Анализ сайта janmot.com
Основное Готовность: 100%
Домен
janmot.com
Состояние доменного имени
?
Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Домен второго уровня идеален для продвижения.
Отличный запоминающийся домен.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Цепочка редиректов:
http://janmot.com
301 MovedPermanently
https://janmot.com/
200 OK
Безопасность
Сайт безопасен
Использование HTTPS и SSL-сертификат
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HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
Не настроен HSTS (Strict-Transport-Security) — рекомендуется включить.
На сайте работает защищенный протокол ssl и сайт открывается по https.
Ssl-сертификат действителен до 01.11.2026 2:38:01.
HTTP автоматически перенаправляется на HTTPS.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
utf-8
Кодировка символов страницы
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Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице utf-8.
Язык
en-US
Атрибут lang в HTML-теге
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Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en-US.
Скорость загрузки
~1,65сек
Время отклика сервера (TTFB)
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Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 1,65сек превышает 1 секунду. Желательно улучшить работу сайта!
Объем документа
261Кб
Размер HTML-кода страницы
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Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 261Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 5
Внешние ресурсы страницы (CSS, JS, изображения)
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Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 5 достаточно.
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | https://janmot.com/wp-content/themes/web3000Theme/editor-style-shared.css | |
| stylesheet | https://janmot.com/web3000Theme/css/style.css?version=1765264388 | |
| js | https://ajax.googleapis.com/ajax/libs/jquery/3.5.1/jquery.min.js | |
| js | /web3000Theme/js/plugins.js | |
| js | /web3000Theme/js/scripts.js?version=1766082689 |
Серверные заголовки
Кол-во: 5
HTTP-заголовки ответа сервера
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Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 5шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| Server | nginx |
| Date | Sat, 22 Aug 2026 06:22:44 GMT |
| Vary | Accept-Encoding |
| Link | <https://janmot.com/>; rel=shortlink |
| Cache-Control | max-age=0 |
CMS
PrestaShop
Система управления сайтом (движок)
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CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS PrestaShop.
Веб-сервер
nginx
Программное обеспечение сервера
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Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Сайт работает на веб-сервере nginx.
Мета-теги Готовность: 23%
Title
Jan Mot
Заголовок страницы в браузере и поисковой выдаче
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Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо увеличить число символов в title (текущее значение мало: 7, минимум: 25, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Описание страницы в поисковой выдаче (сниппет)
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Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Установите мета-тег description!
Keywords
Список ключевых слов страницы (устаревший тег)
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Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
Указывает поисковику основную версию страницы
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Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Рекомендуем прописать канонический Url.
Robots
index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1
Директивы для поисковых роботов на уровне страницы
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Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots со значениями index, follow не накладывает ограничений на индексирование и показ контента.
Адаптивность
width=device-width, initial-scale=1.0, minimum-scale=1.0,maximum-scale=10.0
Настройка масштабирования на мобильных устройствах
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Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport со значением-константой width=device-width задаёт ширину страницы в соответствии с размером экрана.
Meta-тег viewport со значением initial-scale=1.0 определяет масштаб 1:1, т.е. «не масштабировать».
Meta-тег viewport со значением minimum-scale определяет минимальный масштаб области просмотра.
Meta-тег viewport со значением maximum-scale определяет максимальный масштаб области просмотра.
Разметка OpenGraph
Кол-во: 9
Мета-теги для красивых превью в соцсетях
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OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph задана. Страница оптимизирована под социальные сети.
Показать полный список og мета-тегов
| Тип | Значение |
|---|---|
| og:locale | en_US |
| og:type | website |
| og:title | Jan Mot |
| og:url | https://janmot.com/ |
| og:site_name | Jan Mot |
| og:image | https://janmot.com/files/janmot_1200x630px.jpg |
| og:image:width | 1200 |
| og:image:height | 630 |
| og:image:type | image/jpeg |
Все мета-теги
Кол-во: 16
Полный список мета-тегов страницы
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Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 16шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | format-detection | telephone=no |
| name | viewport | width=device-width, initial-scale=1.0, minimum-scale=1.0,maximum-scale=10.0 |
| name | turbolinks-cache-control | no-cache |
| name | msapplication-TileImage | https://janmot.com/files/cropped-whitepx-270x270.png |
| name | robots | index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1 |
| name | msapplication-TileImage | https://janmot.com/files/cropped-whitepx-270x270.png |
| property | og:locale | en_US |
| property | og:type | website |
| property | og:title | Jan Mot |
| property | og:url | https://janmot.com/ |
| property | og:site_name | Jan Mot |
| property | article:modified_time | 2024-09-04T15:47:57+00:00 |
| property | og:image | https://janmot.com/files/janmot_1200x630px.jpg |
| property | og:image:width | 1200 |
| property | og:image:height | 630 |
| property | og:image:type | image/jpeg |
Оптимизация Готовность: 50%
Структура
Ошибок нет
Семантические HTML-элементы страницы
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Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют в единственном экземпляре).
Контент
Есть ошибки
Объём и качество текстового содержимого
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Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 2 встречаются в тексте редко. Добавьте в контент страницы слова из тега <title>!
Абзацев с текстом 220 достаточно.
Среднее число слов в абзаце 72 достаточно.
Кол-во знаков контента 108398 на странице оптимально.
Кол-во слов 17295 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
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H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 1. Это прекрасно.
Тошнота
11,87
Насколько одно слово доминирует в тексте
?
Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота превышает норму 5. Измените текст страницы!
Академич. тошнота
77,82%
Насколько текст перенасыщен ключевыми словами
?
Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
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Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| exhibition | 141 | 0,82% |
| francis | 54 | 0,31% |
| artist | 50 | 0,29% |
| artists | 43 | 0,25% |
| image: | 40 | 0,23% |
| lamelas | 39 | 0,23% |
| museum | 39 | 0,23% |
| gallery | 37 | 0,21% |
| online | 32 | 0,19% |
| between | 32 | 0,19% |
| büttner | 30 | 0,17% |
| brussels | 29 | 0,17% |
| andrea | 28 | 0,16% |
| torres | 27 | 0,16% |
| gonzalez-foerster | 27 | 0,16% |
| installation | 27 | 0,16% |
| curated | 26 | 0,15% |
| photo: | 24 | 0,14% |
| bismuth | 23 | 0,13% |
| dominique | 23 | 0,13% |
Индексация Готовность: 60%
Индексирование
Ошибок нет
Разрешено ли индексирование страницы
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Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 197 оптимально. Поисковые роботы обязательно проиндексируют сайт.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
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Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 168 байт. Загружен за: 1сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Цепочка редиректов для файла robots.txt:
http://janmot.com/robots.txt
301 MovedPermanently
https://janmot.com/robots.txt
200 OK
Показать содержимое robots.txt
# START YOAST BLOCK
# ---------------------------
User-agent: *
Disallow:
Sitemap: https://janmot.com/sitemap_index.xml
# ---------------------------
# END YOAST BLOCK
Sitemap
Кол-во: 1
XML-карта сайта для поисковиков
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Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
Robots.txt содержит карту сайта. Это прекрасно!
Robots.txt не содержит ошибок в карте сайта.
Показать карту сайта
| Url | Статус |
|---|---|
| https://janmot.com/sitemap_index.xml |
|
Внутренние ссылки
Кол-во: 28
Ссылки на другие страницы своего сайта
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Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 28 оптимально.
Внутренние ссылки не запрещены к индексации в robots.txt.
На странице присутствуют изображения 30.
