Анализ сайта inkpantry.com
Основное Готовность: 100%
Домен
inkpantry.com
Состояние доменного имени
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Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Домен второго уровня идеален для продвижения.
Отличный запоминающийся домен.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Цепочка редиректов:
http://inkpantry.com
301 MovedPermanently
https://inkpantry.com/
200 OK
Безопасность
Сайт безопасен
Использование HTTPS и SSL-сертификат
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HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
Не настроен HSTS (Strict-Transport-Security) — рекомендуется включить.
На сайте работает защищенный протокол ssl и сайт открывается по https.
Ssl-сертификат действителен до 27.10.2026 17:21:21.
HTTP автоматически перенаправляется на HTTPS.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
UTF-8
Кодировка символов страницы
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Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице UTF-8.
Язык
en-GB
Атрибут lang в HTML-теге
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Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en-GB.
Скорость загрузки
~0,59сек
Время отклика сервера (TTFB)
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Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 0,59сек оптимальна.
Объем документа
99Кб
Размер HTML-кода страницы
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Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 99Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 2
Внешние ресурсы страницы (CSS, JS, изображения)
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Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 2 достаточно.
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | https://inkpantry.com/wp-content/themes/twentyeleven/style.css?ver=20260819 | |
| stylesheet | https://inkpantry.com/wp-content/themes/twentyeleven/blocks.css?ver=20240703 |
Серверные заголовки
Кол-во: 6
HTTP-заголовки ответа сервера
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Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 6шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| x-ws-origin | available |
| x-ws-ratelimit-limit | 1000 |
| x-ws-ratelimit-remaining | 998 |
| Date | Fri, 21 Aug 2026 17:40:32 GMT |
| Server | Apache |
| X-Powered-By | PHP/8.1.34 |
CMS
WordPress
Система управления сайтом (движок)
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CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS WordPress.
Веб-сервер
Apache
Программное обеспечение сервера
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Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Сайт работает на веб-сервере Apache.
Мета-теги Готовность: 27%
Title
Ink Pantry | Curators of Fine Words
Заголовок страницы в браузере и поисковой выдаче
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Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо увеличить число символов в title (текущее значение: 37, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Описание страницы в поисковой выдаче (сниппет)
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Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Установите мета-тег description!
Keywords
Список ключевых слов страницы (устаревший тег)
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Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
Указывает поисковику основную версию страницы
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Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Рекомендуем прописать канонический Url.
Robots
Есть ошибки
Директивы для поисковых роботов на уровне страницы
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Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots указан, но в нем содержится неизвестное значение...
Адаптивность
width=device-width, initial-scale=1.0
Настройка масштабирования на мобильных устройствах
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Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport со значением-константой width=device-width задаёт ширину страницы в соответствии с размером экрана.
Meta-тег viewport со значением initial-scale=1.0 определяет масштаб 1:1, т.е. «не масштабировать».
Разметка OpenGraph
Не найдено
Мета-теги для красивых превью в соцсетях
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OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph не задана. Страница не оптимизирована под социальные сети. Мета-теги с разметкой Og помогают социальным роботам лучше структурировать Ваш сайт.
Все мета-теги
Кол-во: 3
Полный список мета-тегов страницы
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Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 3шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | viewport | width=device-width, initial-scale=1.0 |
| name | robots | max-image-preview:large |
| name | generator | WordPress 7.1 |
Оптимизация Готовность: 92%
Структура
Ошибок нет
Семантические HTML-элементы страницы
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Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют по одному на документ).
Контент
Ошибок нет
Объём и качество текстового содержимого
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Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 4 встречаются в тексте достаточно.
Абзацев с текстом 129 достаточно.
Среднее число слов в абзаце 30 достаточно.
Кол-во знаков контента 27876 на странице оптимально.
Кол-во слов 4907 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
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H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 11. Это прекрасно.
На странице присутствуют заголовки <h2> 1. Это хорошо.
На странице присутствуют заголовки <h3> 5.
Тошнота
4,47
Насколько одно слово доминирует в тексте
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Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота страницы в пределах нормы 4,47.
Академич. тошнота
17,85%
Насколько текст перенасыщен ключевыми словами
?
Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
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Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| posted | 20 | 0,41% |
| poetry | 19 | 0,39% |
| august | 14 | 0,29% |
| through | 11 | 0,22% |
| before | 11 | 0,22% |
| january | 11 | 0,22% |
| december | 11 | 0,22% |
| november | 11 | 0,22% |
| october | 11 | 0,22% |
| september | 11 | 0,22% |
| pantry | 10 | 0,20% |
| deborah | 10 | 0,20% |
| edgeley | 10 | 0,20% |
| february | 10 | 0,20% |
| something | 9 | 0,18% |
| without | 9 | 0,18% |
| drawer: | 8 | 0,16% |
| drawer | 7 | 0,14% |
| waiting | 7 | 0,14% |
| little | 7 | 0,14% |
Индексация Готовность: 20%
Индексирование
Есть ошибки
Разрешено ли индексирование страницы
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Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 203 слишком много. Проведите ревизию и оптимизацию ссылок сайта.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
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Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 101699 байт. Загружен за: 1сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Цепочка редиректов для файла robots.txt:
http://inkpantry.com/robots.txt
301 MovedPermanently
https://inkpantry.com/
200 OK
Показать содержимое robots.txt
<!DOCTYPE html>
<html lang="en-GB">
<head>
<meta charset="UTF-8" />
<meta name="viewport" content="width=device-width, initial-scale=1.0" />
<title>
Ink Pantry | Curators of Fine Words </title>
<link rel="profile" href="https://gmpg.org/xfn/11" />
<link rel="stylesheet" media="all" href="https://inkpantry.com/wp-content/themes/twentyeleven/style.css?ver=20260819" />
<link rel="pingback" href="https://inkpantry.com/xmlrpc.php">
<meta name='robots' content='max-image-preview:large' />
<link rel="alternate" type="application/rss+xml" title="Ink Pantry » Feed" href="https://inkpantry.com/feed/" />
<link rel="alternate" type="application/rss+xml" title="Ink Pantry » Comments Feed" href="https://inkpantry.com/comments/feed/" />
<style id="wp-img-auto-sizes-contain-inline-css">
img:is([sizes=auto i],[sizes^="auto," i]){contain-intrinsic-size:3000px 1500px}
/*# sourceURL=wp-img-auto-sizes-contain-inline-css */
</style>
<style id="wp-emoji-styles-inline-css">
img.wp-smiley, img.emoji {
display: inline !important;
border: none !important;
box-shadow: none !important;
height: 1em !important;
width: 1em !important;
margin: 0 0.07em !important;
vertical-align: -0.1em !important;
background: none !important;
padding: 0 !important;
}
