Анализ страницы https://www.audiotool.com/artists
Основное Готовность: 75%
Домен
audiotool.com
Состояние доменного имени
?
Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Домен второго уровня идеален для продвижения.
Отличный запоминающийся домен.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Безопасность
Сайт безопасен
Использование HTTPS и SSL-сертификат
?
HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
Не настроен HSTS (Strict-Transport-Security) — рекомендуется включить.
На сайте работает защищенный протокол ssl и сайт открывается по https.
Ssl-сертификат действителен до 04.10.2026 22:45:22.
Сервер поддерживает HTTP/3 (QUIC) — новейший протокол.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
utf-8
Кодировка символов страницы
?
Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице utf-8.
Язык
en
Атрибут lang в HTML-теге
?
Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en.
Скорость загрузки
~0,72сек
Время отклика сервера (TTFB)
?
Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 0,72сек оптимальна.
Объем документа
364Кб
Размер HTML-кода страницы
?
Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 364Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 41
Внешние ресурсы страницы (CSS, JS, изображения)
?
Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 41 много для одной страницы. Приемлемо до 10. Проведите оптимизацию файлов ресурсов!
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/icon.DS0YLQrV.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown.DWaxq2Tv.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/common-button.GktpMSGh.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/modal-close-button.CFM88s9Q.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/cdn-image-inner.C2Gtfo9T.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/message.DIg_Ldxa.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/form-row.BPu6fsOh.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/tag-pill.CEPaZNU0.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/default-input.5MuwJyQY.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/tag-input.D86axBSx.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/selection-card-group.pO7tYUQC.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/text-area.BokIWuLS.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/loading-spinner.BJH9yyWI.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/modal.DtBoWAIC.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/image-upload-flow.DxTgzzyz.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/sentry-scope-context.BxjBT-jp.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/0.aG9N_YMj.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/resource-edit-modal.kDXdRPpN.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown-button-item.DknHiePL.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown-items-group.xcpjzVSq.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/avatar.Dihq3faZ.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/select-input.Baepy3t-.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/user-status-button.CTxbEKXB.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/infinite-scroll-sentinel.Bf0Ot5x9.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/share-track.CXFK9dXk.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/like-button.2p_xj6NY.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/play-button.CZukbq0-.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/waveform.B66SLAz4.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/player-volume.CSsOsW1m.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/chart-position-badge.D_OzRxwX.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/web-player.20g1LYsW.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/web-player-coordination.BF-_VR4A.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/resource-page-hero.ClR3kBy7.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/nav-list-item.CbSHqbJH.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/mobile-bottom-nav-profile-sheet.DSsXRlot.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/mobile-bottom-nav.B7yCUkHJ.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/website-app-chrome.BoPKAr7Q.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/5.CKGNR6HP.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/featured-interview-box.Dc1BLNop.css | |
| stylesheet | https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/49.MQuDD4vt.css | |
| js | https://www.audiotool.com/pl/pa-0ob575Laqe1pXgKlTRiqy.js |
Серверные заголовки
Кол-во: 8
HTTP-заголовки ответа сервера
?
Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 8шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| Date | Mon, 24 Aug 2026 17:52:06 GMT |
| ETag | "1yvn3lu" |
| Link | <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/icon.DS0YLQrV.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown.DWaxq2Tv.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/common-button.GktpMSGh.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/modal-close-button.CFM88s9Q.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/cdn-image-inner.C2Gtfo9T.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/message.DIg_Ldxa.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/form-row.BPu6fsOh.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/tag-pill.CEPaZNU0.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/default-input.5MuwJyQY.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/tag-input.D86axBSx.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/selection-card-group.pO7tYUQC.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/text-area.BokIWuLS.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/loading-spinner.BJH9yyWI.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/modal.DtBoWAIC.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/image-upload-flow.DxTgzzyz.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/sentry-scope-context.BxjBT-jp.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/0.aG9N_YMj.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/resource-edit-modal.kDXdRPpN.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown-button-item.DknHiePL.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/dropdown-items-group.xcpjzVSq.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/avatar.Dihq3faZ.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/select-input.Baepy3t-.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/user-status-button.CTxbEKXB.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/infinite-scroll-sentinel.Bf0Ot5x9.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/share-track.CXFK9dXk.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/like-button.2p_xj6NY.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/play-button.CZukbq0-.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/waveform.B66SLAz4.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/player-volume.CSsOsW1m.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/chart-position-badge.D_OzRxwX.css>; rel="preload"; as="style"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/assets/web-player.20g1LYsW.css>; rel="preload"; 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rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/CPnk6cli.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/Dd9XXrxP.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/BycDyORw.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/CIFcEleE.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/DP3x0wu3.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/6yFEiCfV.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/DTwj7XGN.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/DU0a5NXt.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/CnVaqgt8.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/B9TIMfCW.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/CxWCTllY.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/DEYkqvJE.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/BguhoQFB.js>; rel="modulepreload"; nopush, <https://cdn.audiotool.com/tribe-builds/baca15ba270d21520e4de4008ca4ec31921dddad/_app/immutable/chunks/6HWWbnVq.js>; 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| X-Request-ID | f73158f9-12a8-4c54-908b-01bf8646c3c8 |
| x-sveltekit-page | true |
| x-trace-id | 6b4709ad382a422a5e6b7c8ff5e37d67 |
| Via | 1.1 google |
| Alt-Svc | h3=":443"; ma=2592000 |
CMS
Wix
Система управления сайтом (движок)
?
CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS Wix.
Веб-сервер
Не определён
Программное обеспечение сервера
?
Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Веб-сервер не определён — заголовок Server скрыт. Это не ошибка: часто так настраивают из соображений безопасности.
Мета-теги Готовность: 48%
Title
Featured Artists | Audiotool
Заголовок страницы в браузере и поисковой выдаче
?
Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо увеличить число символов в title (текущее значение: 28, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Outstanding musicians from the Audiotool community. Browse the complete Featured Artists archive — interviews, curated tracks, Edition Audiotool releases.