Показать внутренние ссылки
| Url | Анкор | Состояние | Анализировать |
|---|---|---|---|
| / |
Home
|
|
Анализировать url |
| /exhbitions/ |
Exhibitions
|
|
Анализировать url |
| /artists/francis-alys/ |
Francis Alÿs
|
|
Анализировать url |
| /artists/sven-augustijnen/ |
Sven Augustijnen
|
|
Анализировать url |
| /artists/pierre-bismuth/ |
Pierre Bismuth
|
|
Анализировать url |
| /artists/stanley-brouwn/ |
stanley brouwn
|
|
Анализировать url |
| /artists/andrea-buettner/ |
Andrea Büttner
|
|
Анализировать url |
| /artists/manon-de-boer/ |
Manon de Boer
|
|
Анализировать url |
| /artists/rineke-dijkstra/ |
Rineke Dijkstra
|
|
Анализировать url |
| /artists/lili-dujourie/ |
Lili Dujourie
|
|
Анализировать url |
| /artists/mario-garcia-torres/ |
Mario Garcia Torres
|
|
Анализировать url |
| /artists/dominique-gonzalez-foerster/ |
Dominique Gonzalez-Foerster
|
|
Анализировать url |
| /artists/joachim-koester/ |
Joachim Koester
|
|
Анализировать url |
| /artists/david-lamelas/ |
David Lamelas
|
|
Анализировать url |
| /artists/sharon-lockhart/ |
Sharon Lockhart
|
|
Анализировать url |
| /artists/tino-sehgal/ |
Tino Sehgal
|
|
Анализировать url |
| /artists/philippe-thomas/ |
Philippe Thomas
|
|
Анализировать url |
| /artists/tris-vonna-michell/ |
Tris Vonna-Michell
|
|
Анализировать url |
| /artists/ian-wilson/ |
Ian Wilson
|
|
Анализировать url |
| /artists/seth-siegelaub/ |
Seth Siegelaub / Egress Foundation
|
|
Анализировать url |
| /galleries-curate/ |
Galleries Curate
|
|
Анализировать url |
| /projects/mexico-city/ |
Mexico City
|
|
Анализировать url |
| /projects/oral-culture/ |
Oral Culture
|
|
Анализировать url |
| /projects/from-the-library-of/ |
From the library of
|
|
Анализировать url |
| /newspaper/ |
Newspaper
|
|
Анализировать url |
| /contact/ |
Contact
|
|
Анализировать url |
| /artists/quand-le-ciel-bas-et-lourd/ |
<div class="broadcast-date">
16/12/20 </div>
<p>Over 800 people co-signed <strong>David Lamelas</strong>' letter to the Flemish Minister of Culture Jan Jambon regarding the removal of the work <em>Quand le ciel bas et lourd</em>. The letter including the list of all co-signatories was resent to Jan Jambon today, asking him for a positive reconsideration of this dossier.<br>
Click here to learn more about this initiative as well as to read the open letter by the director of M HKA Bart De Baere published on December 11th in reaction to our appeal as well as our reply to it (both to be found after the list of the co-signatories).</p>
|
|
Анализировать url |
| /artists/andrea-buettner/ |
<strong>Andrea Büttner</strong>
|
|
Анализировать url |
Внешние ссылки
Кол-во: 136
Ссылки на сторонние сайты
?
Исходящие внешние ссылки передают часть ссылочного веса на чужие сайты. Ссылки на авторитетные ресурсы безопасны; ссылки на мусорные сайты могут навредить репутации страницы.
Внешних ссылок на странице 136 слишком много. Спрячьте лишние ссылки в тег noindex или атрибут rel='nofollow'!
Показать первые 100 внешних ссылок
| Url | Анкор | Анализировать |
|---|---|---|
| by-association.online |
Webshop
|
Анализировать url |
| by-association.online |
Webshop
|
Анализировать url |
| instagram.com |
<div class="broadcast-date">
26/10/25 </div>
<img width="1024" height="683" src="https://janmot.com/files/lgb-2025-jean-mot-007-1024x683.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" srcset="https://janmot.com/files/lgb-2025-jean-mot-007-1024x683.jpeg 1024w, https://janmot.com/files/lgb-2025-jean-mot-007-768x512.jpeg 768w, https://janmot.com/files/lgb-2025-jean-mot-007-1920x1280.jpeg 1920w, https://janmot.com/files/lgb-2025-jean-mot-007-1536x1024.jpeg 1536w, https://janmot.com/files/lgb-2025-jean-mot-007-2048x1365.jpeg 2048w, https://janmot.com/files/lgb-2025-jean-mot-007-300x200.jpeg 300w" sizes="(max-width: 1024px) 100vw, 1024px"> <p>Good Books Paris, in collaboration with Jan Mot office, presents<em> I Was Not There</em> by <strong>Pierre Bismuth</strong> and <strong>Jonathan Monk, </strong>parallel to the homonymous show in Brussels. The presentation is accompanied by publications and editorial works, out-of-print titles, unique editions, objects, ephemera and multiples by Jonathan Monk. The exhibition runs until December 11 (photo: Pauline Assathiany / Aurélien Mole Studio).</p>
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|
| pinacoteca.org.br |
<div class="broadcast-date">
30/08/25 </div>
<img width="1024" height="964" src="https://janmot.com/files/dominique-convite-publico-ago25-f-1024x964.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/dominique-convite-publico-ago25-f-1024x964.jpg 1024w, https://janmot.com/files/dominique-convite-publico-ago25-f-768x723.jpg 768w, https://janmot.com/files/dominique-convite-publico-ago25-f-300x282.jpg 300w, https://janmot.com/files/dominique-convite-publico-ago25-f.jpg 1124w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The Pinacoteca de São Paulo invites <strong>Dominique Gonzalez-Foerster</strong> to create <em>Meteorium</em>, a structure designed specifically for the central space of the Pina Luz building, the Octagon, projecting a three-dimensional panorama divided into eight chambers, with walls and floors painted in reference to natural elements: rain, snow, lava, clouds, mud, dust, and petals. Gonzalez-Foerster reveals how meteorological phenomena and natural elements shape not only our physical surroundings, but also our emotional and psychological worlds. On the second floor, <em>Meteorium II</em> is made up of musical instruments, including a rainstick and a wind machine, allowing the audience to emit sounds of nature. The exhibition opens on August 30 and will remain on view until February 1, 2026.</p>
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Анализировать url |
| mediacityseoul.kr |
<div class="broadcast-date">
26/08/25 </div>
<img width="1000" height="1000" src="https://janmot.com/files/smb13-publication-prints-seance-technology-of-spirit-venue-poster-main-poster-digital-square-comp-1000x.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/smb13-publication-prints-seance-technology-of-spirit-venue-poster-main-poster-digital-square-comp-1000x.jpg 1000w, https://janmot.com/files/smb13-publication-prints-seance-technology-of-spirit-venue-poster-main-poster-digital-square-comp-1000x-768x768.jpg 768w, https://janmot.com/files/smb13-publication-prints-seance-technology-of-spirit-venue-poster-main-poster-digital-square-comp-1000x-150x150.jpg 150w, https://janmot.com/files/smb13-publication-prints-seance-technology-of-spirit-venue-poster-main-poster-digital-square-comp-1000x-300x300.jpg 300w" sizes="auto, (max-width: 1000px) 100vw, 1000px"> <p data-start="73" data-end="339"><strong>Joachim Koester</strong> is participating in the 13th Seoul Mediacity Biennale, <em data-start="144" data-end="178">Séance: Technology of the Spirit</em>, running from August 26 to November 23, 2025. The Biennale begins with a question: what role has spiritual experience played in modern and contemporary art? In recent years, many artists have turned to alternative forms of knowledge—the mystic, visionary, or arcane, often rooted in suppressed traditions. This renewed interest in the spiritual reflects a broader crisis in how we make sense of the world today. Seoul—a city shaped as much by its rich spiritual traditions as by modernity—offers an ideal platform to explore the social, political, and historical contexts of this cultural shift.</p>
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Анализировать url |
| groningermuseum.nl |
<div class="broadcast-date">
30/06/25 </div>