/*# sourceURL=wp-emoji-styles-inline-css */
</style>
<style id="wp-block-library-inline-css">
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/*# sourceURL=/wp-includes/css/dist/block-library/common.min.css */
</style>
<style id="wp-block-image-inline-css">
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<article id="post-9694" class="post-9694 post type-post status-publish format-standard hentry category-uncategorized">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-catafalque-embroidery-life-on-the-high-cs-topaz-endeavours-buck-rogers-in-the-25th-century-by-mark-young/" rel="bookmark">Poetry Drawer: Catafalque embroidery: Life on the High Cs: Topaz endeavours/ Buck / Rogers in / the 25th Century by Mark Young</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-catafalque-embroidery-life-on-the-high-cs-topaz-endeavours-buck-rogers-in-the-25th-century-by-mark-young/" rel="bookmark"><time class="entry-date" datetime="2026-08-06T11:41:40+00:00">August 6, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="768" src="https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud-1024x768.jpg" alt="" class="wp-image-9696" srcset="https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud-1024x768.jpg 1024w, https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud-300x225.jpg 300w, https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud-768x576.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud-400x300.jpg 400w, https://inkpantry.com/wp-content/uploads/2026/08/fluffycloud.jpg 1450w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
<p class="wp-block-paragraph"><strong>Catafalque embroidery</strong></p>
<p class="wp-block-paragraph">(Baudelaire’s) <em>collapse occurred as he was praising the elaborate<br>confessionals of the church, the interior of which he had<br>earlier described as a “terrible & delightful catafalque.”</em><br>Félicien Rops:<em> Baudelaire & skeleton passions</em></p>
<p class="wp-block-paragraph">Two rows of crowned kings & queens<br>are depicted on cloth of gold & yellow<br>silk on black velvet. These can be changed<br>to similar designs at no extra cost. The</p>
<p class="wp-block-paragraph">coffin holder is made of sturdy solid wal-<br>nut. Two easels, one at each end, complete<br>the set. It’s perfect for any occasion, made<br>even more attractive by inlaid images of</p>
<p class="wp-block-paragraph">skeletons that imitate those that are evoked<br>in Baudelaire’s<em> Les Épaves</em>, a book that in-<br>cluded several poems banned from <em>Les<br>Fleurs du Mal</em>. Published in Brussels where</p>
<p class="wp-block-paragraph">he had escaped to, even though he hated<br>Belgium, because his creditors could not<br>follow. Much alcohol, opium, poverty; &<br>then the stroke that presaged his death.</p>
<p class="wp-block-paragraph"><strong>Life on the High Cs</strong></p>
<p class="wp-block-paragraph">When run through any English-<br>Icelandic translation app, the<br>atomic hypothesis & its concept<br>of cloud comes out resembling</p>
<p class="wp-block-paragraph">a gothic horror screenplay. No<br>consideration for classical theory.<br>No sensitivity toward sociological<br>phenomena. Persons under the</p>
<p class="wp-block-paragraph">age of twenty are included only<br>if they play in a Southern U.S.<br>university marching band or a<br>Marine Drum & Bugle Corps.</p>
<p class="wp-block-paragraph"><strong>Topaz endeavours</strong></p>
<p class="wp-block-paragraph">It is a capricious, not auspicious,<br>beginning. I have forgotten how<br>to genuflect; & when I go to look<br>it up, I am greeted by “No inform-<br>ation is available for this page.” I<br>deliberately chose <em>capricious</em> as the<br>descriptor: in this time of kings, I<br>am afraid of what might happen</p>
<p class="wp-block-paragraph">to me if I do not bend the knee to<br>the cabal that rules. So many acts<br>of baseless retribution in the air<br>one cannot help but smell them.<br>Or is it the scent of fear that swirls<br>around me, moving inside to out.</p>
<p class="wp-block-paragraph"><strong>Buck / Rogers in / the 25th Century</strong></p>
<p class="wp-block-paragraph">Everybody in the coffee shop today<br>looks like someone else. The only<br>problem is that the people they<br>look like are all dead — relations,<br>mothers of friends, famous faces.<br>I am in a room full of ghosts who I<br>cannot see through. Then they speak<br>to me & I cannot hear their words.</p>
<p class="wp-block-paragraph">The average age, I’m guessing, is<br>in the late 70s. Then I leave, & that<br>drops it below 70. They mutter to<br>themselves as I pass by, & I can<br>read the vibrations of their moving<br>lips. “Who was that masked man?”</p>
<figure class="wp-block-image size-full"><img decoding="async" width="150" height="150" src="https://inkpantry.com/wp-content/uploads/2015/08/Little-Inky-logo.png" alt="" class="wp-image-8317"/></figure>
<p class="wp-block-paragraph"><strong>Mark Young</strong> was born in Aotearoa / New Zealand but now lives in a small town in North Queensland in Australia. He has been publishing poetry for over sixty-five years, & is the author of around eighty books, primarily text poetry but also including speculative fiction, vispo, non-fiction, art history, & an artist’s book. Recent books are <em>Balance</em>, from Neo-Mimeo Editions, Nualláin House, Monte Rio, California & <em>From the Cave’s jukebox</em>, from Sandy Press, Santa Barbara, California. A new collection, <em>synecdoche</em>, came out from Sandy Press in mid-April.</p>
<p class="wp-block-paragraph">You can find more of Mark’s work<a href="https://inkpantry.com/?s=mark+young&submit=Search"> here</a> on Ink Pantry. </p>
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<article id="post-9690" class="post-9690 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-clear-stones-by-john-swain/" rel="bookmark">Poetry Drawer: Clear Stones by John Swain</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-clear-stones-by-john-swain/" rel="bookmark"><time class="entry-date" datetime="2026-08-06T11:16:05+00:00">August 6, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://inkpantry.com/wp-content/uploads/2026/08/stoness-768x1024.jpg" alt="" class="wp-image-9691" srcset="https://inkpantry.com/wp-content/uploads/2026/08/stoness-768x1024.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/08/stoness-225x300.jpg 225w, https://inkpantry.com/wp-content/uploads/2026/08/stoness-1152x1536.jpg 1152w, https://inkpantry.com/wp-content/uploads/2026/08/stoness.jpg 1536w" sizes="auto, (max-width: 768px) 100vw, 768px" /></figure>
<p class="wp-block-paragraph">Lions fire from the ochre riverbed,<br>you stand in white among the sun trees,<br>you dress in linen sand,<br>burnt perfume and your red furs<br>linger on the river air,<br>you arise on a ladder of clear stones<br>to gather fragrant branches,<br>you silver thread the light on water.<br>I seek the dynasties of your silence,<br>a drop of my lamp oil falls<br>like a water bead on the shard of a mirror<br>resembling the cenotaph of a queen.</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="150" height="150" src="https://inkpantry.com/wp-content/uploads/2015/08/Little-Inky-logo.png" alt="" class="wp-image-8317"/></figure>
<p class="wp-block-paragraph"><strong>John Swain</strong> lives in Le Perreux-sur-Marne, France. His most recent chapbook, <em>The Daymark</em>, was published by Origami Poems Project. </p>
<p class="wp-block-paragraph">You can find more of John’s work <a href="https://inkpantry.com/poetry-drawer-the-rain-bridge-the-rose-sphere-the-moon-vine-by-john-swain/">here</a> on Ink Pantry.</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="768" height="802" src="https://inkpantry.com/wp-content/uploads/2026/08/John-Swain-Photo-1-1.jpg" alt="" class="wp-image-9692" srcset="https://inkpantry.com/wp-content/uploads/2026/08/John-Swain-Photo-1-1.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/08/John-Swain-Photo-1-1-287x300.jpg 287w" sizes="auto, (max-width: 768px) 100vw, 768px" /></figure>
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<span class="entry-utility-prep entry-utility-prep-cat-links">Posted in</span> <a href="https://inkpantry.com/category/uncategorised/" rel="category tag">Blog Posts</a>, <a href="https://inkpantry.com/category/poetry/" rel="category tag">Poetry Drawer</a> </span>