Описание страницы в поисковой выдаче (сниппет)
?
Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Необходимо уменьшить число символов в description (текущее значение: 154, оптимально: от 120 до 130)
Keywords
Список ключевых слов страницы (устаревший тег)
?
Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
https://www.audiotool.com/artists
Указывает поисковику основную версию страницы
?
Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Канонический Url прописан корректно.
Robots
Ошибок нет
Директивы для поисковых роботов на уровне страницы
?
Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots не указан. Страница свободна для индексации.
Адаптивность
width=device-width, initial-scale=1, minimum-scale=1
Настройка масштабирования на мобильных устройствах
?
Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport со значением-константой width=device-width задаёт ширину страницы в соответствии с размером экрана.
Meta-тег viewport со значением initial-scale=1.0 определяет масштаб 1:1, т.е. «не масштабировать».
Meta-тег viewport со значением minimum-scale определяет минимальный масштаб области просмотра.
Разметка OpenGraph
Кол-во: 5
Мета-теги для красивых превью в соцсетях
?
OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph задана. Страница оптимизирована под социальные сети.
Показать полный список og мета-тегов
| Тип | Значение |
|---|---|
| og:title | Featured Artists | Audiotool |
| og:site_name | Audiotool |
| og:description | Outstanding musicians from the Audiotool community. Browse the complete Featured Artists archive — interviews, curated tracks, Edition Audiotool releases. |
| og:url | https://www.audiotool.com/artists |
| og:type | website |
Все мета-теги
Кол-во: 12
Полный список мета-тегов страницы
?
Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 12шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | sentry-trace | 6b4709ad382a422a5e6b7c8ff5e37d67-d7950ba88c829010 |
| name | baggage | sentry-environment=production,sentry-release=baca15ba270d21520e4de4008ca4ec31921dddad,sentry-public_key=d0c075f988889ff91448d08603277ff1,sentry-trace_id=6b4709ad382a422a5e6b7c8ff5e37d67,sentry-org_id=4508019645677568 |
| name | viewport | width=device-width, initial-scale=1, minimum-scale=1 |
| name | theme-color | #0ec5ff |
| name | description | Outstanding musicians from the Audiotool community. Browse the complete Featured Artists archive — interviews, curated tracks, Edition Audiotool releases. |
| name | twitter:description | Outstanding musicians from the Audiotool community. Browse the complete Featured Artists archive — interviews, curated tracks, Edition Audiotool releases. |
| name | twitter:title | Featured Artists | Audiotool |
| property | og:title | Featured Artists | Audiotool |
| property | og:site_name | Audiotool |
| property | og:description | Outstanding musicians from the Audiotool community. Browse the complete Featured Artists archive — interviews, curated tracks, Edition Audiotool releases. |
| property | og:url | https://www.audiotool.com/artists |
| property | og:type | website |
Оптимизация Готовность: 82%
Структура
Ошибок нет
Семантические HTML-элементы страницы
?
Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют в одном экземпляре).
Контент
Ошибок нет
Объём и качество текстового содержимого
?
Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 3 встречаются в тексте достаточно.
Абзацев с текстом 163 достаточно.
Среднее число слов в абзаце 74 достаточно.
Кол-во знаков контента 76794 на странице оптимально.
Кол-во слов 12907 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
?
H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 1. Это прекрасно.
На странице присутствуют заголовки <h2> 2. Это хорошо.
На странице присутствуют заголовки <h3> 162.
Тошнота
12,21
Насколько одно слово доминирует в тексте
?
Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота превышает норму 5. Измените текст страницы!
Академич. тошнота
41,96%
Насколько текст перенасыщен ключевыми словами
?
Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
?
Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| audiotool | 149 | 1,15% |
| tracks | 81 | 0,63% |
| artist | 37 | 0,29% |
| always | 30 | 0,23% |
| community | 26 | 0,20% |
| without | 23 | 0,18% |
| artists | 22 | 0,17% |
| featured | 19 | 0,15% |
| techno | 19 | 0,15% |
| himself | 18 | 0,14% |
| musical | 17 | 0,13% |
| definitely | 15 | 0,12% |
| talented | 15 | 0,12% |
| electro | 15 | 0,12% |
| another | 15 | 0,12% |
| talent | 14 | 0,11% |
| production | 14 | 0,11% |
| atmospheric | 13 | 0,10% |
| experimental | 12 | 0,09% |
| sounds | 12 | 0,09% |
Индексация Готовность: 100%
Индексирование
Ошибок нет
Разрешено ли индексирование страницы
?
Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 186 оптимально. Поисковые роботы обязательно проиндексируют сайт.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
?
Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 178 байт. Загружен за: 0сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Показать содержимое robots.txt
User-agent: *
Disallow:
Sitemap: https://www.audiotool.com/sitemap.xml
Sitemap: https://www.audiotool.com/sitemap-static.xml
Sitemap: https://www.audiotool.com/help/sitemap.xml
Sitemap
Кол-во: 3
XML-карта сайта для поисковиков
?
Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
Robots.txt содержит несколько карт сайтов 3. Это профессионально!
Robots.txt не содержит ошибок в картах сайта.
Показать карты сайта
| Url | Статус |
|---|---|
| https://www.audiotool.com/sitemap.xml |
|
| https://www.audiotool.com/sitemap-static.xml |
|
| https://www.audiotool.com/help/sitemap.xml |
|
Внутренние ссылки
Кол-во: 120
Ссылки на другие страницы своего сайта
?
Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 120 оптимально.
Внутренние ссылки не запрещены к индексации в robots.txt.
На странице присутствуют изображения 64.
