_blank">Link to ACADIA Youtube Channel for Keynote Event Livestreams</a></p>
<p><a href="register.html">REGISTER</a> <a href="keynotes.html">KEYNOTES</a> <a href="awards.html">AWARD SPEAKERS</a> <a href="sessionchairs.html">SESSION CHAIRS</a> <a href="schedule.html">SCHEDULE</a> <a href="bookshelf.html">CONFERENCE BOOKSHELF</a></p>
<p>Abrupt shifts due to the global pandemic have precipitated myriad experiments in remoteness, improvised virtual communities, and rapid retooling to address novel urgencies. These circumstances provide an opportunity to reflect upon practices and priorities, to recognize the interdependent coevolutionary nature of our planet, society, and built environment, and to collectively re-imagine alternate futures.</p>
<p>Acknowledging the volatile disruptions of normal routines, <span style="font-weight:bold">Distributed Proximities</span> aims to explore the complex contours of the moment by privileging operative modalities and their (re)organizational logics. The term “distributed computing” refers to any parallel computation process that partitions a complicated task into discrete quanta. Originally relying upon an operating system architecture with physically separated processing nodes, the system’s connected array structure is the source of its robustness. In the current state of forced semi-autonomy, a remarkable simulacrum has emerged: diverse, ad hoc adaptations—academia fragmented, distributed research, bottom-up fabrication—that demonstrate the resilience and ingenuity of the computational design community in the face of crisis.</p>
<p>With this reality as a point of departure, <span style="font-weight:bold">Distributed Proximities</span> invites contributions of recent and emerging work in computational design innovation and culture. In addition to completed research, this year we encourage the submission of work that is in-process, behind-the-scenes, recently initiated, and in-formation.</p>
<p>ACADIA 2020 will be an entirely virtual event, featuring peer-reviewed, juried, and curated content, published proceedings, as well as live discussions and activities that aim to radically open up the conversation around computational design and its critical dialogues.</p>
<br>
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<b> Contact: 2020@acadia.org</b><br>#acadia2020<br>#distributedproximities
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<h2>Keynote Speakers</h2>
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<p><b style="color: black;">Thom Mayne, Morphosis</b>
</p>
</a>
</td>
<!-- <td>
<p><b style="color: black;">Rafael Lozano-Hemmer</b></p>
<br>
<i>Electronic Artist, Mexico City (<a href="http://www.lozano-hemmer.com" target="_blank">link</a>)</i>
<p align="justify">Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada.</p>
<p align="justify">Electronic artist, develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerized
surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light and shadow works are "antimonuments for alien agency".</p>
<p align="justify">His large-scale interactive installations have been commissioned for events such as the Millennium Celebrations in Mexico City (1999), the Cultural Capital of Europe in Rotterdam (2001), the UN World Summit of Cities in Lyon (2003), the
opening of the YCAM Center in Japan (2003), the Expansion of the European Union in Dublin (2004), the memorial for the Tlatelolco Student Massacre in Mexico City (2008), the Winter Olympics in Vancouver (2010), and the pre-opening exhibition
of the Guggenheim in Abu Dhabi (2015).</p>
<p align="justify">Recently the subject of solo exhibitions at the San Francisco Museum of Modern Art, the MUAC Museum in Mexico City, and the Museum of Contemporary Art in Sydney, he was the first artist to officially represent Mexico at the Venice Biennale
with a solo exhibition at Palazzo Soranzo Van Axel in 2007. He has also shown at Art Biennials and Triennials in Havana, Istanbul, Kochi, Liverpool, Montréal, Moscow, New Orleans, Seville, Seoul, Shanghai, Singapore and Sydney. Collections
holding his work include the MoMA in New York, Tate in London, AGO in Toronto, CIFO in Miami, Jumex in Mexico City, DAROS in Zurich, Borusan Contemporary in Istanbul, MUAC in Mexico City, 21st Century Museum of Art in Kanazawa, MAG in
Manchester, MUSAC in Leon, MONA in Hobart, ZKM in Karlsruhe, MAC in Montréal and SAM in Singapore, among others.</p>