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<article id="post-9686" class="post-9686 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-back-in-business-like-father-like-son-these-fine-children-flowers-for-a-friend-passerby-someone-in-the-fog-by-john-grey/" rel="bookmark">Poetry Drawer: Back in Business: Like Father, Like Son: These Fine Children: Flowers for a Friend: Passerby: Someone in the Fog by John Grey</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-back-in-business-like-father-like-son-these-fine-children-flowers-for-a-friend-passerby-someone-in-the-fog-by-john-grey/" rel="bookmark"><time class="entry-date" datetime="2026-07-27T12:28:17+00:00">July 27, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-1024x768.jpg" alt="" class="wp-image-9687" srcset="https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-1024x768.jpg 1024w, https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-300x225.jpg 300w, https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-768x576.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-1536x1152.jpg 1536w, https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss-400x300.jpg 400w, https://inkpantry.com/wp-content/uploads/2026/07/sunflowerss.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>
<p class="wp-block-paragraph"><strong>Back in Business </strong></p>
<p class="wp-block-paragraph">Time to sit on my porch,<br>read the newspaper.</p>
<p class="wp-block-paragraph">The sun is well into<br>its spring U-turn,<br>sends warm rays of regret<br>for its winter absence.</p>
<p class="wp-block-paragraph">A bee lands<br>on a breeze-tossed petal,<br>induces a golden butterfly<br>to join him.</p>
<p class="wp-block-paragraph">Dogs no longer just walk<br>with their masters.<br>They seek out each other,<br>circling and sniffing.</p>
<p class="wp-block-paragraph">A mockingbird<br>on a rooftop<br>advertises his wares<br>in borrowed song.</p>
<p class="wp-block-paragraph">Windows open.<br>Chimneys are silent at last.</p>
<p class="wp-block-paragraph">It’s the season<br>when my fancy demands<br>it be turned to something.<br>Not love, necessarily.<br>Lazing’s a good second choice.</p>
<p class="wp-block-paragraph"><strong>Like Father, Like Son</strong></p>
<p class="wp-block-paragraph">A father, Frank<br>going straight after a long history<br>of drug offences –</p>
<p class="wp-block-paragraph">and a son, Matt<br>out on bail<br>after a stash of cocaine<br>discovered in his car by cops –</p>
<p class="wp-block-paragraph">that’s the family scene,<br>the one where Matt<br>sneaks in and out of the house</p>
<p class="wp-block-paragraph">or stays up in his room,<br>eats his meals alone</p>
<p class="wp-block-paragraph">and then,<br>when they do run into each other,<br>their tongues freeze up</p>
<p class="wp-block-paragraph">but two pairs of hard angry eyes<br>make contact,</p>
<p class="wp-block-paragraph">as they both look deep<br>into each other,<br>see the same festering hungers,<br>the same wretched desires,<br>the same pathetic appetites<br>that adulterate the family blood –</p>
<p class="wp-block-paragraph">and they turn away in a shame<br>disguised as a superiority –</p>
<p class="wp-block-paragraph">“he’s turning out<br>just like me,” thinks Frank –</p>
<p class="wp-block-paragraph">“I’m turning out<br>just like him,” thinks Matt –</p>
<p class="wp-block-paragraph">from the disgusted looks<br>on both their faces</p>
<p class="wp-block-paragraph">you would never know<br>they just agreed on something.</p>
<p class="wp-block-paragraph"><strong>These Fine Children</strong></p>
<p class="wp-block-paragraph">They are perfect,<br>middle of the night<br>sleeping,<br>middle of the day,<br>thumping volleyballs<br>across a net.<br>Their faces are<br>pure and lovely,<br>just like yours<br>at that age.<br>The photos<br>on your dresser<br>are a history<br>of how these<br>moments came to be:<br>your sly glance<br>through the<br>slightly ajar bedroom door,<br>your full face<br>at the parlour window.<br>God’s creation?<br>Maybe.<br>Your creation?<br>Is there any doubt.<br>At night,<br>alone at the kitchen table,<br>coffee and a cigarette,<br>a bottle of pain pills…<br>if only their father<br>were alive to see this.<br>For all their glory,<br>triumphs know<br>their place.</p>
<p class="wp-block-paragraph"><strong>Flowers for a Friend</strong></p>
<p class="wp-block-paragraph">The river’s all dolled up,<br>with the sheen of skyscraper lights,<br>some stars sprinkled here and there –<br>the Hudson must be on its way<br>to someplace special.</p>
<p class="wp-block-paragraph">Your face flashes out of all others<br>like a sudden appointment I’ve forgotten to miss,<br>and the sirens – God, the sirens –<br>it’s the sound of cops looking for something to do.</p>
<p class="wp-block-paragraph">Someone (you?) says something.<br>It’s hard to tell in a crowd.<br>But I listen.<br>And I believe.</p>
<p class="wp-block-paragraph">A woman’s selling flowers<br>that are so outrageously perfumed,<br>like they’ve been reading French novels<br>and wanted everyone to know.</p>
<p class="wp-block-paragraph">I buy a bunch,<br>hand them to you.<br>You take them like you’re accepting<br>a bill you already know you can’t pay.<br>The river keeps going.<br>We don’t.<br>Not yet.</p>
<p class="wp-block-paragraph"><strong>Passerby</strong></p>
<p class="wp-block-paragraph">You bring me pleasure.<br>Ironic that.<br>You could be a harpy,<br>a bigot, a child murderer,<br>for all I know.</p>
<p class="wp-block-paragraph">You could be fool enough<br>to think that<br>a lovely face,<br>long straw-coloured hair,<br>a lithesome figure<br>in a fluttering blue cotton dress<br>is enough.<br>Let me tell you.<br>It is enough.</p>
<p class="wp-block-paragraph">Yes, in my friends,<br>I want all the virtues.<br>But I look for beauty in my strangers.</p>
<p class="wp-block-paragraph"><strong>Someone in the Fog</strong></p>
<p class="wp-block-paragraph">The fog is thick<br>but I can just make out a person<br>up ahead of me.<br>Not the features,<br>just the shape.<br>Not the way of living,<br>just the presence.<br>I see what must be a head<br>but not the knowledge.<br>And a torso<br>but no scars.<br>Limbs<br>but not what they bear up.<br>I’ve just reached an understanding<br>of who and what I am.<br>But with other people,<br>the fog rolls in.</p>
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<p class="wp-block-paragraph"><strong>John Grey</strong> is an Australian poet, US resident, recently published in Midnight Mind, Novus and Calliope. Latest books, “Bittersweet”, “Subject Matters” and “Between Two Fires” are available through Amazon. Work upcoming in Levitate, White Wall Review and Willow Review.</p>
<p class="wp-block-paragraph">You can find more of John’s work <a href="https://inkpantry.com/?s=john+grey&submit=Search">here</a> on Ink Pantry.</p>
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<article id="post-9682" class="post-9682 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-my-ouija-board-left-on-read-by-arshi-mortuza/" rel="bookmark">Poetry Drawer: My Ouija Board, Left on Read by Arshi Mortuza</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-my-ouija-board-left-on-read-by-arshi-mortuza/" rel="bookmark"><time class="entry-date" datetime="2026-07-27T11:26:16+00:00">July 27, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://inkpantry.com/wp-content/uploads/2026/07/penz-768x1024.jpg" alt="" class="wp-image-9683" srcset="https://inkpantry.com/wp-content/uploads/2026/07/penz-768x1024.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/penz-225x300.jpg 225w, https://inkpantry.com/wp-content/uploads/2026/07/penz-1152x1536.jpg 1152w, https://inkpantry.com/wp-content/uploads/2026/07/penz.jpg 1536w" sizes="auto, (max-width: 768px) 100vw, 768px" /></figure>
<p class="wp-block-paragraph">I have spent years<br>warding off evil from my chest.<br>I’m convinced that my heart —<br>once plump, pulping,<br>and dramatically impaled<br>by Cupid’s bow —<br>has since flattened<br>into a planchette.</p>
<p class="wp-block-paragraph">I drag my planchette heart<br>across ouija boards —<br>and spell out your name<br>though I’ve buried you<br>a thousand times.<br>More incantations:<br>“R u here?”<br>“I still <3 u.”<br>“Gimme a sign.”</p>
<p class="wp-block-paragraph">Not that you answer.<br>I swallow the sting<br>of my séance<br>being seen-zoned.</p>
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<p class="wp-block-paragraph"><strong>Arshi Mortuza</strong> is a writer and educator residing in the Greater Toronto Area. She is the author of <em>One Minute Past Midnight</em> and <em>Pressed Flower</em>. Her work has been featured in numerous literary outlets worldwide. </p>