Показать первые 100 внутренних ссылок
| Url | Анкор | Состояние |
|---|---|---|
| / |
<span class="logo svelte-13zvda8" aria-hidden="true"><svg class="svelte-1aucf4r"><use href="#logo-a"></use></svg><!----></span>
|
|
| / |
<span class="logo svelte-13zvda8" aria-hidden="true"><svg class="svelte-1aucf4r"><use href="#logo-a"></use></svg><!----></span> <span class="divider svelte-13zvda8" aria-hidden="true"></span> <span class="tagline svelte-13zvda8">MULTIPLAYER<br>MUSIC PLATFORM</span>
|
|
| /music |
<!--[0--><svg class="svelte-1aucf4r"><use href="#music-note-filled"></use></svg><!--]--> <!--[0--><span class="label svelte-172vul6">Music</span><!--]--> <!--[-1--><!--]--><!---->
|
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| /artists |
<!--[0--><svg class="svelte-1aucf4r"><use href="#star-fill"></use></svg><!--]--> <!--[0--><span class="label svelte-172vul6">Artists</span><!--]--> <!--[-1--><!--]--><!---->
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| /./artists/erthboy |
Read more <svg class="svelte-1aucf4r"><use href="#arrow-right"></use></svg><!---->
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| /./artists/flower |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Flower</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Shawn Baker</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2017</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Flower, also known as Aura, is a rising star on the Audiotool EDM firmament. Without exception his tracks are produced on point, clean sounding but still energetic. His more chilled tracks are no less focused but they gain their power from their engagingly calm melodies and easygoing beats. We recommend this flower for the cold season.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/lewi-astro |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Lewi Astro</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Mark-Lewis Ndikintum</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2017</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The other winner of "the most important election of the year" and first Featured Artist in 2017 is a guy called Lewi Astro. His exciting mixture of Hip-Hop- or Trap beats and atmospheric melody constructions is realized masterfully and has earned him a great respect among the community, as proven by the rapidly increasing number of followers and fans. Go and check his music out - you definitely won't regret it.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/rodrigo-del-canto |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Rodrigo Del Canto</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Rodrigo Fernando Del Canto Chacana</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">In the three years of his presence on Audiotool, Roedrigo Del Canto has become a respected musician and popular member of the community. His tracks – most of them Deep House and Techno – are always produced on point and possess an authenticity which should make them a highlight in any Ibiza DJ's record case. We are glad to have on board such a friendly and talented representative of South America and say welcome to member number 5 of the legenday club 72.
Congratulations on being voted a winner in our Featured Artist election.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/untrust |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Untrust 三</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Aron / Aaron / Nicklas / Liam</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">What better time could there be than Christmas to celebrate an international group of musicians and their ability to cross borders to create something special together. With their fifteen tracks Untrust 三 is one of the most productive supergroups of the website. Their sound design and meanwhile their strong melodic compositions have been setting new standards for more than two years now. We can hardly wait to get to hear the results of the first Untrust 三 live collaboration in Audiotool Next.
Enjoy the Untrust 三 feature and of course the festive season</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/hvd |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">hvd.</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Michael Lewis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Mike is one of the few „oldtimers" who are still constantly active. In the early days he made himself a name with driving French House bangers only to turn under the new alias hvd. to the deep crackeling sound of the VLTRA context which he soon could put his own mark on. Our thanks for 250 largely awesome tracks at least as many constructive discussions. Respect Brah!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/carlyon |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Carlyon</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Ian Switzer-Lambrick</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Carlyon's outstanding skills are another proof of Audiotool as a talent factory. His tracks aren't only spot on the zeitgeist they are also original, incredibly clean and full of pressure. Initially dry and pithy Four to the floor tracks - after five years on Audiotool - turned into complex but danceable Neo Pop bangers which don't need to baulk comparisons with the new sound of Astrum. It's about time to upgrade his status as an insider tip.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/tyburn |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Tyburn</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Tom</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Tyburn - still known to just a few of us by the name of virtuousduck - is one of the formative minds of that aera. Hardly any of his tracks came to the public eye without showing anew what is possible with Audiotool. After the change of name and image some four years ago he devoted himself more to atmospheric Bass Music and then a short time later got together with an illustrious group of prominent colleagues to form Audiotool's first supergroup: "Future Sound Collabs".
Here again he was responsible for the deep dusty sound of that period, taking it to perfection with among others Vltra and Nominal. His track list is a piece of Audiotool history, but one that with all its musical pleasures will enthuse not only historians.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/herlufsew |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Herlufsew</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Herluf Sewerin</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Herusew is one of our new generation Audiotool hipsters. Contemporary EDM music is his metier as he demonstrates unmistakably with every tracks he publishes. We are in for something here, we'd better be prepared for it.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/clu |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">clu</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Charlie Liou</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Clu - formerly known as clueless - is one of our high quality EDM producers. His compositions are always straight to the point and varied, falling into line with modern elektronic Music without ever becoming so mainstream that Oldschool purists couldn't enjoy it, too. Not without reason one of the Audiotool chartbreakers.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/archives-audiotool-hits |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">archives/Audiotool Hits</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Benjamin Verti</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">archives is not only a talented up and coming young artist with an inclination for obscure and serious melodies and settings. With his weekly compilation series on Audiotool Hits he makes it possible for interested users to get an overview of the wide scope of Audiotool artists and music in the past, present and future. It can't be taken for granted that a young person like him shows such a constant interest in the work of others. The passion for things like this brings us full circle to his artist name: Our special thanks go to archives.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/supern-o-v-a |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">SuperN.O.V.A</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Tyler D. Clark</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">To nail SuperN.O.V.A. down to one style would be sacrilege. Around spanking rhythmic constructions he weaves atmospheric melodies and sound collages as if - at the tender age of seventeen- he had never done anything else. Currently he is apparently concentrating on products outside Audiotool but looks in now and then, leaving behind audible proof of his existence.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/hangoo |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Hangoo</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Manuel Vinczencz</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[-1--><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/bit-tron |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Bit-Tron</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Lewis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">With his 300 tracks in less than three years, Bit-Tron is one of our most prolific producers. His passion for Hip-Hop is evident throughout his work, but doesn't restrict its variety. He leaves the design of his track and his Album covers neither to chance nor to others – another good reason for taking a look at this Audiotool Allrounder.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/arpeggiator-gladiator |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Arpeggiator Gladiator</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nikoloz Bernadsky</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">To open our long expected new season we'd like you to take Arpeggiator Gladiator to heart. He skillfully mixes Acid, Trance and Techno creating a homogeneous blend without ever loosing track of the danceabilty and functionality. From our point of view a musician who definitely could get a bit more attention.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/regret |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Regret</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">David</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The Name Regret stands for contemplative, atmospheric Downbeat and Drum and Bass tracks. With his previous alter Egos … and Mourn he had already gained the reputation of an insider tip that was to be taken seriously. And it's probably due to the changing identities that his work has remained more or less in the underground, lending an enigmatic touch to the whole matter. It's about time to check out this talented young artist called Regret.