<img width="1024" height="669" src="https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-1024x669.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-1024x669.jpg 1024w, https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-768x502.jpg 768w, https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-1920x1254.jpg 1920w, https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-1536x1003.jpg 1536w, https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1-300x196.jpg 300w, https://janmot.com/files/tentoonstellingenits-about-time-2000xauto-fit-center-center-75-none-nsdavid-lamelas-time-1970-1.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p data-start="61" data-end="294">From Thursday, July 10, until December 31, 2025, on the occasion of the exhibition <em data-start="148" data-end="165">It's About Time </em>at Groninger Museum (NL)<em data-start="148" data-end="165">, </em><strong>David Lamelas</strong>' 1970 performance <em data-start="199" data-end="205">Time</em> will be brought to life twice daily (at 2:00 PM and 3:00 PM), by visitors themselves. Following the artist’s instructions, participants will discover that time is more than a clock or a calendar: it is something we experience, share, and shape together. Regardless of our cultural background, skin color, gender, religion, or other differences, we share the present. In an era of growing polarization, such a unifying experience is more necessary than ever. Image: David Lamelas, <i>Time</i><em>,</em> <i></i>1970</p>
<p data-start="296" data-end="667"> </p>
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Анализировать url |
| bechtlerstiftung.ch |
<div class="broadcast-date">
20/05/25 </div>
<img width="1024" height="819" src="https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1-1024x819.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1-1024x819.jpg 1024w, https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1-768x614.jpg 768w, https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1-1536x1228.jpg 1536w, https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1-300x240.jpg 300w, https://janmot.com/files/andrea-buettner-little-works-hollybush-gardens-web-2-1920x1535-1.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Andrea Büttner</strong>'s solo exhibition,<em> Andrea Büttner Works</em>, at the Bechtler Stiftung in Uster (CH), explores the many facets and social meanings of labour from diverse perspectives. Labour is a central motif in Büttner’s practice, often situated within art historical and socio-political contexts. The exhibition, curated by Maja Wismer, head of Art after 1960 / Contemporary Art at the Kunstmuseum Basel, opens on May 25 and runs until September 19. Image: Andrea Büttner, <em>Little Works </em>(still)<em>, </em>2007, video</p>
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Анализировать url |
| museum-ludwig.de |
<div class="broadcast-date">
08/04/25 </div>
<img width="756" height="535" src="https://janmot.com/files/image002.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/image002.jpg 756w, https://janmot.com/files/image002-300x212.jpg 300w" sizes="auto, (max-width: 756px) 100vw, 756px"> <p>The Museum Ludwig in Cologne presents <i>Francis Alÿs – Kids Take Over</i>, a remarkable exhibition by <strong>Francis Alÿs</strong> in which children are the focus. The exhibition opens Thursday, April 12 and it will last until August 03 2025. Image: Francis Alÿs, <i>Children’s Game #32 Estrellas (Filmstill), </i>Selva Alegre, Ecuador, 2022 © Francis Alÿs.</p>
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Анализировать url |
| koelner-dom.de |
<div class="broadcast-date">
03/04/25 </div>
<img width="748" height="637" src="https://janmot.com/files/whatsapp-image-2025-04-05-at-123106.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/whatsapp-image-2025-04-05-at-123106.jpeg 748w, https://janmot.com/files/whatsapp-image-2025-04-05-at-123106-300x255.jpeg 300w" sizes="auto, (max-width: 748px) 100vw, 748px"> <p>Congratulations to<strong> Andrea Büttner</strong>, winner of the Cologne Cathedral International Art Competition. In 2023, Büttner was one of fifteen artists invited to participate in the competition, which sought a new artwork for the cathedral––a UNESCO World Heritage Site––that would focus attention on the present and future of Christian-Jewish history. In her practice, Büttner asks foundational questions about how art functions in culture, through the use of imagery evocative of religious themes, and art historical representations of lowliness, vulnerability, and shame. By opening up artistic discourse in these ways, she challenges prevalent value judgments and their underlying belief systems. Büttner’s proposal envisions a mural on the end wall of the Chapel of St. Mary in Cologne Cathedral. The mural is painted directly above Stefan Lochner’s Altarpiece of the Patron Saints of Cologne (1442) and presents a life-size depiction of the stone base of the Torah ark from Cologne’s former medieval synagogue. Lochner’s altarpiece, which was moved to Cologne Cathedral in 1810, originally stood on the Torah ark’s base, replacing the ark after it was damaged in a 1349 pogrom and the synagogue was turned into a council chapel. Her proposed artwork links the Jewish quarter’s history to the cathedral, telling a story of foundation and superimposition.</p>
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Анализировать url |
| fridericianum.org |
<div class="broadcast-date">
06/03/25 </div>
<img width="1024" height="683" src="https://janmot.com/files/89b0344-scaled-1-1024x683.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/89b0344-scaled-1-1024x683.jpeg 1024w, https://janmot.com/files/89b0344-scaled-1-768x512.jpeg 768w, https://janmot.com/files/89b0344-scaled-1-1920x1280.jpeg 1920w, https://janmot.com/files/89b0344-scaled-1-1536x1024.jpeg 1536w, https://janmot.com/files/89b0344-scaled-1-2048x1366.jpeg 2048w, https://janmot.com/files/89b0344-scaled-1-300x200.jpeg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>With <em data-start="5" data-end="29">A History of Influence</em>, the Fridericianum (Kassel) presents the first institutional solo exhibition by <strong>Mario García Torres</strong> in Germany. Showcasing works from all periods of the artist’s career, the exhibition offers deep insights into his oeuvre. Opening on March 15 and running until July 27, the exhibition is one of the events programmed throughout 2025 to celebrate Documenta’s 70th anniversary.</p>
|
Анализировать url |
| visionsdureel.ch |
<div class="broadcast-date">
03/03/25 </div>
<img width="1024" height="579" src="https://janmot.com/files/capture-decran-2025-03-15-a-161356-1024x579.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/capture-decran-2025-03-15-a-161356-1024x579.png 1024w, https://janmot.com/files/capture-decran-2025-03-15-a-161356-768x434.png 768w, https://janmot.com/files/capture-decran-2025-03-15-a-161356-1920x1085.png 1920w, https://janmot.com/files/capture-decran-2025-03-15-a-161356-1536x868.png 1536w, https://janmot.com/files/capture-decran-2025-03-15-a-161356-2048x1157.png 2048w, https://janmot.com/files/capture-decran-2025-03-15-a-161356-300x170.png 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Sven Augustijnen</strong>'s film <em>Fierté Nationale: De Jéricho vers Gaza</em> will have its official world premiere at the<em> Visions du Réel</em> festival in Nyon, running from April 4 to April 13. <br>
<em>Fierté Nationale: De Jéricho vers Gaza</em> follows Hassan Al Balawi, a Palestinian diplomat in Brussels, as he returns to his homeland to mark the 15th anniversary of the death of Yasser Arafat, the historical leader of the PLO. Filmed in 2019, Balawi’s journey from the occupied West Bank to the Gaza border paints a subjective picture of the current state of the Palestinian liberation struggle, foreshadowing the events that would unfold on October 7.</p>