<p align="justify">He has received two BAFTA British Academy Awards for Interactive Art in London, a Golden Nica at the Prix Ars Electronica in Austria, "Artist of the year" Rave Award from Wired Magazine, a Rockefeller fellowship, the Trophée des Lumières
in Lyon, an International Bauhaus Award in Dessau, the title of Compagnon des Arts et des Lettres du Québec in Quebec, and the Governor General's Award in Canada. He has lectured at Goldsmiths college, the Bartlett school, Princeton, Harvard,
UC Berkeley, Cooper Union, USC, MIT MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Cornell, UPenn, SCAD, Danish Architecture Cente, CCA in Montreal, ICA in London and the Art Institute of Chicago.</p>
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<!-- <table>
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<a href="keynotes.html"><img src="images/keynote2.png" width="200" style="overflow:hidden;" style="color: black;">
<p><b style="color: black;">Dominique Jakob, Jakob + MacFarlane</b>
</p>
</a>
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<p><b style="color: black;">Francesca Hughes</b></p>
<br>
<i>Professor and Head of School, UTS Sydney (<a href="https://www.uts.edu.au/about/faculty-design-architecture-and-building" target="_blank">link</a>)</i>
<p align="justify">Francesca Hughes is a writer and educator in architecture who has more than 25 years experience teaching both design and history and theory at the Architectural Association and the Bartlett School of Architecture, U.C.L. She has recently
been appointed professor of Architecture at UTS Sydney where she takes up the position of head of school in October.</p>
<p align="justify">Francesca is author editor of The Architect: Reconstructing her Practice (MIT Press, 1996), Drawings that Count (AA publications, 2013) and most recently, author of The Architecture of Error: Matter, Measure and the Misadventures of Precision
(MIT Press, 2014). She has lectured widely on architecture’s fetishisation of precision and thus complicated relations to computation in the US, Australia and Europe, including at e-flux New York, The Berlage, Princeton, Yale, MIT, Harvard
and the London Science Museum. Francesca is co-founder of the multidisciplinary practice Hughes Meyer Studio, with American artist/ecologist Jonathan Meyer and Hungarian architect/digital artist Gergely Kovàcs, whose work has been extensively
published by AA Files, AD, ANY, AR, A/R/P/A, Artforum, Harvard Design Magazine, e-flux, Merrell, Random House (Monacelli), Routledge, University of Minnesota Press and Wiley and exhibited in the UK and abroad. The studio’s recent collaborations
have included a book with classicist Mary Beard and historian of science David Edgerton, and an Arts Council of Great Britain funded film with Turner Prize nominee Catherine Yass. Francesca’s forthcoming book examines architecture’s role
in the histoire longue durée of computation, tentatively entitled, Architecture’s Computer: a Spatial Prehistory of the Universal Discrete Machine.</p>
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<p><b style="color: black;">Harlen Miller, UN Studio</b></p>
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<p><b style="color: black;">Philippe Block</b></p>
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<i>Professor, Institute of Technology in Architecture at ETH Zurich (<a href="http://www.block.arch.ethz.ch/brg/people/philippe-block" target="_blank">link</a>)</i>
<p align="justify">Philippe Block is Professor at the Institute of Technology in Architecture at ETH Zurich, where he directs the Block Research Group (BRG) together with Tom Van Mele. The BRG focuses on equilibrium analysis, computational form finding,
optimisation and fabrication of curved surface structures, specialising in unreinforced masonry vaults and thin concrete shells. Prof. Block is also the director of the Swiss National Centre of Competence in Research (NCCR) Digital Fabrication.
Within the NCCR, the BRG develops innovative structural design strategies using bespoke prefabrication, pushing construction innovation.</p>
<p align="justify">Block studied architecture and structural engineering at the VUB in Belgium, and at MIT in the USA, where he earned his PhD in 2009. With the BRG and as partner of Ochsendorf DeJong & Block (ODB Engineering), he applies his research into
practice on the structural assessment of historic monuments and the design and engineering of novel shell structures. He has won numerous awards for his research and work, including most recently the Berlin Arts Prize 2018 for Architecture.