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/almate |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Almate</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">André Matějka</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">If you ever wondered who's behind that cat with the noble physiognomy, here you have it. Almate's roots are unmistakably to be found in Classic and Jazz, but these and other elements are skillfully mixed with contemporary sounds, mainly Drum and Bass. It's another of those cases where it is a real joy to watch a dedicated young artist grow.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/abaddon |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">ABADDON</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Niels Bos</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">ABADDON aka Lost Protocol is one of the few advocates of the harder, classic Dutch School – if not the only one. With his pounding Hardcore monsters he soon stood out among the tame mass of Audiotool users, who – at least where the music is concerned – tend to be addicted to harmony. That doesn't mean there are no sensitive tracks among his work. We are glad to see that he has survived his baby break and is back to provide us with the requisite dose of otitis.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/arche3-0 |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">arche3.0</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Joshua Kasper</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">arche3.0 must be one of the most unconventional Artists in the Audiotool community. His eruptive fusion of Retro Electro, Jazz and also elements of contemporary music like Drum and Bass and Electro Pop is without competition on Audiotool and can be attributed to him within a fraction of a second. At the moment things have quietened down around him a bit but that's no excuse for you not to give this explosive mixture a try.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mute |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Mute</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Paul Linwood</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Mute's output rate is not the highest but everything he publishes has a special quality. In everyone of his cool Breakbeats and Dub tracks you can hear the experience he has collected over the years in this field of electronic music both as a producer and a consumer. Look by on him it's definitely worth it.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/approaching-human |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Approaching Human</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">John Cavanaugh</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">John Cavanaugh aka Approaching Human is not only a really nice guy and much appreciated member of the community. His music has grown over the years from darkish sound experiments to deep Ambient pieces with a touch of Trap and playful Dance tracks. If you don't know him already, go and give it a try.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/qvin |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">QVIN</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Quinn Lemon</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Fresh and unspoiled QVIN who appeared on the Audiotool scene only a few months ago, presents us with a good mixture of contemporary styles. We are glad that the flow of new talents seems unending and that Audiotool can contribute to the development of young artists. And so we are proud to congratulate QVIN on his appearance on the online radio station 'Pandora'.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/audioarchitect |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">AUDIOARCHITECT</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Martijn Jocker</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">AUDIOARCHITECT belongs to the big, colorful family of first hour Audiotool artists. With his mixture of experimental Ambient and Trance influenced Techno tracks he delivered high quality again and again. Meanwhile it has become a bit quieter around the architect. No reason for us to lose sight of him: From time to time he looks in on us and leaves a musical reminder.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/christian-chrom |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Christian Chrom</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Christian Biedermann</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Christian Chrom definitely belongs to the Techno elite of the website. His tracks are without exception authentic, driving and produced straight to the point. That this does not necessarily require samples is proved by some of his setups which do without them completely without giving you the feeling that something is missing. Christian Chrom doesn't only sound like a big name, for us he is one!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/emil-schyren |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">EMIL SCHYREN</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Prinz Emil Wilhelm Otto Karl Von Schyren Von Bayern</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Mystical bombast coupled with contemporary Glitch and Dubstep elements - that's EMIL SHYREN our primeval rock. Hardly an Audiotooler can look back on such an eventful musical past as HSH Prinz Emil Wilhelm Otto Karl Von Schyren Von Bayern himself. So it's hardly surprising that his tracks resemble anything but the work of a novice: they are polished to the last detail and professional sounding. Bottoms up EMIL!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/cal-lycus |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Cal Lycus</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Calum Price</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">From his earliest Audiotool days Cal Lycus aka The Marquis was not satisfied with just making his own music and continuously improving it – which he did, without a doubt. His involvement in Community matters manifested itself in the projects and ideas (some of them really fun) which he has brought in over the years. At the moment he is, as co-initiator, working on the ATU-Podcast series, which he also moderates in a fresh way. A valuable member of the Crowd, whose music deserves more attention than it has been getting.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/sumad |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Sumad</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Alexander Obst</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Alexander Obst aka Sumad is a real technical genius. His methods are as unique as they are unmatched on Audiotool. From the very beginning his technically and musically elaborate, claustrophobic Minimal tracks convinced users and team members alike. So it was not surprising that with 'Sumersum' he released the first a-records album ever in 2011. The sound design plays a special role in his production. By the use of bouncing and other tricky recording techniques he creates this special organic sound for which he is known and admired.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/ollie-jarvis |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Ollie Jarvis</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Oliver Jarvis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Ollie Jarvis - known to many of us as Oscar Ollie - has unmistakably made quite a development on Audiotool since he's been active. If his early tracks sound a bit dry and wooden, today he releases atmospheric Dub- and Chill-Step tracks with an obvious love for details and sound-design which should find their place in the top league of Audiotool producers.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/notoz |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Notoz</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Joao De La Cruz</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Notoz' atmospheric Breakz with their reference to the original approach of Drum and Bass stand out among the many young Audiotool artists. Unobtrusive, beautiful pads and sounds accompanied by easygoing Break Beats leave the listener nodding with a faraway smile.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/dublion |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">DubLion</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Thomas Waller</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">DubLion began his Audiotool career when he was about twelve years old; at that time he tried his hand - sometimes more, sometimes less successfully – at crunchy Dubstep and Drum and Bass. Four years and some hours of practice later he produces optimally mixed Drum and Bass. Here his particularly strong point is the unintrusive instrumentation, so that despite driving beats we can be sure of a goodly portion of „chill". Yet another Audiotool youngster we should definitely keep an eye on.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/aron |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Aron</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Aron Büch</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Aron was quiet rightly placed first in the Drum and Bass section in the "Audiotool Day 2015" competition. With his perfectly produced, chilled D&B contribution he played his way into the hearts of jury and audience alike. You can tell from his tracks that he has invested a lot of time and work in his musical growth. We keep our fingers crossed for him and are pretty sure that this ambitious enthusiasm will take him a long way.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/sharkyyo |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">SharKyyo</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Lyonnel Combes</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2016</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">In the two years that he has been with us SharKyyo has worked his way up to become a purposeful deliverer of high quality, darkish Downbeat tracks. He is one of the most passionate supporters of the Audiotool collaboration spirit, as can be seen from the large number of top-class team works he has been part of. It will be interesting to see where the road takes him in the future. We wish him all the best for his recent birthday and a productive new year on Audiotool.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/sandburgen |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Sandburgen</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Ralf Noetzel</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">You only have to look at the number of tracks that he has produced – and the following he has amassed – to see that Sandburgen is one of the cornerstones of the Audiotool.