|
Анализировать url |
| kanal.brussels |
<div class="broadcast-date">
19/12/24 </div>
<img width="1024" height="681" src="https://janmot.com/files/2000-tornado-1-1024x681.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/2000-tornado-1-1024x681.jpeg 1024w, https://janmot.com/files/2000-tornado-1-768x510.jpeg 768w, https://janmot.com/files/2000-tornado-1-1920x1276.jpeg 1920w, https://janmot.com/files/2000-tornado-1-1536x1021.jpeg 1536w, https://janmot.com/files/2000-tornado-1-2048x1361.jpeg 2048w, https://janmot.com/files/2000-tornado-1-300x199.jpeg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p style="font-weight: 400;">Kanal – Centre Pompidou in Brussels acquired <em>Tornado</em> (2000-2010) by <strong>Francis Alÿs</strong>, an installation consisting of a video and a large group of works on paper. The video was part of several retrospective exhibitions of Alÿs. Image: video still, Francis Alÿs, <em>Tornado (2000-2010)</em>; © Francis Alÿs</p>
|
Анализировать url |
| hausderkunst.de |
<div class="broadcast-date">
11/12/24 </div>
<img width="1024" height="768" src="https://janmot.com/files/230911-leeum-tz-1-jpg-1024x768.webp" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/230911-leeum-tz-1-jpg-1024x768.webp 1024w, https://janmot.com/files/230911-leeum-tz-1-jpg-768x576.webp 768w, https://janmot.com/files/230911-leeum-tz-1-jpg-1920x1440.webp 1920w, https://janmot.com/files/230911-leeum-tz-1-jpg-1536x1152.webp 1536w, https://janmot.com/files/230911-leeum-tz-1-jpg-2048x1536.webp 2048w, https://janmot.com/files/230911-leeum-tz-1-jpg-300x225.webp 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>For the solo exhibition <em>Voices</em> by Philippe Parreno which opens on December 13 at Haus der Kunst in Munich, artist<strong> Tino Sehgal</strong> has created a work consisting of dancers/singers speaking with the exhibition. Each room is activated one after the other by the dancers whose voices and ∂A - an invented language crafted by Parreno and evolving in real time - trigger responses from the whole environment. A very familiar, yet bodiless voice, periodically slips through the rooms. ∂A transforms the space, channelling messages through the dancers, who act as oracles of a prophecy. The exhibition runs until 25/05/25.</p>
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Анализировать url |
| staedelmuseum.de |
<div class="broadcast-date">
11/12/24 </div>
<img width="1024" height="1307" src="https://janmot.com/files/st-presse-rineke-dijkstra-odessa-ukraine-august-7-1993-1993-2017jpg-1024x1307.webp" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/st-presse-rineke-dijkstra-odessa-ukraine-august-7-1993-1993-2017jpg-1024x1307.webp 1024w, https://janmot.com/files/st-presse-rineke-dijkstra-odessa-ukraine-august-7-1993-1993-2017jpg-768x980.webp 768w, https://janmot.com/files/st-presse-rineke-dijkstra-odessa-ukraine-august-7-1993-1993-2017jpg-300x383.webp 300w, https://janmot.com/files/st-presse-rineke-dijkstra-odessa-ukraine-august-7-1993-1993-2017jpg.webp 1165w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The solo exhibition <em>Beach Portraits </em>of <strong>Rineke Dijkstra</strong> opens on December 13 at theStädel Museum in Frankfurt. The exhibition will present 27 of Rineke Dijkstra’s works, including 23 images from her <em>Beach Portraits</em> series, which attracted international attention and established her as one of the most influential female photographers in contemporary art. Works from the <em>Streets </em>series and a self-portrait of the artist are also featured in the exhibition. The exhibition runs until 18/05/25. Image: Rineke Dijkstra,<em> Odessa, Ukraine, August 7,</em> <em>1993</em> (2017), inkjet print, 117 x 94 cm, Städel Museum, <em>©</em> Rineke Dijkstra.</p>
|
Анализировать url |
| cinematek.be |
<div class="broadcast-date">
27/11/24 </div>
<img width="1024" height="683" src="https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa-1024x683.jpg 1024w, https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa-768x512.jpg 768w, https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa-1536x1024.jpg 1536w, https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa-300x200.jpg 300w, https://janmot.com/files/david-lamelas-on-set-for-his-film-this-is-my-place-in-los-angeles-2023-photo-dasha-gladkov-photography-courtesy-institute-for-studies-on-latin-american-art-islaa.jpg 1600w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><span data-markjs="true">European</span> <span data-markjs="true">premier</span>e of <em>This is My Place</em>, by <strong>David Lamelas</strong>, produced and commissioned by the Institute for Studies on Latin American Art (ISLAA).The screening will take place Sunday, December 1, 2024, at 5 pm at CINEMATEK, Brussels, in presence of the artist. Tickets are available on the Cinematek website. <span data-markjs="true"><em>This is My Place </em>is a fictional documentary about the itinerant life and conceptual practice of artist David Lamelas. Through conversations with curator Carla Acevedo-Yates, the film retraces the artist’s life defined by migration between cultures and countries. </span></p>
|
Анализировать url |
| maniera.be |
<div class="broadcast-date">
03/10/24 </div>
<img width="897" height="570" src="https://janmot.com/files/img-5914-copie.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/img-5914-copie.jpeg 897w, https://janmot.com/files/img-5914-copie-768x488.jpeg 768w, https://janmot.com/files/img-5914-copie-300x191.jpeg 300w" sizes="auto, (max-width: 897px) 100vw, 897px"> <p><strong>Pierre Bismuth</strong> is part of the group exhibition <em>Glass Bits</em>, opening on Thursday 3 October at Maniera, Brussels. The artist will present his installation <em>One Man’s Mess is Another Man’s Masterpiece</em>, consisting of 80 broken glass slides. The exhibition runs until 21/12. (Image: Pierre Bismuth, <em>One Man’s Mess is Another Man’s Masterpiece</em>, 2007, detail.)</p>
|
Анализировать url |
| badischer-kunstverein.de |
<div class="broadcast-date">
17/09/24 </div>
<img width="1024" height="771" src="https://janmot.com/files/capture-decran-2024-09-17-a-103134-1024x771.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/capture-decran-2024-09-17-a-103134-1024x771.png 1024w, https://janmot.com/files/capture-decran-2024-09-17-a-103134-768x578.png 768w, https://janmot.com/files/capture-decran-2024-09-17-a-103134-300x226.png 300w, https://janmot.com/files/capture-decran-2024-09-17-a-103134.png 1280w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The solo exhibition by <strong>Tris Vonna-Michell</strong>, <em>Vonna-Michell’s House</em>, opens on 19 September at Badischer Kunstverein in Karlsruhe. The exhibition presents new, existing and reconfigured works from the artist’s two decades of activity, including, for the first time in a public institution, the artist’s father Ed Vonna-Michell’s photographic and publishing projects from the late 1960s onwards, integrated with his son’s recent work. (Image: Tris Vonna-Michell, <em>Boxed Matter</em>, 2022 (detail), set of 2 digital inkjet prints, 31,8 x 76,2 cm each, edition of 1, 1 A.P. and 1 E.C.)</p>
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Анализировать url |
| fraclorraine.org |
<div class="broadcast-date">
30/08/24 </div>