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<span class="entry-utility-prep entry-utility-prep-cat-links">Posted in</span> <a href="https://inkpantry.com/category/uncategorised/" rel="category tag">Blog Posts</a>, <a href="https://inkpantry.com/category/poetry/" rel="category tag">Poetry Drawer</a> </span>
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<article id="post-9677" class="post-9677 post type-post status-publish format-standard hentry category-uncategorised category-flash-in-the-pantry">
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<h1 class="entry-title"><a href="https://inkpantry.com/flash-in-the-pantry-bulletins-of-the-broken-hearted-by-ian-c-smith/" rel="bookmark">Flash in the Pantry: Bulletins of the Broken-Hearted by Ian C Smith</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/flash-in-the-pantry-bulletins-of-the-broken-hearted-by-ian-c-smith/" rel="bookmark"><time class="entry-date" datetime="2026-07-27T11:10:19+00:00">July 27, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<p class="wp-block-paragraph">Minor characters from my past play walk-on roles in my dreams. Precise details: the huskiness of a woman’s voice, the neatness of a long-ago boss’s moustache, cameo appearances with those closer to me in life’s hurly-burly, my regulars, intrigue me. The only part of an early story by John Updike I remember was when the narrator described the past as a vast sheet of darkness where a few random moments, pinpricks of light, briefly shine. Reading <em>Eligible</em>, Curtis Sittenfeld’s witty modern take on <em>Pride and Prejudice</em>, reminds me how much art makes of misunderstood information, sexual and social tension, the giddiness of thin secrets, small things lit by hope or darkened with despair. Before mobile phones, noisily busy in an adjoining room, I once heard the staccato of a long message being left on my answering machine. When I had time to play it, optimistically expectant, to my utter horror it had vanished due to a connection fault. I never learned who believed I had received it without response. These missed instances transport me to student days and Angel’s letter under a rug in Hardy’s <em>Tess of the d’Urbervilles.</em></p>
<p class="wp-block-paragraph">My serendipitous discovery of Yeats’ early poem, <em>He Wishes for the Cloths of Heaven</em>, also before mobile phones, came about when, like a character in an old monochrome movie, I lifted an antimacassar on my club armchair, exposing a hidden letter. A nephew, my house-sitter during recent travels then, had a girlfriend, the letter’s addressee. Did she hear his approach, slip the letter from sight, then later forget it? Aswarm with voyeuristic conjecture, I read it, mind-chuckling about this connection to novelists’ formulae of letters found too late or never. Someone with a European name travelling by bus around northern Australia gazing on an endless panoramic heat shimmer covered a page describing this before getting to the point: his unrequited, perhaps ended, love for my nephew’s girlfriend. His heart’s slender hope bled all over the rest of the pages, awkward syntax charging its poignancy. Conscripting the young Yeats to illustrate his adoration, the poor guy reduced that effect by transcribing the gorgeous ‘Cloths’ as ‘Clothes’.</p>
<p class="wp-block-paragraph">Now, my mind a maelstrom of memories, I wonder if that lovelorn swain recalls his paean to the girl he had lost to my nephew who, though no longer her partner, is still in touch with her. Do his thoughts return to the landscape between Broome and Darwin when he felt dizzy with desire for a girl who is now growing old and drinks too much? Do pangs of lost love, its accompanying dolour, linger? His added postscript: ‘No more beautiful words were ever written. Isn’t it you and me?’ followed Yeats’ poem. Perhaps with Maud Gonne on his ardent youthful mind, Yeats closed with: <em>I have spread my dreams under your feet;/ Tread softly because you tread on my dreams.</em> One thing that young man lonely on a bus achieved was his inadvertent introduction to me of what would become my favourite poem, so rich is its tapestry of swooning loveliness. I wish I could dance the tightrope of language with that broken-hearted scribe who heard the tyres moan, leaving all his dreams behind, as my reading life whizzed by.</p>
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<p class="wp-block-paragraph"><strong>Ian C Smith</strong>’s work has been published in BBC Radio 4 Sounds, Cable Street, The Dalhousie Review, Griffith Review, Honest Ulsterman, Offcourse, Stand, & Westerly. His seventh book is wonder sadness madness joy, Ginninderra (Port Adelaide). He writes in the Gippsland Lakes area of Victoria, and on Flinders Island.</p>
<p class="wp-block-paragraph">You can find more of Ian’s work<a href="https://inkpantry.com/?s=ian+c+smith&submit=Search"> here</a> on Ink Pantry.</p>
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="682" height="1024" src="https://inkpantry.com/wp-content/uploads/2026/07/ian-682x1024.jpg" alt="" class="wp-image-9678" srcset="https://inkpantry.com/wp-content/uploads/2026/07/ian-682x1024.jpg 682w, https://inkpantry.com/wp-content/uploads/2026/07/ian-200x300.jpg 200w, https://inkpantry.com/wp-content/uploads/2026/07/ian-768x1153.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/ian-1023x1536.jpg 1023w, https://inkpantry.com/wp-content/uploads/2026/07/ian.jpg 1204w" sizes="auto, (max-width: 682px) 100vw, 682px" /></figure>
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<article id="post-9672" class="post-9672 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-without-seeing-without-waiting-by-nikolle-loka/" rel="bookmark">Poetry Drawer: Without seeing, without waiting by Nikollë Loka</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-without-seeing-without-waiting-by-nikolle-loka/" rel="bookmark"><time class="entry-date" datetime="2026-07-27T10:48:09+00:00">July 27, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="983" src="https://inkpantry.com/wp-content/uploads/2026/07/autumn-1024x983.jpg" alt="" class="wp-image-9673" srcset="https://inkpantry.com/wp-content/uploads/2026/07/autumn-1024x983.jpg 1024w, https://inkpantry.com/wp-content/uploads/2026/07/autumn-300x288.jpg 300w, https://inkpantry.com/wp-content/uploads/2026/07/autumn-768x737.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/autumn-1536x1475.jpg 1536w, https://inkpantry.com/wp-content/uploads/2026/07/autumn-313x300.jpg 313w, https://inkpantry.com/wp-content/uploads/2026/07/autumn.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>
<p class="wp-block-paragraph">When the tomorrow<br>comes as a light at first,<br>and in the dark the darkness burns,<br>it explodes in flower loops<br>your soul.<br>Without seeing,<br>without waiting!<br>This autumn<br>shares fruit scent,<br>even though the type is pushing towards winter,<br>the leaves fall,<br>when the loops are ready to be born.<br>Without seeing,<br>without waiting!<br>I touch this autumn,<br>it burns my hand<br>and the day becomes sad.<br>When I smell<br>I feel a spring breeze.<br>Without seeing,<br>without waiting!</p>
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<p class="wp-block-paragraph"><br><strong>Nikollë Loka</strong> was born in Mirdita on March 25, 1960; graduated as a teacher at Luigj Gurakuqi University of Shkodra; master’s degree in pedagogy at the University of Tirana, doctorate in history of education at the University of Tirana. Author of ten poetic volumes in Albanian and three poetic volumes in Italian (two of which with co-authors); included in the anthology “La Poesie contemporaine albanaise”, “L’Hartmattan” publications, Paris 2024. In addition to Albanian, his poems have been published in Italian, English, French, German, Arabic, Romanian, Swedish and Macedonian. Winner of several literary awards in the country and abroad. Included in the Lexicon of Albanian writers 1501-2001, editions “Faik Konica”, Pristina 2003 and in the Encyclopedia of Italian language poets, “Aletti Editore” Rome 2021.</p>
<p class="wp-block-paragraph">You can find more of<strong> </strong>Nikollë’s work <a href="https://inkpantry.com/?s=Nikoll%C3%AB+Loka&submit=Search">here</a> on Ink Pantry.</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="411" height="411" src="https://inkpantry.com/wp-content/uploads/2025/11/Loka-30-nentor-foto-serioze-per-poezi.jpg" alt="" class="wp-image-9384" srcset="https://inkpantry.com/wp-content/uploads/2025/11/Loka-30-nentor-foto-serioze-per-poezi.jpg 411w, https://inkpantry.com/wp-content/uploads/2025/11/Loka-30-nentor-foto-serioze-per-poezi-300x300.jpg 300w, https://inkpantry.com/wp-content/uploads/2025/11/Loka-30-nentor-foto-serioze-per-poezi-150x150.jpg 150w" sizes="auto, (max-width: 411px) 100vw, 411px" /></figure>