Rooted in Minimal Techno and incorporating elements from Trance and Electro, he has crafted his own individual style that makes his tracks both distinctive and instantly recognisable.
He encourages other users by consistently producing high quality tracks that demonstrate the full potential of Audiotool and set the standard for others to aspire to.
[Mark 'Shakey' Valleley]</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/zerod |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Zerod</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Alejandro Ybarra</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Hardly another name has appeared so often on our wall in the last few months: Everyone wants Zerod! Reason enough for us to take a closer look at this young man: flawless EDM music with a tendency towards melodic Dubstep and an occasional touch of frenzy. That's what Zerod is about.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/brainwalker |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">brainwalker</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Stefan Holzner</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The list of Psy Trance musicians on Audiotool isn't the longest. Brainwalker definitely belongs to its pioneers and flagships. In every single note of his output you can feel the experience he has collected over the years he has been into this genre and music in general. A must at every Goa event!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/floydpjasper |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">floydpjasper</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jack Mills</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The impressive thing about Floydjasper is not only his unfailingly clean production and the outstanding atmospherics of his tracks - every second of which bears witness to his skills. But also his approach to other artists works and his way of commenting on them reveal his knowledge and love of music. An artist we can just warmly recommend.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/ron |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">ΛΛRON</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Aaron Schäfer</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">When in 2012 a young man called "Erdbeerquark" (strawberry curd) entered the Audiotool stage a murmur went through the virtual crowd. His very first piece went straight into the track feature of the old website. His chilled Downbeat tunes are always spot on. His atmosphere constructions enriched with his surrealistic guitar sounds draw the listener under their spell leaving behind a blissful sense of contentment.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/akimbo |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Akimbo</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jack Hughes</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Another talented youngster in the Audiotool Artist Crew: Akimbo delivers polished Club Music with a focus on driving Drum &Bass. And that with a stylistic confidence which makes it hard to believe he is at the beginning of the road. Though he describes himself as an amateur on his AT account, many of his tracks wouldn't be out of place on an official publication. Be sure to check his music out, his future seems promising.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/apollo-euphoria |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Apollo Euphoria</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Ethan Lewis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Apollo Euphoria is not only a highly talented young musician. With his Label/Artist-Promotion project GenesisNetwork he has in a comparatively short time made a name for himself on Audiotool. We take this opportunity to congratulate him on his birthday and look forward to many more awesome tracks and projects.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/jacob-tyler |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Jacob Tyler</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jacob Tyler</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Jacob Tyler is a real Audio pro. His tutorial templates are popular sources of good sound-design and effective production techniques.
The legendary contest series 'Audiotool Day' which he initiated starts its fourth season on November 10th and in all probability will far exceed previous year's participation. Just one of the reasons for looking by on Jake's Audiotool page.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/e-trim |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">E-Trim</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Bart Van Eynde</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">E-Trim can't yet look back on a really long Audiotool career. But that's no reason for not taking a closer look at his nihilistically minimal approach. Whether he is letting off steam in physical Drum and Bass and Neurofunk tracks - in which milieu he obviously feels at home - or groping his way toward minimal Techno, he does both with the same intuition for dark but forceful Club Music.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/dabrig |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">dabrig</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Pascal</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">dabrig was one of the early representatives of minimal Electro music on Audiotool. From his early raw approaches you could see him getting more complex and coherent in the structure and melody composition of his tracks, till his work reached its climax two years ago when he created timeless Audiotool masterpieces like "Distant Moons" and "Origin of Live".
Recently we have been hearing less of him but there is hope that this will change in foreseeable future.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/hybrid |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">[Hybrid]</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Kahliel Jones</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">[Hybrid] has been an insider tip for a considerable time. About three years ago his deep, atmospheric track 'Please Keep Breathing' had not only made it on the second a+ compilation 'Amorfx', it also topped the a-records charts on Beatport for more than a year. His mixture of abstract beats and intense sound formations is definitely worth a listen.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mr-standfast |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Mr. Standfast</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jack</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Hardly any other artist on Audiotool has such an unmistakably original musical profile as Mr. Standfast. Every one of his almost five hundred tracks is a small work of art, each with its own special cosmos. His work with drums, melodies and atmosphere is unique and for the inquisitive definitely worth studying.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mikke |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Mikke</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Mikael Quantacquapende</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The brand name Mikke stands for versatility at the highest level. Whatever style he adopts it's always the characteristic hypnotic synth melodies that are at the forefront and unfailingly hit the mark. The most recent sensation was the quantitatively and qualitatively very successful remix contest of his track 'Ghosts'.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/khar |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">[Khář¡]'</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nathaniel Green</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Another highly talented young Audiotool personality. The Trap Beats, which he mostly produces himself, give his tracks the independent character that is missing in the work of many others in this genre. Keep your eyes and ears open: there's something to discover here.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/universe-cosmic |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Universe Cosmic</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Uriel Zaldivar González</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Whenever the signature n_n crosses your path UniverseCosmic is not far away. His fresh Disco House style is oriented to the origins from Chicago just like the French House of the late nineties. Get your bell-bottoms out and let the music play.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/infyuthsion |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Infyuthsion</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Michael Hleck</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Infyuthsion is not only by far the most successful producer on Audiotool. From Hardtrance to 80s inspired Electro beats he has a near perfect command. But his involvement reaches further than mere music making. His video tutorials have cult status and many a beginner has gained from them valuable insights into the use of Audiotool and production techniques in general.