<img width="1024" height="1536" src="https://janmot.com/files/sa-lhistoire-est-simple-et-edifiante-2014-viewjanmot2014-16-min-1365x2048-1-1024x1536.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/sa-lhistoire-est-simple-et-edifiante-2014-viewjanmot2014-16-min-1365x2048-1-1024x1536.jpg 1024w, https://janmot.com/files/sa-lhistoire-est-simple-et-edifiante-2014-viewjanmot2014-16-min-1365x2048-1-768x1152.jpg 768w, https://janmot.com/files/sa-lhistoire-est-simple-et-edifiante-2014-viewjanmot2014-16-min-1365x2048-1-300x450.jpg 300w, https://janmot.com/files/sa-lhistoire-est-simple-et-edifiante-2014-viewjanmot2014-16-min-1365x2048-1.jpg 1365w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>Opening on September 5, the group exhibition <em>PAUSE</em> at 49 Nord 6 Est – Frac Lorraine includes <strong>Sven Augustijnen</strong>'s <em>L’histoire est simple et édifiante. Une sélection d’articles parus dans Paris Match, première partie 1960-1972</em> (2014), on loan from S.M.A.K., Ghent. The exhibition addresses the ambivalent attraction generated by contemporary image flows.</p>
|
Анализировать url |
| theatredelaville-paris.com |
<div class="broadcast-date">
27/08/24 </div>
<p>On September 6 le Théâtre de la Ville de Paris will host <strong>Tino Sehgal</strong>’s <em>This Entry</em>, involving a footballer, a violinist, a cyclist and a singer/dancer. Made with the involvement of footballer Juan Mata, this constructed situation premiered at the National Football Museum and the Whitworth, Lancashire (UK) as part of Manchester International Festival 2023.</p>
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Анализировать url |
| maz.zapopan.gob.mx |
<div class="broadcast-date">
22/08/24 </div>
<img width="1024" height="683" src="https://janmot.com/files/yamgun-july-2011-fa-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/yamgun-july-2011-fa-1024x683.jpg 1024w, https://janmot.com/files/yamgun-july-2011-fa-768x512.jpg 768w, https://janmot.com/files/yamgun-july-2011-fa-1920x1280.jpg 1920w, https://janmot.com/files/yamgun-july-2011-fa-1536x1024.jpg 1536w, https://janmot.com/files/yamgun-july-2011-fa-2048x1365.jpg 2048w, https://janmot.com/files/yamgun-july-2011-fa-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>For its grand opening on September 26, EstaciónMAZ, the second venue of MAZ Museum in Guadalajara, Mexico, will showcase the critically acclaimed project <em>Children’s Games</em> by <strong>Francis Alÿs</strong>. The exhibition was presented at MUAC in Mexico City under the curatorship of Cuauhtémoc Medina and Virginia Roy in 2023. (Image: Francis Alÿs, <em>Children’s Game #11</em> <em>(Wolf and Lamb)</em>, 2011, video, color, sound, 3’01”, Yamgun, Afghanistan, in collaboration with Julien Devaux and Félix Blume)</p>
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| kunstverein-duesseldorf.de |
<div class="broadcast-date">
20/08/24 </div>
<img width="1024" height="768" src="https://janmot.com/files/kvd24-2-cedric-mussano-29-1024x768.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/kvd24-2-cedric-mussano-29-1024x768.jpg 1024w, https://janmot.com/files/kvd24-2-cedric-mussano-29-768x576.jpg 768w, https://janmot.com/files/kvd24-2-cedric-mussano-29-1920x1439.jpg 1920w, https://janmot.com/files/kvd24-2-cedric-mussano-29-1536x1152.jpg 1536w, https://janmot.com/files/kvd24-2-cedric-mussano-29-2048x1535.jpg 2048w, https://janmot.com/files/kvd24-2-cedric-mussano-29-300x225.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Dominique Gonzalez-Foerster</strong> is participating in the group exhibition <em>A Portrait in Fragments </em>at Kunstverein Kunstverein für die Rheinlande und Westfalen, in Düsseldorf (DE), on view until September 22. The artist presents <em>Farmacias Distantes</em> (2023), a panoramic installation that brings together a multitude of literary, spiritual, artistic and biographical references spanning several centuries. Curated by Kathrin Bentele, the exhibition offers a reflection on biographical spaces, memory, and the physical and immaterial traces that the self leaves behind in the world. (Image: Dominique Gonzalez-Foerster, <em>Farmacias Distantes</em> (2023; detail), installation view A Portrait in Fragments, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, 2024, photo: Cedric Mussano)</p>
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| avilafilm.be |
<div class="broadcast-date">
05/07/24 </div>
<img width="1024" height="576" src="https://janmot.com/files/spectres-112-1024x576.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/spectres-112-1024x576.jpg 1024w, https://janmot.com/files/spectres-112-768x432.jpg 768w, https://janmot.com/files/spectres-112-1536x864.jpg 1536w, https://janmot.com/files/spectres-112-300x169.jpg 300w, https://janmot.com/files/spectres-112.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Sven Augustijnen</strong>'s film <em>Spectres</em> (2011) is currently available to stream on the platform Avila. To the sound of <em>St John Passion</em> by J.S. Bach, <em>Spectres </em>immerses us into one of the darkest days of the decolonisation of the Belgian Congo, Patrice Lumumba's assassination on 17 January 1961. An examination of the biopolitical body, this feature-length film exposes the fine line separating legitimisation and historiography and the traumatic issue of responsibility and debt. (www.avilafilm.be)</p>
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| barbican.org.uk |
<div class="broadcast-date">
24/06/24 </div>
<p>Previously shown at the Belgian Pavilion at the 2022 Venice Biennial and at WIELS, Brussels, (among other places) in 2023–24, <strong>Francis Alÿs</strong>’ ongoing series of films <em>Children’s Games</em> will have its UK premiere in the exhibition <em>Ricochets</em> at the Art Gallery of the Barbican Centre, London (27/06–01/09). The exhibition will also include a new site-specific community project, part of the artist’s continued engagement with cross-cultural contexts around the world.</p>
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Анализировать url |
| hamburger-kunsthalle.de |
<div class="broadcast-date">
20/06/24 </div>
<img width="1024" height="683" src="https://janmot.com/files/rembertdeprez-20-1-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/rembertdeprez-20-1-1024x683.jpg 1024w, https://janmot.com/files/rembertdeprez-20-1-768x512.jpg 768w, https://janmot.com/files/rembertdeprez-20-1-1920x1280.jpg 1920w, https://janmot.com/files/rembertdeprez-20-1-1536x1024.jpg 1536w, https://janmot.com/files/rembertdeprez-20-1-2048x1365.jpg 2048w, https://janmot.com/files/rembertdeprez-20-1-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Manon de Boer</strong> and Latifa Laâbissi will perform <em>Ghost Party (1)</em> on 22 and 23 August, at 18.00, at Hamburger Kunsthalle, as part of the exhibition <em>Untranquil Now: A Constellation of Narratives and Resonances</em>. The performance is the result of a dialog between de Boer and Laâbissi in which they explore a polyphony of artistic voices that haunt their bodies and minds, including Chantal Akerman, Beyoncé, Octavia Butler, Angela Davis, Marguerite Duras, Frantz Fanon, Valeska Gert, Umm Kulthum, Oskar Schlemmer and many others. (Photo: Rembert de Prez)</p>
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Анализировать url |
| cinematek.be |
<div class="broadcast-date">
22/05/24 </div>
<img width="960" height="577" src="https://janmot.com/files/thumbnail-augusteorts-manondeboer-anexperimentinleisure-2.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/thumbnail-augusteorts-manondeboer-anexperimentinleisure-2.jpg 960w, https://janmot.com/files/thumbnail-augusteorts-manondeboer-anexperimentinleisure-2-768x462.jpg 768w, https://janmot.com/files/thumbnail-augusteorts-manondeboer-anexperimentinleisure-2-300x180.jpg 300w" sizes="auto, (max-width: 960px) 100vw, 960px"> <p>On Saturday 25 May, <strong>Manon de Boer</strong>'s <em>An Experiment in Leisure</em> (2016) and <strong>Sharon Lockhart</strong>'s <em>EVENTIDE</em> (2022) screen as part the program 'Fort Beau' at CINEMATEK, Brussels, guest-curated by critic and curator Pieter Van Bogaert. Two additional films by de Boer — <em>Maud Capturing the Light ‘On a Clear Day’</em> (2015) and <em>The Untroubled Mind</em> (2016) — are presented as installations in the CINEMATEK foyer on 25 and 26 May.</p>