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<article id="post-9669" class="post-9669 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-the-squirrel-the-mouse-the-myth-of-correspondence-tuesday-mouse-trap-by-holly-day/" rel="bookmark">Poetry Drawer: The Squirrel: The Mouse: The Myth of Correspondence: Tuesday: Mouse Trap by Holly Day</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-the-squirrel-the-mouse-the-myth-of-correspondence-tuesday-mouse-trap-by-holly-day/" rel="bookmark"><time class="entry-date" datetime="2026-07-25T09:25:20+00:00">July 25, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="527" height="1024" src="https://inkpantry.com/wp-content/uploads/2026/07/mousey-527x1024.jpg" alt="" class="wp-image-9670" srcset="https://inkpantry.com/wp-content/uploads/2026/07/mousey-527x1024.jpg 527w, https://inkpantry.com/wp-content/uploads/2026/07/mousey-154x300.jpg 154w, https://inkpantry.com/wp-content/uploads/2026/07/mousey-768x1494.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/mousey-790x1536.jpg 790w, https://inkpantry.com/wp-content/uploads/2026/07/mousey.jpg 1052w" sizes="auto, (max-width: 527px) 100vw, 527px" /></figure>
<p class="wp-block-paragraph"><strong>The Squirrel</strong></p>
<p class="wp-block-paragraph">I thought the squirrel had died inside the tree so I poked at it<br>with a stick. It didn’t move, so I poked inside the hollow<br>I thought it was trapped in, poked it again. Something grabbed my stick<br>tugged it with teeth and tiny hands, and so I pulled<br>the stick back out. Weeks later</p>
<p class="wp-block-paragraph">three tiny tails snaked out of the hole next to the first squirrel’s<br>twisted and wrapped around their mother’s tail as though<br>they had to cling to her even out here. I never saw<br>their little faces, never saw anything but the tails<br>growing thicker and redder and fluffier with each day.<br>The mother would only come out at night<br>to gather food for them, I never saw her leave her post.<br>I spread crackers with peanut butter for her in the kitchen<br>carefully placing them just below her nest as an offering<br>a plea for forgiveness.</p>
<p class="wp-block-paragraph">One morning, all four tails were gone. The hollow<br>gaped at me, abandoned, from my old birch tree.<br>I put more crackers in the garden, put them in the branches<br>near the hollow, chased stray cats from my yard and<br>kept the dog inside, but I never got to see those little squirrel children<br>never got to see who had made their first home in my yard.</p>
<p class="wp-block-paragraph"><strong>The Mouse</strong></p>
<p class="wp-block-paragraph">My husband calls me into the kitchen to show me the mouse<br>that has fallen into the sink during the night. “I think it’s dead,” he says<br>just as it begins paddling half-heartedly in the water once more<br>one last, futile effort to find some purchase on the slick porcelain basin<br>one impossible final effort. Its eyes are dull, flat, black<br>minutes from the end. I reach down into the water,<br>pull the little creature up by its tail<br>take it outside. “Make sure it’s dead,” calls my husband from the house</p>
<p class="wp-block-paragraph">not wanting to be a part of whatever I have planned. The mouse<br>struggles feebly in my hand. Its eyes don’t see me. I have never<br>seen eyes like that before, half goggled, oblivious<br>like two dull nail heads jammed into its face.<br>I carefully set it down in the garden, place its feet on the dirt<br>let go of its tail. “Please don’t come back,” I whisper<br>as it struggles for life, for balance<br>before springing off into the undergrowth.</p>
<p class="wp-block-paragraph">“Please don’t come back.”</p>
<p class="wp-block-paragraph"><strong>The Myth of Correspondence</strong></p>
<p class="wp-block-paragraph">To fully understand the pictures I have sent you<br>first, fill a bathtub with water and ice<br>get into the tub with all of your clothes on.<br>Only then should you shake these photographs out<br>of this careful assemblage of paper.</p>
<p class="wp-block-paragraph">This is the only way you’ll be able to understand<br>the shades of weather that separate us, the only way<br>to separate yourself from your envelope<br>of tropical breezes and permanent sunshine.<br>I will speak to you through the ice bruising your skin<br>a frigid wraith clinging to you from too far away.</p>
<p class="wp-block-paragraph"><strong>Tuesday</strong></p>
<p class="wp-block-paragraph">On a perfect day, I would be able to open my back door<br>find nothing but jungle waiting for me, sunshine filtered in through the leaves<br>of trees I’d never seen before, the calls of unfamiliar birds coming at me from all angles.<br>On a perfect day, I would hear snakes in the undergrowth,<br>monsters rustling just out of sight<br>hear the low rumble of a tiger or a jaguar breathing a warning shot<br>close by, perhaps as close as the cooling shade beneath my back porch.</p>
<p class="wp-block-paragraph">But this is not a perfect day, and I have not been transported<br>to a random scene from a Kipling novel, have not been transported back in time<br>to march with Herodotus or Alexander through lush jungles untouched by civil war<br>am not looking for new species of birds with Audubon<br>or stumbling into and through the ruins of Machu Picchu with Bingham.<br>I am just digging holes in my own back yard for tulips and daffodils<br>wishing I could be anyone but me.</p>
<p class="wp-block-paragraph"><strong>Mouse Trap</strong></p>
<p class="wp-block-paragraph">The little mice watch me from their prison of tin and plexiglass<br>inside the live mouse trap I baited the night before. Four little mice<br>with pointed noses and trembling whiskers<br>eyes black and bulging against their dark brown fur.<br>I wonder how I must appear to them, this giant thing<br>that they spend their days avoiding, rushing from one dark corner<br>to another at the sound of my footsteps, and now<br>there’s nowhere left to go, they wandered into this baited box<br>and now I have them in my curious grasp.</p>
<p class="wp-block-paragraph">I tap on the little plexiglass window and they<br>rush to the corners of the box,<br>cram themselves into the entrance chute, their thin black tails<br>twitching and curling, hanging out in the open. I imagine<br>what it would be like to keep them as pets, these stinky little mice<br>what it would be like to train these wild mice to live in a cage<br>to eat only when food is offered, and only what I alone offer them<br>if eventually, they would learn to anticipate my arrival<br>at the door of their cage with joy, or if<br>they would always be just as terrified of me as this?</p>
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<p class="wp-block-paragraph"><strong>Holly Day</strong>’s writing has recently appeared in Analog SF, Talking River, and New Plains Review, and her published books include Music Theory for Dummies and Music Composition for Dummies. She currently teaches classes at The Loft Literary Center in Minnesota, Hugo House in Washington, and the Indiana Writers Center.</p>
<p class="wp-block-paragraph">You can find more of Holly’s work <a href="https://inkpantry.com/?s=holly+day&submit=Search">here</a> on Ink Pantry. </p>
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<h1 class="entry-title"><a href="https://inkpantry.com/flash-in-the-pantry-the-crush-by-megan-wildhood/" rel="bookmark">Flash in the Pantry: The Crush by Megan Wildhood</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/flash-in-the-pantry-the-crush-by-megan-wildhood/" rel="bookmark"><time class="entry-date" datetime="2026-07-25T08:54:50+00:00">July 25, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="768" src="https://inkpantry.com/wp-content/uploads/2026/07/cuppo-1024x768.jpg" alt="" class="wp-image-9667" srcset="https://inkpantry.com/wp-content/uploads/2026/07/cuppo-1024x768.jpg 1024w, https://inkpantry.com/wp-content/uploads/2026/07/cuppo-300x225.jpg 300w, https://inkpantry.com/wp-content/uploads/2026/07/cuppo-768x576.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/cuppo-1536x1152.jpg 1536w, https://inkpantry.com/wp-content/uploads/2026/07/cuppo-400x300.jpg 400w, https://inkpantry.com/wp-content/uploads/2026/07/cuppo.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>