Thank you Michael for your support and the truly great contribution you have made over the years.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/bracolli |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Bracolli</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Gabriel Evangelista Adão</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Our final Featured Artist of the 2014/-15 season is Bracolli from Brasil. His style is orientated toward the classic electronic Techno and Acid artists of the early years and the original Dub Techno music of the Berlin based project 'Basic Channel'. Be sure to check out this talented young guy it's definitely worth it.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/teqtoniq |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Teqtoniq</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Arjun Sharma</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">In his past four years on Audiotool Teqtoniq has made some kind of a fairytale career. From his beginnings as a comparative novice in production to one of the most successful and inspiring artists on the website. Hardly a week goes by without one of his tracks at higher places in the charts. Whereby he plays on the claviature of contemporary electronic music as if he never did anything else before.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mikel-boyles |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Mikel Boyles</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Mikel Arrid-Thomas Boyles</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Since the early Audiotool days Mikel Boyles aka Nowai has been a guarantor of a sound which - whatever style he is trying his hand at - shows his unfailing feeling for the origins of that musical culture. Whether Detroit -Techno, Chicago-House or Oldschool-Jungle: his tracks could without exception have had their place on the vinyls of that era.
His portfolio is reminiscent of a visit in a records store in the 1990s.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/fauko |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Fauko</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Tom Davis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Fauko aka Pedestrian is one of the few Audiotool one man bands. His compositions are influenced mainly by the Synthpop of the 1980s whereby the pleasant timbre of his voice makes its own contribution to their authenticity and evokes memories of bands like 'Depeche Mode' and 'Camouflage'. Not only fans of the early electronic Pop music will get their money's worth.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/tottenhauser |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Tottenhauser</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Thomas Valcke</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Tottenhauser is one of the Drum and Bass bedrocks of Audiotool's first hour with a huge output of dark, minimal and always driving tracks. His enthusiasm has always been infectious but focused and effective: like his initiating the first international AT get-together, 2012 in Gent. People like him are a great asset to the community being a motor for its progress and inspiration - apart from creating awesome music!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/crazy-about-you |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Crazy about You</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Manuel Francisco de Casas Sánchez</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Crazy about You's music drifts between melancholy and relaxation. Never intrusive, rarely melodramatic. There is hardly an Audiotool artist who connects his inner live so much with the music he is making as this talented young guy from Spain. An up and coming Ambient artist, who belongs on everyone's list.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/joa-ebert |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Joa Ebert</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Joa D. Ebert. The D is for Diego</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Joa Ebert is not only a very talented programmer and musician, he is also Audiotool developer of the first hour and father of the first track released on Audiotool. We still consider Joa as a part of the Audiotool team even if he has now already founded his own company with Tim Richter. Defrac is the foundation for the HTML 5 version of Audiotool to be released later this year. Thanks for all your hard work. Without you, Audiotool would never had been possible.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/cgman |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">CGMan</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Robin B.</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">CGMan's Drum and Bass and Neurofunk tracks are legendary on Audiotool. It's just all there, in the right place. It feels as if a soul has been breathed into a huge army of dystopian mega-machines. Always somber, mechanical, yet funky and always on the edge of mixing perfection, everyone of his tracks is an institution in its field.
From our point of view a well deserved top vote.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/slopo |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Slopo</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Goran Spirkoski</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">If you hear driving Minimal beats reinforcing mechanical chirps and swishes coming from all directions you have come across a track by Slopo. Even his first steps on Audiotool suggested that here is somebody who is in command of the Minimal materia. Now two years later the technical know-how is in place, so that flawless Techno tracks are guaranteed. Not only a must for Techno-Heads</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/daftwill |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Daftwill</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">William Lachoua</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Since the early days Daftwill has been a well liked member of the community and producer of suspense-packed dark Electro and Techno tracks. Among the sources of his input were a number of Audiotool greats of those days, as can be seen from the number of collaborations he has been involved in. With sixteen collaborations to date he must be the record holder on Audiotool.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/pathfinder |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Pathfinder</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Metin Filiz</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">To describe Pathfnder's style only as Retro would not do justice to his wild and always dynamic mixture. But what in fact is ever present is the character of the Roller Discos and Arcades of the late seventies and early eighties, enhanced with a trace of the Modern. And that at the highest level of production techniques. So pick up your joysticks and follow his path on the way to the Highscore.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/navor |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Navor</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Orion Hendershot</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Navor is one of a group of highly talented young American EDM producers on Audiotool and initiator of the very successful and heartwarming mega collaboration for a sick member of the community. In the wide range of Electronic Dance Music he doesn't want to nail himself down to one particular style. So better expect the unexpected.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/ze |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Zé</h3> <!--[-1--><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Interview unfortunately not available.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/tornsage |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Tornsage</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">John Ertsgard</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">To call Tornsage an Audiotool legend is really not exaggerating: every one of his tracks raises the standard in the Ambient field a notch higher, showing us again and again how much magically destroyed atmosphere can be conjured out of old familiar piano samples. Beside his enormous talent he is remarkable for his friendly presence in the community: he gives new arrivals a warm welcome and makes them feel at home in Audiotool. Check out the man with the rabbit head!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/southbronxden |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">SouthBronxDen</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Dennis Davis</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">SouthBronxDen has been an Audiotool elemental force since its earliest days. His consistently individualistic version of Funk and Jazz in all its scope is his main distinguishing feature and over the years has become his very own style. He skillfully manoeuvers around musical norms and comes up with a genre-mix which can perhaps best be described as Den-Fusion.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/abstract |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">aBstracT</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nathan Glaser</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Together with Frigolito, Abstract is probably the user with most Swing characteristics on Audiotool. Expertly he mixes basslines reminiscent of Jazz with elements of Dub-Step, Electro House and Drum and Bass, and that with great success: with almost 500 Favourites, his track 'Illuminati Lumberjacks' is one of the all-time chart-breakers of our website. A must on any playlist</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mct |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">MCT</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Tenji Tembo</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">For about three years now MCT has worked his way through a range of widely differing Electro styles. From House via Trance to Ambient and - inspired by his great Audiotool idol VLTRA - even New Garage. His repertoire expands from track to track. If you remind yourself that he got to know Audiotool as a musical greenhorn, his progress has been considerable so that he has made his way into the community's heart.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/the-seahorse |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">The Seahorse</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Mark Wells</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The Seahorse's first publication about a year ago, was more like a Machinist-based finger exercises than a complete track. But it was cleary the work of an experienced rhythm man. In this short space of time he has managed to enhance his skills so much that he can now create music which any movie director would give his eye teeth for.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/astrum |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Astrum</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jackson Hale</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">It's about four years ago that a kid calling himself 'The Crazy Druminator' made his first tentative steps on our app. One name-change and 138 tracks (resulting in 11205 likes) later, Astrum has reached the peak of Audiotool popularity and long since stretched out his feelers towards the big stage.