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| bibliothequekandinsky.centrepompidou.fr |
<div class="broadcast-date">
11/05/24 </div>
<img width="1024" height="838" src="https://janmot.com/files/20231126-172929-copie-1024x838.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/20231126-172929-copie-1024x838.jpg 1024w, https://janmot.com/files/20231126-172929-copie-768x628.jpg 768w, https://janmot.com/files/20231126-172929-copie-1920x1571.jpg 1920w, https://janmot.com/files/20231126-172929-copie-1536x1257.jpg 1536w, https://janmot.com/files/20231126-172929-copie-2048x1676.jpg 2048w, https://janmot.com/files/20231126-172929-copie-300x245.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>An evening event devoted to the research around <strong>Philippe Thomas</strong>' work will take place on May 15 at Bibliothèque Kandinsky, Paris echoing the current presentation of the artist's work in the contemporary collections of the Centre Pompidou, Paris. With contributions from Bernard Blistène, Patricia Falguières, Élisabeth Lebovici and Clément Raveu. Organized in collaboration with the Estate Philippe Thomas. (Image: <em>Philippe Thomas et l’agence readymades belong to everyone®</em>, installation view at Centre Pompidou, Paris. Photo: Daphné Charitos)</p>
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| fondationbeyeler.ch |
<div class="broadcast-date">
07/05/24 </div>
<img width="1024" height="768" src="https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-1024x768.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-1024x768.jpg 1024w, https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-768x576.jpg 768w, https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-1920x1440.jpg 1920w, https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-1536x1152.jpg 1536w, https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-2048x1536.jpg 2048w, https://janmot.com/files/160526fb-aussenaufnahme-41996-def-300-20cm-300x225.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>On May 7, exactly 200 years ago, Ludwig van Beethoven premiered his 9th Symphony in Vienna. <strong>Tino Sehgal</strong>'s <em>This Joy</em>, inspired by this monument of classical music, is now on view at the Fondation Beyeler in Basel, until May 18 as part of the exhibition <em>The Making of</em>.</p>
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Анализировать url |
| visit.mcachicago.org |
<div class="broadcast-date">
02/04/24 </div>
<img width="1024" height="682" src="https://janmot.com/files/capture-decran-2024-04-02-a-112858-1024x682.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/capture-decran-2024-04-02-a-112858-1024x682.png 1024w, https://janmot.com/files/capture-decran-2024-04-02-a-112858-768x511.png 768w, https://janmot.com/files/capture-decran-2024-04-02-a-112858-1536x1022.png 1536w, https://janmot.com/files/capture-decran-2024-04-02-a-112858-300x200.png 300w, https://janmot.com/files/capture-decran-2024-04-02-a-112858.png 1818w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The world premiere of <em>This Is My Place</em>, a fictional documentary about the itinerant life and conceptual practice of David Lamelas, takes place on Wednesday 3 April at 6 pm, at the Museum of Contemporary Art Chicago. The screening will be followed by a conversation between Lamelas, Carla Acevedo-Yates (Larry Fields Curator, MCA Chicago) and Nolan Jimbo (Assistant Curator, MCA Chicago). Lamelas is one of the artists in the exhibition <em>Endless</em>, curated by Jimbo, with the above work <i>Situación de cuatro placas de aluminio (Four Changeable Plaques)</i>, 1966 (aluminum, four parts, each 250.2 x 31.4 x 0.2 cm, Collection Museum of Contemporary Art Chicago, gift of the Institute for Studies on Latin American Art / ISLAA).</p>
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Анализировать url |
| panora.se |
<div class="broadcast-date">
27/03/24 </div>
<img width="1024" height="576" src="https://janmot.com/files/1139-fiertenationalestill111-copy-1024x576.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/1139-fiertenationalestill111-copy-1024x576.jpeg 1024w, https://janmot.com/files/1139-fiertenationalestill111-copy-768x432.jpeg 768w, https://janmot.com/files/1139-fiertenationalestill111-copy-1536x864.jpeg 1536w, https://janmot.com/files/1139-fiertenationalestill111-copy-300x169.jpeg 300w, https://janmot.com/files/1139-fiertenationalestill111-copy.jpeg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The new film <em>Fierté Nationale – First part, From Jericho to Gaza</em> by Sven Augustijnen will premiere at Cinema Panora, Malmö (SE) on 3 April, in the presence of the artist. Taking its starting point as an inquiry into the Belgian arms used in different revolutionary movements, the film follows the protagonist Hassan Al Balawi, a Brussels-based Palestinian diplomat, as he returns to his homeland on the occasion of the 15th anniversary of the death of Yasser Arafat, the historical leader of the <span class="caps">PLO</span>. Filmed in 2019, Balawi’s journey from Jericho to Gaza draws a subjective image of the situation that led to the tragic events that began on October 7, 2023.</p>
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| portikus.de |
<div class="broadcast-date">
06/03/24 </div>
<img width="1024" height="1275" src="https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-1024x1275.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-1024x1275.jpg 1024w, https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-768x957.jpg 768w, https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-1920x2391.jpg 1920w, https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-1233x1536.jpg 1233w, https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-1644x2048.jpg 1644w, https://janmot.com/files/readymades-belong-to-everyone-advertising-1988-300x374.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>An exhibition dedicated to <strong>Philippe Thomas</strong>, and his agency readymades belong to everyone® will open on Friday 8 March at Portikus, Frankfurt am Main (DE) and remain on view until 12 May, 2024. Entitled <em>Philippe Thomas: art history in search of characters...</em> the exhibition curated by Liberty Adrien and Carina Bukuts features emblematic works, including the retrospective work <em>L’Agence</em> (1993) conceived by the artist at the invitation of the MAMCO, Geneva. Portikus' exhibition space, whose size is almost identical to the gallery for which Thomas originally presented the installation, is divided into two areas: the <i>backstage</i> and the <i>showroom</i>. While the first resembles a warehouse storage with ad campaigns, photographs and other objects and archives testifying to the agency's activity, the latter is a white cube, in which a selection of works is displayed to highlight different aspects of Thomas’s fiction. The lower gallery of Portikus is transformed into a study room in an effort to invite readers to do individual research on the artist. (Image: readymades belong to everyone®<b>, </b><i>advertising, advertising</i>, 1988, black & white photograph, framed)</p>
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| e-flux.com |