<p class="wp-block-paragraph">The short woman waddled across the children’s section of the library toward the young woman cooing at a baby she had set on a blanket on the floor while a toddler screamed nonsense at her. She understood. He had to pee. <em>Oh, I’ll watch her </em>the short woman pointed to the baby. <em>Are you sure? </em>Much nodding. <em>I’ve always wanted a baby. </em>The boy’s shrieks garnered eyebrow raises and winces from other patrons. Much blushing. <em>Thank you. </em>The mother ran the toddler toward the restroom. The non-mother waited then picked the baby up and followed the mother until the exit.</p>
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<p class="wp-block-paragraph"><a href="https://hy.page/linktreemw"><strong>Megan Wildhood</strong> </a>is a neurodiverse Christian writer, editor, and writing coach who grew up in the intense sun and snow of Colorado. She believes that freedom of expression is necessary for a society that is not only safe but flourishing for all. As a human who has gone through more than one phoenix-level transformations, she will spend a lifetime turning those ashes into verse, story, essay, but most of all flashlight for her readers and those she works with in her coaching practices.</p>
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<article id="post-9662" class="post-9662 post type-post status-publish format-standard hentry category-uncategorised category-poetry">
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-unchanged-timeline-retrospect-on-the-wind-at-the-core-how-it-is-by-james-benger/" rel="bookmark">Poetry Drawer: unchanged: Timeline: Retrospect on the Wind: At the Core: how it is by James Benger</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-unchanged-timeline-retrospect-on-the-wind-at-the-core-how-it-is-by-james-benger/" rel="bookmark"><time class="entry-date" datetime="2026-07-25T08:36:03+00:00">July 25, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="575" src="https://inkpantry.com/wp-content/uploads/2026/07/peachiness-1024x575.jpg" alt="" class="wp-image-9664" srcset="https://inkpantry.com/wp-content/uploads/2026/07/peachiness-1024x575.jpg 1024w, https://inkpantry.com/wp-content/uploads/2026/07/peachiness-300x168.jpg 300w, https://inkpantry.com/wp-content/uploads/2026/07/peachiness-768x431.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/peachiness-1536x863.jpg 1536w, https://inkpantry.com/wp-content/uploads/2026/07/peachiness-500x281.jpg 500w, https://inkpantry.com/wp-content/uploads/2026/07/peachiness.jpg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></figure>
<p class="wp-block-paragraph"><strong>unchanged</strong></p>
<p class="wp-block-paragraph">it never really changes</p>
<p class="wp-block-paragraph">that scratchy transistor<br>still sounds the same<br>to the ears of the past<br>hidden under the cover<br>of a late night wish</p>
<p class="wp-block-paragraph">and you refuse to believe<br>that the cornstalks<br>are any shorter<br>that the dirt is drier<br>than it was last summer</p>
<p class="wp-block-paragraph">and meanwhile the snow piles up<br>and regardless of month<br>you remember peering out the windshield<br>from your backseat vantage<br>listening to your mother swerve the wheel<br>cussing the march and the gravel</p>
<p class="wp-block-paragraph">and all of this is the same<br>as yesterday<br>as tomorrow<br>when you believed the last gasp<br>was the ending word</p>
<p class="wp-block-paragraph">but now that frozen moment<br>is less than a footnote<br>on your approaching obsolescence<br>or so it would seem<br>as you sit here<br>refusing to recognize the moment<br>for all it is</p>
<p class="wp-block-paragraph"><strong>Timeline</strong></p>
<p class="wp-block-paragraph">We were told<br>all of this before<br>as we reveled in the<br>static existence that<br>permeated the pavement,<br>and every day<br>meant something,<br>except for the ones<br>left in the background;<br>signposts that always said:<br>Try Again,<br>and we did,<br>because what else<br>is there to do<br>when all you’ve got<br>is everything,<br>but all you see<br>is nothing?</p>
<p class="wp-block-paragraph">We were told<br>all of this before,<br>but things like that<br>rarely matter<br>when today is<br>the only day,<br>and what has changed<br>but a dented perspective,<br>and you had this pocketknife,<br>and that was enough<br>in the hazy moment.</p>
<p class="wp-block-paragraph">We were told<br>all of this before,<br>crunching earth that advised<br>walk slowly, walk steady,<br>so we ran,<br>and one day<br>we’ll rest.</p>
<p class="wp-block-paragraph"><strong>Retrospect on the Wind</strong></p>
<p class="wp-block-paragraph">There were late night moments<br>of ritualistic abandon,<br>throwing everything to the fire;<br>caution being the first to go.</p>
<p class="wp-block-paragraph">We’d see the twinkling darkened windows<br>from a vantage of impossible distance,<br>never knowing what was<br>on the other side of that black glass,<br>only that it had to be something grander<br>than the place from which we came.</p>
<p class="wp-block-paragraph">Things would burn down,<br>ashes collecting at the bottom<br>of a rusted-out fifty-five-gallon drum,<br>and all within a radius breathed in<br>the noxious odour of something<br>that never should have been.</p>
<p class="wp-block-paragraph">A single struggling streetlight<br>told the shadowy tale of<br>every other busted out arc sodium dream,<br>and we believed all those soundless words<br>with an innocent fervor never to be matched.</p>
<p class="wp-block-paragraph">Sometimes in the still midnight of now,<br>you can hear a wind shoot through trees,<br>even a lone coyote calling to the gathering,<br>but just beneath all of that,<br>you might hear all the things<br>we never said.</p>
<p class="wp-block-paragraph"><strong>At the Core</strong></p>
<p class="wp-block-paragraph">There’s a quiet spot<br>deep inside of nothing,<br>underneath everything,</p>
<p class="wp-block-paragraph">hiding, waiting to be found;<br>a centre to be exhumed,<br>but only from within,</p>
<p class="wp-block-paragraph">and that’s the trick, isn’t it?:<br>to dig out the intention<br>from underneath the extensions,</p>
<p class="wp-block-paragraph">to explode from a<br>position of implosion.<br>There is a quiet spot,</p>
<p class="wp-block-paragraph">and it’s there, breathing, waiting,<br>knowing that time is irrelevant,<br>that the wind never fails;</p>
<p class="wp-block-paragraph">believing that calm will come,<br>and it’s only to be found<br>beyond the next breath.</p>
<p class="wp-block-paragraph"><strong>how it is</strong></p>
<p class="wp-block-paragraph">to all extant<br>you see a sideways world<br>turning in some<br>unimaginable cycle<br>unpredictable and disturbing</p>
<p class="wp-block-paragraph">you watch from your<br>suspiciously rounded corner<br>an acknowledgement of nothing<br>a promise of everything</p>
<p class="wp-block-paragraph">and yet<br>the circles swirl<br>the world knows<br>and you’ll remain in the dark<br>seeing through pinholes<br>and pretending they’re stars</p>
<p class="wp-block-paragraph">your perception an image<br>from a coffee can camera<br>of yesterday’s embellishment<br>undulating and roiling and nauseous</p>
<p class="wp-block-paragraph">but that’s only what happened<br>yesterday<br>and tomorrow is less than a dream<br>and today’s already half in a book<br>that’s already begun<br>to smoulder in the wet flames<br>of anything that ever<br>seemed to make sense</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="150" height="150" src="https://inkpantry.com/wp-content/uploads/2015/08/Little-Inky-logo.png" alt="" class="wp-image-8317"/></figure>
<p class="wp-block-paragraph"><strong>James Benger </strong>is the author of several books of poetry and prose. He serves on the Board of Directors of the Writers Place, and on the Riverfront Readings Committee, and is the founder of the 365 Poems in 365 Days online workshop. He lives in Kansas City with his wife and children.</p>
<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="512" height="794" src="https://inkpantry.com/wp-content/uploads/2026/07/bw-bio-pic.jpg" alt="" class="wp-image-9663" srcset="https://inkpantry.com/wp-content/uploads/2026/07/bw-bio-pic.jpg 512w, https://inkpantry.com/wp-content/uploads/2026/07/bw-bio-pic-193x300.jpg 193w" sizes="auto, (max-width: 512px) 100vw, 512px" /></figure>
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<h1 class="entry-title"><a href="https://inkpantry.com/poetry-drawer-frequencies-by-adam-fieled/" rel="bookmark">Poetry Drawer: Frequencies by Adam Fieled</a></h1>