At the audiotool.con we had the opportunity to experience the energy of his music in a breathtaking live performance which convinced us all: this guy is going places</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/am-ba |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">amœba</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Andrew Edwards</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Talking about Audiotool's Ambient and Chillout music one of the first names that spring to mind is that of the hugely talented amœba. With a seriousness unusual at his young age he enchants the listener and takes him on a journey through his personal universe of sound. Find out for yourselves how well this artist's name suits his music.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/agrippa |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Agrippa</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Richard</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">The dark figure of Agrippa stands out a mile in our colourful mixture. Reminiscent of the Gothic Music of the late 1980s, his New Wave Sound is chock full of the spirit of that decade and would not be out of place in any contemporary record collection. His eminently experienced Synth work is rounded off by his own vocals, oozing with a goodly portion of Weltschmerz. A real must, and that not just for listeners in dark clothes.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/le |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">ΘLE</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Ole Renfordt</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">ΘLE has undergone one of the most perceptible metamorphoses in the community. If at the beginning he won the listeners attention with robust Drum and Bass pieces without any trumpery, his focus now is on sensitive, atmospheric Future Garage and Chillout. Both of his specialties are definitely worth listening to.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/triquend |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Triquend</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Shahen Khandkaryan</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Triquent's tracks can largely be described as club music with a focus on Drum and Bass. What makes them unmistakable and unique in the community are the influences of Reggae and of the folklore of his home country Armenia. All that remains for us to wish for is that his studies leave him time for a comeback on Audiotool.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/solace |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">SOLACE</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Solace Bowden</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Solace moves confidently in the field of modern Bass-Music, but doesn't want to be pinned down to one particular style. With contagious enthusiasm he throws himself into the production of his unmistakable Solace tracks. Let yourself be infected by his exuberance and creativity.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/cihangir |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Cihangir</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Cihangir Eryıldız</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Since the primaeval days of Audiotool the name Cianghir has stood for high-karat Tech-House floor-fillers. He masters the tightrope walk between Mainstream and Undergroung brilliantly, producing one clean authentic Club Track after another, all of which should belong in the DJ's cases throughout the world.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/potasmic |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Potasmic</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nguyễn Trần Minh Khôi</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Khoi is obviously a very talented guy. Not only that he is a very good musician and constantly taking Audiotool to the next level, he also is a very good programmer. Having Khoi in the team would be a real enrichment for Audiotool. In fact sometimes we think he is already working with us. We hope some day, we can hire him officially. Keep it up, Khoi!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/bluedude |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Bluedude</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jedediah Caro</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Bluedude stands for: powerful, funky EDM Sounds and has done so since the early days of Audiotool. All his tracks go like hotcakes and it's hardly surprising to find two of his productions among the top rated tracks of 2014. We are glad to have him back on board after a longish creative break.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/fontana |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Fontana</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Fontana, Karl Andrea - aka Fonti</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2015</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">He himself claims to have no experience in music production and not a trace of talent. But with his odd audio collages and a goodly portion of self-irony he has achieved the status of an Audiotool cult figure. From the earliest days of the website Andrea Karl Fontana, aka Fonti aka "King of Audiotool" has always left us wondering what he will come up with next. Hats off for this original personality.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/cally-kay |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Cally Kay</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Caroline Kay Kennedy</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">We close 2014 with the remarkebly talanted Cally Kay from Ohio US. As one of the few female users she has found herself a place among the well known Audiotool artists. We would like to take this opportunity to encourage more female musicians to join our community in 2015. Come on girls!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/oedipax-and-jonjon |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Oedipax and Jonjon</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Suzanne Greninger & Jon Clark</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Oedipax and Jonjon, both AT legends of the first hour, demonstrate with their story how Audiotool can bring people together accross borders. Of course mostly this happens on a musical level. In this special case it led to more: Our congratulations go to Suzanne and Jonjon, who married in June 2014. We are proud to introduce to you the first intercontinental Audiotool couple.