<div class="broadcast-date">
05/03/24 </div>
<p><strong>Tino Sehgal</strong> is invited by Philippe Parreno to participle in the exhibition <i>VOICES</i> at Leeum Museum of Art, Seoul. For this occasion, Sehgal has created a new work entitled <em>This ornation (Schéhérazade Parreno) (Voices version), </em>2024 and presented on the escalator between the Black Box and the Ground Gallery space (on view till 7 July, 2024).</p>
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| z33.be |
<div class="broadcast-date">
29/02/24 </div>
<img width="1024" height="532" src="https://janmot.com/files/2002-the-modern-procession-2-1440x748-1-1024x532.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/2002-the-modern-procession-2-1440x748-1-1024x532.jpg 1024w, https://janmot.com/files/2002-the-modern-procession-2-1440x748-1-768x399.jpg 768w, https://janmot.com/files/2002-the-modern-procession-2-1440x748-1-300x156.jpg 300w, https://janmot.com/files/2002-the-modern-procession-2-1440x748-1.jpg 1440w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The group exhibition <em>Leaps of Faith</em> — opening at Z33 (Hasselt, BE) on 31/03 — includes a video installation by <strong>Francis Alÿs</strong>. Curated by Tim Roerig, the exhibition contends with the question of faith in its religious but also wider social meanings, through works that address the power of art to pave paths beyond the familiar. (Until 25/08; image: Francis Alÿs, <em>The Modern Procession</em>, 2002 (still), video documentation of an action, 7 minutes 22 seconds.)</p>
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Анализировать url |
| buecher-koenig-nk.de |
<div class="broadcast-date">
16/02/24 </div>
<img width="1024" height="1028" src="https://janmot.com/files/capture-decran-2024-02-16-a-154413-1024x1028.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/capture-decran-2024-02-16-a-154413-1024x1028.png 1024w, https://janmot.com/files/capture-decran-2024-02-16-a-154413-768x771.png 768w, https://janmot.com/files/capture-decran-2024-02-16-a-154413-150x150.png 150w, https://janmot.com/files/capture-decran-2024-02-16-a-154413-300x301.png 300w, https://janmot.com/files/capture-decran-2024-02-16-a-154413.png 1114w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The catalogue of <strong>Dominique Gonzalez-Foerster</strong>'s solo exhibition <em>Alienarium 5</em> at Serpentine South Gallery in 2022 will be launched on February 24. The publication includes contributions by Enrique Vila-Matas, Paul B. Preciado and Tatiana Kontou, as well as an in-depth conversation between Gonzalez-Foerster and Hans Ulrich Obrist. Edited by Claude Adjil and Liz Stumpf, and published by Serpentine Galleries and Buchhandlung Walther König, the book was made possible thanks to the support of Albarrán Bourdais (Madrid), Chantal Crousel (Paris), Corvi Mora (London), Jan Mot (Brussels), Esther Schipper (Berlin) and 303 Gallery (New York).</p>
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| manifdart.org |
<div class="broadcast-date">
14/02/24 </div>
<p style="font-weight: 400;"><strong>Joachim Koester</strong> and <strong>Francis Alÿs</strong> are among the artists invited by Marie Muracciole to participate in the 11<sup>th</sup> edition of Manif d’art – Québec City Biennial (23/02-28/04). Under the theme <em>The Strength of Sleep — The Cohabitations of All the Living</em>, the Biennial draws its inspiration from the Canadian winter to focus on human sleep and the multiple nuances of the process of waking.</p>
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Анализировать url |
| kuleuven.be |
<div class="broadcast-date">
08/02/24 </div>
<img width="1024" height="682" src="https://janmot.com/files/j06a6116-2.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/j06a6116-2.jpg 1024w, https://janmot.com/files/j06a6116-2-768x512.jpg 768w, https://janmot.com/files/j06a6116-2-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>Following <strong>Francis Alÿs</strong>' Venice Biennale's return exhibition at Wiels, Brussels, <em>Children's Game #22: Jump Rope</em> is on loan to the university KU Leuven (BE). The film shot in 2020 on a rooftop in Hong Kong is displayed in the entrance hall of sports hall De Nayer at FaBeR until the end of 2025.</p>
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| lumiere-antwerpen.be |
<div class="broadcast-date">
31/01/24 </div>
<p>As part of the exhibition <em>Her Voice - Echoes of Chantal Akerman</em> at FOMU, Antwerp (BE), a projection of <em>Ghost Party (2)</em> by <strong>Manon de Boer</strong> and Latifa Laâbissi is organised at Cinema Lumière, Antwerp (BE) on Tuesday 06/02, at 8 pm. In the film, De Boer and Laâbissi create little fictions with vases, stones and other materials, while giving voice to texts of ‘ghosts’ from their shared genealogies, like Marguerite Duras, Serge Daney, Casey and Eduardo Viveiros de Castro. Manon De Boer will be there to present the film. Tickets can be purchased via the cinema's website.</p>
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Анализировать url |
| arteabierto.org |
<div class="broadcast-date">
26/01/24 </div>
<img width="1024" height="769" src="https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-1024x769.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-1024x769.jpg 1024w, https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-768x577.jpg 768w, https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-1920x1441.jpg 1920w, https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-1536x1153.jpg 1536w, https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-2048x1537.jpg 2048w, https://janmot.com/files/arteabierto-mariogarciatorres-cositas-nohayrazonparatenermiedo-1-e1706706642178-300x225.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Mario Garcia Torres</strong>' new solo exhibition <em>Cositas</em> is currently on view at Arte Abierto, Mexico City. The exhibition is titled after the phrase “Se vienen cositas”, which was made popular by television in the 90s and has recently gained popularity on social media. Taking as starting point references from collective imagination and popular culture, the artist presents five works through which he plays with the idea of audiovisual experiences intended for mass audiences while questioning our role as spectators and co-creators of meaning. <em>Cositas</em> is on view until July 2024. (Image: Mario Garcia Torres, <em>No hay razón para tener miedo (There Is No Reason to Be Afraid)</em>, n.d. [still], video, audio, 4 min)</p>
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Анализировать url |
| mali.pe |
<div class="broadcast-date">
24/01/24 </div>
<img width="1024" height="746" src="https://janmot.com/files/when-faith-moves-mountains-3-2-1024x746.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/when-faith-moves-mountains-3-2-1024x746.jpg 1024w, https://janmot.com/files/when-faith-moves-mountains-3-2-768x560.jpg 768w, https://janmot.com/files/when-faith-moves-mountains-3-2-1920x1399.jpg 1920w, https://janmot.com/files/when-faith-moves-mountains-3-2-1536x1119.jpg 1536w, https://janmot.com/files/when-faith-moves-mountains-3-2-2048x1492.jpg 2048w, https://janmot.com/files/when-faith-moves-mountains-3-2-300x219.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>More than twenty years after <strong>Francis Alÿs</strong>' large scale project <em>Cuando la fe mueve montañas (When Faith Moves Mountains)</em>, the Museo de Arte de Lima – MALI presents the exhibition <em>Francis Alÿs: Cuando la fe mueve montañas (2022). Dos décadas después</em> (26/01 - 02/06), curated by Cuauhtémoc Medina. On 11 April 2002, on the outskirts of Lima, Alÿs invited five hundred volunteers equipped with shovels to form a single line in order to displace a dune by a few centimetres, thus demonstrating the disproportion between an effort and its effect. This metaphoric action, summarised by the artist's motto “Maximum effort, minimum result", is the focus of the exhibition, which includes the film documenting the project <span lang="EN-US">as well as </span>testimonies <span lang="EN-US">and </span>archival material. On the occasion of the opening on 26 January, the museum will host a talk between Lucía García de Polavieja, Jimena Gonzalez, Natalia Majluf and Cuauhtémoc Medina, all of whom participated in the project. (Image: Francis Alÿs, <em>When Faith Moves Mountains</em> <em>(Lima, Peru – April 11, 2002)</em>, 2002, in collaboration with Cuauhtémoc Medina and Rafael Ortega, photo documentation of an event)</p>