Block has lectured at top universities and leading engineering and architecture offices worldwide and is regularly invited as an expert consultant.</p>
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<p><b style="color: black;">Keynotes will be announced soon!</b></p>
</a>
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<p><b style="color: black;">Diego Ricalde</b></p>
<br>
<i>Professor, Universidad Iberoamericana CDMX (<a href="http://www.mmx.com.mx" target="_blank">link</a>)</i>
<p align="justify">Professor, Universidad Iberoamericana CDMX, principal at Estudio MMX. Diego Ricalde holds an Architecture BA from UNAM and an Architecture and Urbanism MArch from the Architectural Association. Diego is, currently, Professor at Universidad
Iberoamericana, where he leads “Cátedra Blanca”; a diploma design studio focused on studying territorial and landscape dynamics and exploring the complexities of Mexico City’s basin through the incorporation of diverse digital tools and
logics. Ricalde has lectured and taught in diverse universities, in Mexico and abroad, concentrating in digital logics and their relation to Mexico’s urban fabrics, architecture and fabrication processes. Along with three partners, he
leads Estudio MMX; a practice based in Mexico City, interested in generating strategic design for a wide range of scales. Awards of Estudio MMX include the AIA Architectural League Prize and The National and International Cemex Award;
the studio work has been exhibited at the Storefront, MoMa, Mude in Lisbon and Palacio de Bellas Artes.</p>
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<h2>ACADIA Awards of Excellence</h2>
<p>Inaugurated in 1998, the ACADIA Awards of Excellence represent recognition, by colleagues worldwide, of consistent contributions and impact on the field of architectural computing. Through 2005, awards were given in three categories: Teaching, Service,
and Research. In 2006 an award was added in Emerging Digital Practice and the prior three were renamed as Teaching Excellence, Innovative Research, and Society. In 2007, an additional award for an innovative academic program was added to recognize
individual or collective efforts in the establishment of an innovative academic program that contributes to the education of students in the field of digital design. At most one award is presented each year in each category, to an individual or academic
program that, in the eyes of the review committee, exhibits "evidence of exceptional and innovative achievement."</p>
<h2>ACADIA Award Categories</h2>
<p><strong>ACADIA Digital Practice Award of Excellence</strong></p>
<p>This award recognizes creative design work that advances the discipline of architecture through development and use of digital media.</p>
<p><strong>ACADIA Innovative Research Award of Excellence</strong></p>
<p>This award recognizes innovative research that contributes to the field of digital design in architecture. The award distinguishes research with the potential to transform contemporary architecture.</p>
<p><strong>ACADIA Innovative Academic Program Award of Excellence</strong></p>
<p>This award recognizes an innovative academic program that contributes to the education of students in the field of digital design. The award distinguishes one or more individuals responsible for the establishment, success, growth, or management of the
academic program.</p>
<p><strong>ACADIA Teaching Award of Excellence</strong></p>
<p>This award recognizes innovative teaching in the field of digital design in architecture. Teaching approaches that can be adopted by other educators are recognized in particular. </p>
<p><strong>ACADIA Society Award for Leadership</strong></p>
<p>This award recognizes extraordinary contributions and service to the ACADIA community.</p>
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<a href="awards.html"><img id="wrap-imgrespfull" src="images/award1.png" alt="Thom Mayne" />
<p><strong>ACADIA 2019 Lifetime <br />Achievement<br /> Award</strong></p>
<br>Thom Mayne<br /> Founding Principal <br />Morphosis
</p>
</a>
</div>
<br><br><br><br><br>
<div id="wrap-divwinners2">
<a href="awards.html"><img id="wrap-imgrespfull" src="images/award2.png" alt="Dana Cupkova" />
<p><strong>ACADIA Teaching <br />Award of <br />Excellence</strong></p>
<br>Dana Cupkova<br />Associate Professor, Carnegie Mellon University <br /> and a Design Director of EPIPHYTE Lab
</p>
</a>
</div>
<br><br><br><br><br>
<div id="wrap-divwinners">
<a href="awards.html"><img id="wrap-imgrespfull" src="images/award3.png" alt="Roland Snooks" />
<p><strong>ACADIA Digital <br />Practice Award <br />of Excellence</strong></p>
<br>Roland Snooks<br />Associate Professor, RMIT University<br />
Director of Studio Roland Snooks
</p>
</a>
</div>
<br><br><br><br><br>
<div id="wrap-divwinners">
<a href="awards.html"><img id="wrap-imgrespfull" src="images/award6.png" alt="Catie Newell" />
<p><strong>ACADIA<br/>Innovative Academic <br />Program Award <br />of Excellence</strong></p>
<br>Master of Science in Digital and Material Technologies, University of Michigan <br />
Director, Catie Newell<br />
</p>
</a>
</div>
<br><br><br><br><br>
<div id="wrap-divwinners">
<a href="awards.html"><img id="wrap-imgrespfull" src="images/award5.png" alt="Jose Sanchez" />
<p><strong>ACADIA <br />Innovative Research <br />Award of <br />Excellence</strong></p>
<br>Jose Sanchez<br/>Assistant Professor, University of Southern California<br/>
Director of the Plethora Project
</p>
</a>
</div>
<br><br><br><br><br>
<div id="wrap-divwinners">
<a href="awards.html"><img id="wrap-imgrespfull" src="images/award4.png" alt="Chris Yessios" />
<p><strong>ACADIA Society Award <br>for Leadership</strong></p>
<br>Chris Yessios<br/>Professor Emeritus, The Ohio State University<br/>
Founder and former President of AutoDesSys, Inc.
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