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<span class="sep">Posted on </span><a href="https://inkpantry.com/poetry-drawer-frequencies-by-adam-fieled/" rel="bookmark"><time class="entry-date" datetime="2026-07-24T12:30:47+00:00">July 24, 2026</time></a><span class="by-author"> <span class="sep"> by </span> <span class="author vcard"><a class="url fn n" href="https://inkpantry.com/author/admin/" rel="author">Deborah Edgeley</a></span></span> </div><!-- .entry-meta -->
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<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="768" height="1024" src="https://inkpantry.com/wp-content/uploads/2026/07/muchbook-768x1024.jpg" alt="" class="wp-image-9660" srcset="https://inkpantry.com/wp-content/uploads/2026/07/muchbook-768x1024.jpg 768w, https://inkpantry.com/wp-content/uploads/2026/07/muchbook-225x300.jpg 225w, https://inkpantry.com/wp-content/uploads/2026/07/muchbook-1152x1536.jpg 1152w, https://inkpantry.com/wp-content/uploads/2026/07/muchbook.jpg 1536w" sizes="auto, (max-width: 768px) 100vw, 768px" /></figure>
<p class="wp-block-paragraph"><strong>Frequencies</strong><br>for Mary Walker Graham</p>
<p class="wp-block-paragraph">I.</p>
<p class="wp-block-paragraph">“We’re at our most bestial when threatened not<br>with hatred but indifference; what our blood wants<br>is reaction of some kind.” New Hampshire night,<br>our own reaction, you pliant, penetrable, laid out beneath me as<br>flies fidgeted our room, pirouetted moist air. Yet<br>we sank beneath bestiality to do just what indifferently<br>we wanted, beneath our glut of blood, so the summoned<br>beasts might react with this: ripped limb from limb,<br>buried in low-lying Virginia swamp marsh, given what<br>aphorism is only got in extinction, darling, as I quote<br>what you said at the bar before. In other words, they<br>hated us. The one-night stand wouldn’t matter if your<br>brain didn’t have the right words in it: stories, sequences,<br>slammed-down metaphors of a singed self. Frequencies.</p>
<p class="wp-block-paragraph">II.</p>
<p class="wp-block-paragraph">As the world between her legs tightened around<br>her, what she saw in bed with me was stark: okra,<br>stamens, roots, all that in nature coalesces in erect<br>growth; and a shadow father bent, then erect, then<br>bent again, perverse from amassing wealth in a world<br>whose submissiveness poisons him. Beneath the sultry,<br>wooded surface, what I saw was a semi-frightened<br>animal, along for an all-night ride (gruesomeness of<br>4 a.m. New Hampshire sun), knife thusly thrusting<br>into the backs of everyone around her, managing<br>to have stamina enough against constraint to take<br>what she was taking. The mattress thumped: above,<br>an angel was unable to conceal laughter, understanding<br>it was all in the script, including the garish sun’s leer.</p>
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<p class="wp-block-paragraph"><strong>Adam Fieled</strong> is a writer based in Philadelphia. His books include <em>Opera Bufa</em>, <em>Beams</em>, <em>Equations</em>, <em>Apparition Poems</em>, and the manuscript-in-progress <em>Something Solid</em>. A magna cum laude Penn grad, he edits P.F.S. Post.</p>
<p class="wp-block-paragraph">You can find more of Adam’s work <a href="https://inkpantry.com/?s=+Adam+Fieled+&submit=Search">here</a> on Ink Pantry.</p>
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Sitemap
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XML-карта сайта для поисковиков
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Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
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Внутренние ссылки
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Ссылки на другие страницы своего сайта
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Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 198 слишком много. Проведите оптимизацию сайта!
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На странице присутствуют изображения 1.
Показать первые 100 внутренних ссылок
| Url | Анкор | Состояние | Анализировать |
|---|---|---|---|
| / |
Ink Pantry
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| / |
Home
|
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| /about-us/ |
About Us
|
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| /book-production-packages/ |
Book Production Packages
|
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| /ink-pantrys-dr-zhivago-poetry-competition-2020/ |
Ink Pantry’s Dr Zhivago Poetry Competition 2020
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| /publications/ |
Publications
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| /staff/ |
Staff
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| /submissions/ |
Submissions
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| /page/2/ |
<span class="meta-nav">←</span> Older posts
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| /poetry-drawer-catafalque-embroidery-life-on-the-high-cs-topaz-endeavours-buck-rogers-in-the-25th-century-by-mark-young/ |
Poetry Drawer: Catafalque embroidery: Life on the High Cs: Topaz endeavours/ Buck / Rogers in / the 25th Century by Mark Young
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| /poetry-drawer-catafalque-embroidery-life-on-the-high-cs-topaz-endeavours-buck-rogers-in-the-25th-century-by-mark-young/ |
<time class="entry-date" datetime="2026-08-06T11:41:40+00:00">August 6, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /?s=mark+young&submit=Search |
here
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| /category/uncategorized/ |
Uncategorized
|
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| /poetry-drawer-clear-stones-by-john-swain/ |
Poetry Drawer: Clear Stones by John Swain
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| /poetry-drawer-clear-stones-by-john-swain/ |
<time class="entry-date" datetime="2026-08-06T11:16:05+00:00">August 6, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /poetry-drawer-the-rain-bridge-the-rose-sphere-the-moon-vine-by-john-swain/ |
here
|
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| /category/uncategorised/ |
Blog Posts
|
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| /category/poetry/ |
Poetry Drawer
|
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| /poetry-drawer-back-in-business-like-father-like-son-these-fine-children-flowers-for-a-friend-passerby-someone-in-the-fog-by-john-grey/ |
Poetry Drawer: Back in Business: Like Father, Like Son: These Fine Children: Flowers for a Friend: Passerby: Someone in the Fog by John Grey
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| /poetry-drawer-back-in-business-like-father-like-son-these-fine-children-flowers-for-a-friend-passerby-someone-in-the-fog-by-john-grey/ |
<time class="entry-date" datetime="2026-07-27T12:28:17+00:00">July 27, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /?s=john+grey&submit=Search |
here
|
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| /category/uncategorised/ |
Blog Posts
|
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| /category/poetry/ |
Poetry Drawer
|
|
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| /poetry-drawer-my-ouija-board-left-on-read-by-arshi-mortuza/ |
Poetry Drawer: My Ouija Board, Left on Read by Arshi Mortuza
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| /poetry-drawer-my-ouija-board-left-on-read-by-arshi-mortuza/ |
<time class="entry-date" datetime="2026-07-27T11:26:16+00:00">July 27, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /category/uncategorised/ |
Blog Posts
|
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| /category/poetry/ |
Poetry Drawer
|
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| /flash-in-the-pantry-bulletins-of-the-broken-hearted-by-ian-c-smith/ |
Flash in the Pantry: Bulletins of the Broken-Hearted by Ian C Smith
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| /flash-in-the-pantry-bulletins-of-the-broken-hearted-by-ian-c-smith/ |
<time class="entry-date" datetime="2026-07-27T11:10:19+00:00">July 27, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /?s=ian+c+smith&submit=Search |
here
|
|
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| /category/uncategorised/ |
Blog Posts
|
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| /category/flash-in-the-pantry/ |
Flash In The Pantry
|
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| /poetry-drawer-without-seeing-without-waiting-by-nikolle-loka/ |
Poetry Drawer: Without seeing, without waiting by Nikollë Loka
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| /poetry-drawer-without-seeing-without-waiting-by-nikolle-loka/ |