Not forgetting that independently of one another they have played an outstanding role in the qualitative development of Audiotool music over the years.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/grotzo |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Grotzo</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Alain Groetzinger</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">In the person of Alain Groetzinger we have a real piece of music history in our midst. In the 70ies, as the drummer of the french Art-Rock band "Rockets" he sold millions of records. Today he inspires us with his banging Electro-Pop anthems full of soul and humanistic ideals. This week his autobiographical book "The Dream of Metal" is going to be released. One more reason for us to take a closer look at him. So should you too.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/the-b-st |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">the B-ST</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Bocar Talla</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">For some time we can observe a steady increase in Trap producers and tracks. One of the driving forces behind this development is B-ST from Senegal. Never denying his Hip Hop roots, he produces one mature Trap beat after another. Definitely worth checking out!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/uprising |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Uprising</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Patrick White</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Whole-hearted musician and number three of the most popular Audiotool artists. Patrick White aka Uprising comes up with professional sounding Bass-Music of all categories and thus serves as a model for many of our up and coming producers. It's only his output rate lately that gives any cause for complaint. Come on, Up!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/jambam |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">JamBam</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jamie Cooling</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">With JamBam and Retro you're not talking about bombastic Synthpop ballads or tempestuous cow-bells. Without a doubt his style was shaped by the club sounds of the early 1990s. Be it Acid, Trance or the raw Drum and Bass sounds of the end of the century, he's got them all at his fingertips and has only to add that distinctive JamBam something. His track "Set phazers on everything" made it onto the AT Cassette for the Moogfest 2014 from more than 1,000 applicants.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/cripta |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Cripta</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Marco Falcini</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Cripta aka Marco Falcini is the Audiotool Techno producer of the first hour and creator of the legendary quote "No Pulve no party". Hard to believe that he brought with him no previous skills in music production. Always stylistically confident, always authentic he delivers one dance-floor filler after another.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/nionsomnia |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Nionsomnia</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nionwa Jahi</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">To reduce Nionsomnia to one style would be a sin. Over and over again he has demonstrated his command of Dubstep, Hip Hop - including singing his own Raps - and other variations of Bass Music. But he also produces heart-rending Trance synths and even banging Hardstyle Beats with an authenticity of style that would suggest a much more experienced producer than he can be at his tender age.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/jordi-moragues |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Jordi Moragues</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Jordi Moragues Massanet</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">With his authentic Retro style Jordi Moragues has secured himself a firm place among the popular Audiotool artists. Crystal clear synth melodies reminiscent of forerunners of electronic music like Vangelis and Jean Michel Jarre. Check him out and feel the spirit of those pioneer days.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/in5omniac |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">In5omniac</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Marian Sdraila</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">It's a pleasure to follow In5omniac's career on Audiotool, the progress he has made since the early days is unmistakeable. While at the beginning it was still raw hackneyed phrases in which the musical background could only just be made out, today it has ripened into Minimal-Techno and Deep-House pieces that would have a good chance on the music market. An Audiotool musician who would have deserved more attention.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/trick |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">TRiCK</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Patrick Kuessner</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Patrick Kuessner aka TRiCK stands for atmospheric Minimal Techno with no fancy stuff. But it's particularly his trips into the field of Dub-Techno that have made him an Audiotool institution.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/white-grizzly |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">White Grizzly</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Massimo Buffetti</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">From the early days of Audiotool White Grizzly has been considered to guarantee dismal sound-constructions. He is not restricted to crude eerie effects, but looks deep into the human subconscious and manages to express even the most hidden, basest emotions in his music.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/opaqity |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">opaqity</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Liam Robertson</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Liam Robertson aka opaqity is not only the youngest in the round of our featured artists: he has also managed in the shortest time to teach himself how to produce electronic music and, with his relaxed chill-out minimal tracks, has become one of the currently most frequented Audiotoolers. Find out for yourselves.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/mbelow |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">mbelow</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Martin Below</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Martin Below aka mbelow is a powerful force in the Audiotool team. His special field is complex data structures, which he processes with the dynamic drive with which he also approaches drumming in his metal band. A lot of our great innovations are largely due to his unbending will to optimize. Share with us the pleasure of having him on board!</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/luxior |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Luxior</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Lee Ho Seok aka David Lee</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Luxior is one of the Audiotool prodigies: at 14 the South Korean is the absolute chartbreaker. His mix of Eletro House, Glitch-Hop and Game music is as inimitable as the realisation is impeccable.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/vltra |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Vltra</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Dakarai Shafer</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Dakarai Shafer aka Vltra is firmly established in the darker realms of AT Future Sounds. His seemingly supernatural atmospheres and the beat frames that remind you of surreal machine parks inspired a whole generation of new AT artists and make us hope there will soon be a comeback.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/shakey |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Shakey</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Mark Valleley</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Talking about Brighton: When Audiotool Retro Electro is on the agenda you won't get far without Shakey. Since his smash hit "Venus Transit" he has had a firm place among the Audiotool greats with his regular high-quality output. His heroes from the pioneer days of Electro are always there in his sound but they blend in perfectly with the more modern track structures.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/marodeur-tocaknox |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Marodeur (Tocaknox)</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nicolai Staufenberg</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Marodeur appeals by means of his authentic Minimal Tech-House Sound. His driving tracks, with their pulsating plainness, make no effort to deny his roots in the German Electro Scene. Three years ago he started to produce music on Audiotool. Judge for yourselves how far he has come to date.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/inavon |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Inavon</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Stephen Tai</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Talk about Audiotool-Trance-Music and you won't get far without the name Inavon. From the beginning he knew how to use the resources to produce perfect authentic Trance pieces. His "Sole Survivor" remains to this day one of the historical highlights of the website.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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| /./artists/zone |
<!--[-1--><!--]--> <div class="card-info svelte-mxh5g4"><div class="card-top"><h3 class="card-name svelte-mxh5g4">Zone</h3> <!--[0--><div class="card-real font-style-label-sm svelte-mxh5g4">Nicklas Sindlev Andersen</div><!--]--></div> <div class="card-bottom svelte-mxh5g4"><!--[0--><div class="card-year font-style-label-sm svelte-mxh5g4">2014</div><!--]--> <!--[0--><p class="card-intro font-style-label-sm svelte-mxh5g4">Another Audiotool Chill-Out institution. Nicklas Anderson aka Zone conjures the crystal clear athmosphere of scandinavian nights on our home stereos. Take the time and look who's behind the trademark Zone.</p><!--]--></div></div> <span class="card-bar svelte-mxh5g4" aria-hidden="true"></span>
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