<time class="entry-date" datetime="2026-07-27T10:48:09+00:00">July 27, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
|
Анализировать url |
| /?s=Nikoll%C3%AB+Loka&submit=Search |
here
|
|
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| /category/uncategorised/ |
Blog Posts
|
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| /category/poetry/ |
Poetry Drawer
|
|
Анализировать url |
| /poetry-drawer-the-squirrel-the-mouse-the-myth-of-correspondence-tuesday-mouse-trap-by-holly-day/ |
Poetry Drawer: The Squirrel: The Mouse: The Myth of Correspondence: Tuesday: Mouse Trap by Holly Day
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| /poetry-drawer-the-squirrel-the-mouse-the-myth-of-correspondence-tuesday-mouse-trap-by-holly-day/ |
<time class="entry-date" datetime="2026-07-25T09:25:20+00:00">July 25, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /?s=holly+day&submit=Search |
here
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|
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| /category/uncategorised/ |
Blog Posts
|
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Анализировать url |
| /category/poetry/ |
Poetry Drawer
|
|
Анализировать url |
| /flash-in-the-pantry-the-crush-by-megan-wildhood/ |
Flash in the Pantry: The Crush by Megan Wildhood
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| /flash-in-the-pantry-the-crush-by-megan-wildhood/ |
<time class="entry-date" datetime="2026-07-25T08:54:50+00:00">July 25, 2026</time>
|
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Анализировать url |
| /author/admin/ |
Deborah Edgeley
|
|
Анализировать url |
| /category/uncategorised/ |
Blog Posts
|
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Анализировать url |
| /category/flash-in-the-pantry/ |
Flash In The Pantry
|
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Анализировать url |
| /poetry-drawer-unchanged-timeline-retrospect-on-the-wind-at-the-core-how-it-is-by-james-benger/ |
Poetry Drawer: unchanged: Timeline: Retrospect on the Wind: At the Core: how it is by James Benger
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| /poetry-drawer-unchanged-timeline-retrospect-on-the-wind-at-the-core-how-it-is-by-james-benger/ |
<time class="entry-date" datetime="2026-07-25T08:36:03+00:00">July 25, 2026</time>
|
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| /author/admin/ |
Deborah Edgeley
|
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| /category/uncategorised/ |
Blog Posts
|
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Анализировать url |
| /category/poetry/ |
Poetry Drawer
|
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| /poetry-drawer-frequencies-by-adam-fieled/ |
Poetry Drawer: Frequencies by Adam Fieled
|
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| /poetry-drawer-frequencies-by-adam-fieled/ |
<time class="entry-date" datetime="2026-07-24T12:30:47+00:00">July 24, 2026</time>
|
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Анализировать url |
| /author/admin/ |
Deborah Edgeley
|
|
Анализировать url |
| /?s=+Adam+Fieled+&submit=Search |
here
|
|
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| /category/uncategorised/ |
Blog Posts
|
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Анализировать url |
| /category/poetry/ |
Poetry Drawer
|
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Анализировать url |
| /page/2/ |
<span class="meta-nav">←</span> Older posts
|
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Анализировать url |
| /2026/08/ |
August 2026
|
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| /2026/07/ |
July 2026
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| /2026/06/ |
June 2026
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| /2026/05/ |
May 2026
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| /2026/04/ |
April 2026
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| /2026/03/ |
March 2026
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| /2026/01/ |
January 2026
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| /2025/12/ |
December 2025
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| /2025/11/ |
November 2025
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| /2025/10/ |
October 2025
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| /2025/09/ |
September 2025
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| /2025/08/ |
August 2025
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| /2025/07/ |
July 2025
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| /2025/06/ |
June 2025
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| /2025/05/ |
May 2025
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| /2025/04/ |
April 2025
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| /2025/03/ |
March 2025
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| /2025/02/ |
February 2025
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| /2025/01/ |
January 2025
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| /2024/12/ |
December 2024
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| /2024/11/ |
November 2024
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| /2024/10/ |
October 2024
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| /2024/09/ |
September 2024
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| /2024/08/ |
August 2024
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| /2024/07/ |
July 2024
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| /2024/06/ |
June 2024
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| /2024/05/ |
May 2024
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| /2024/04/ |
April 2024
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| /2024/03/ |
March 2024
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| /2024/02/ |
February 2024
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| /2024/01/ |
January 2024
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| /2023/12/ |
December 2023
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| /2023/11/ |
November 2023
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| /2023/10/ |
October 2023
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Внешние ссылки
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Ссылки на сторонние сайты
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Исходящие внешние ссылки передают часть ссылочного веса на чужие сайты. Ссылки на авторитетные ресурсы безопасны; ссылки на мусорные сайты могут навредить репутации страницы.
Внешних ссылок на странице 2 оптимально.
Показать внешние ссылки
| Url | Анкор | Анализировать |
|---|---|---|
| hy.page |
<strong>Megan Wildhood</strong>
|
Анализировать url |
| en-gb.wordpress.org |
Proudly powered by WordPress
|
Анализировать url |
Конкуренты Готовность: 0%
Конкуренты в Яндексе
Кол-во: 0
Топ сайтов-конкурентов в Яндексе
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Сайты, чаще всего появляющиеся в ТОПе Яндекса по запросам из семантического ядра этой страницы.
Мы не нашли у вас конкурентов в Яндексе. Сайт или очень молодой или плохо продвигается.
Конкурентов в ТОП-10 Яндекса не нашлось.
Конкуренты в Google
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Топ сайтов-конкурентов в Google
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Сайты, чаще всего появляющиеся в ТОПе Google по запросам из семантического ядра этой страницы.
Конкуренты в Google тоже не найдены. Займитесь продвижением сайта!
Конкурентов в ТОП-10 Google не нашлось.
ЗоЗПП: права потребителей Готовность: 100%
Нарушения
Не выявлены
Признаков дистанционной продажи товаров (интернет-магазина) не обнаружено — требования ЗоЗПП о раскрытии информации продавца к сайту не применяются. Нарушений нет.
ФЗ-149: рекомендательные технологии Готовность: 100%
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Рекомендательные блоки («с этим покупают», «похожие товары» и т.п.) на сайте не обнаружены — требования ст. 10.7 ФЗ-149 к сайту не применяются. Нарушений нет.
ФЗ-38: реклама Готовность: 100%
Нарушения
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Рекламных тематик с обязательными оговорками (медицина, БАД, кредиты и займы, новостройки) на сайте не обнаружено. Нарушений нет.
ФЗ-436: защита детей Готовность: 100%
Нарушения
Не выявлены
Признаков информационной продукции (новости, видео, книги, игры, курсы) не обнаружено — обязательная возрастная маркировка по ФЗ-436 сайту не требуется. Нарушений нет.
Вердикт
Таким сайт inkpantry.com видят поисковые системы. Процент оптимизации невысокий - 60%. Чтобы улучшить сайт и попасть в ТОП необходимо:
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