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Анализировать url |
| ataleofatub.org |
<div class="broadcast-date">
23/01/24 </div>
<img width="399" height="600" src="https://janmot.com/files/i-always-thought-anselmo-s-invisible-1971-should-be-installed-against-a-window-mario-garc-a-torres-76059-copyright-kroller-muller-museum.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/i-always-thought-anselmo-s-invisible-1971-should-be-installed-against-a-window-mario-garc-a-torres-76059-copyright-kroller-muller-museum.jpg 399w, https://janmot.com/files/i-always-thought-anselmo-s-invisible-1971-should-be-installed-against-a-window-mario-garc-a-torres-76059-copyright-kroller-muller-museum-300x451.jpg 300w" sizes="auto, (max-width: 399px) 100vw, 399px"> <p>Curator Nathalie Zonnenberg has included works by <strong>Francis Alÿs</strong> and <strong>Mario García Torres</strong> in her exhibition <em>Taken Apart & Put Back Together Again </em> at A Tale of A Tub, Rotterdam (31.01—21.04). The exhibition marks the fourth edition of an annual collaboration between Tlön Projects, Amsterdam, and A Tale of A Tub, and presents a variety of artworks selected from Tlön Projects'<span class="apple-converted-space"> </span><em>imaginary collection</em>. (Photo: Mario García Torres, <em>I always thought Anselmo's Invisible (1971) should be installed against a window</em>, 2011, installation with 35mm color slide projection)</p>
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| fondationcab.com |
<div class="broadcast-date">
17/01/24 </div>
<img width="768" height="554" src="https://janmot.com/files/mdb001-img01-def-768x554-1.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/mdb001-img01-def-768x554-1.jpg 768w, https://janmot.com/files/mdb001-img01-def-768x554-1-300x216.jpg 300w" sizes="auto, (max-width: 768px) 100vw, 768px"> <p><strong>Manon de Boer</strong> is part of the group exhibition <em>On the Other Side</em> opening at Fondation CAB, Brussels, on Tuesday 12 March, and running until 13 July. The works on view — including de Boer's film <em>The Untroubled Mind</em> (2016) — refer to construction and deconstruction in the parallel spaces of playing and image-making. The exhibition will be accompanied by a catalogue. (photo: Manon de Boer, <em>The Untroubled Mind</em>, 2016 [still], 7 min 39 sec, 16mm to digital file, color, 4:3, silent)</p>
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| jeudepaume.org |
<div class="broadcast-date">
18/12/2023 </div>
<img width="996" height="700" src="https://janmot.com/files/gala-23-28-1006x-copie.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/gala-23-28-1006x-copie.jpg 996w, https://janmot.com/files/gala-23-28-1006x-copie-768x540.jpg 768w, https://janmot.com/files/gala-23-28-1006x-copie-300x211.jpg 300w" sizes="auto, (max-width: 996px) 100vw, 996px"> <p><strong>Manon de Boer</strong> and Latifa Laâbissi will be in conversation at the Jeu de Paume, Paris, on 9 January 2024, at 6 pm, around their recently released book <em>Another Ghost Party</em> published by Walther et Franz König. <i>Another Ghost Party</i> can be purchased via the BY ASSOCIATION webshop. (Photo: Rik Vannevel)</p>
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| centrepompidou-metz.fr |
<div class="broadcast-date">
12/12/2023 </div>
<img width="1024" height="769" src="https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1-1024x769.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1-1024x769.jpg 1024w, https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1-768x577.jpg 768w, https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1-1536x1153.jpg 1536w, https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1-300x225.jpg 300w, https://janmot.com/files/pb-en-suivant-la-main-gauche-de-jacques-lacan-still-1.jpg 1573w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Pierre Bismuth</strong> is among the artists included in <em>Lacan, the exhibition. When Art Meets Psychoanalysis </em>at Centre Pompidou-Metz, the first exhibition devoted to the French psychoanalyst Jacques Lacan (1901-1981), curated by Marie-Laure Bernadac and Bernard Marcadé. <em>Lacan, the exhibition</em> runs from 31 December 2023 to 27 May 2024. (Photo: still from Pierre Bismuth, <em>En suivant la main gauche de Jacques Lacan – L’âme et l’inconscient</em>, 2012, black and white video, sound, 5 min 50 sec)</p>
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| baffestival.be |
<div class="broadcast-date">
16/11/23 </div>
<p>The documentary <em>Christophe… définitivement</em> (2022, 1h26) directed by <strong>Dominique Gonzalez-Foerster </strong>and Ange Leccia will be screened on 19 November (6 pm) at BOZAR, Brussels on the occasion of the BAFF- Brussels Art Film Festival. The film-concert focuses on the preparation of the late french singer's comeback on stage in 2002, after 28 years of absence.</p>
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| fondazioneratti.org |
<div class="broadcast-date">
14/11/23 </div>
<p>On 18 November, <strong>Mario Garcia Torres</strong> will perform <em>I Am Not a Flopper </em>at Fondazione Ratti, in Como (IT), as part of the program of lectures, round tables and performances organised in relation to the exhibition <em>Seth Siegelaub: Textile Art Theory</em>, on view until 1 January, 2024. The performance is the first of Garcia Torres' stage monologue trilogy in which the artist assumes the role of Alan Smithee – a pseudonym that filmmakers use whenever they want to withdraw directing credit from their films.</p>
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| augusteorts.be |
<div class="broadcast-date">
24/10/23 </div>
<img width="1024" height="794" src="https://janmot.com/files/anotherghostparty02-e1698926500325-1024x794.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/anotherghostparty02-e1698926500325-1024x794.jpg 1024w, https://janmot.com/files/anotherghostparty02-e1698926500325-768x595.jpg 768w, https://janmot.com/files/anotherghostparty02-e1698926500325-1536x1190.jpg 1536w, https://janmot.com/files/anotherghostparty02-e1698926500325-300x233.jpg 300w, https://janmot.com/files/anotherghostparty02-e1698926500325.jpg 1600w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 4">
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<p>The book<em> Another Ghost Party</em>, centered on the collaboration between <strong>Manon de Boer</strong> and Latifa Laâbissi and published by Verlag der Buchhandlung Walther und Franz König, will be launched at WIELS, Brussels, at 6 pm on Thursday, November 2, with a presentation by Goda Budvytyté, the book’s designer, followed by a conversation between her, de Boer, Laâbissi and the book’s editor, Laurens Otto. A second book launch will take place at Jeu de Paume, Paris, at 6.30 pm on Tuesday, January 9, 2024. (Image: Rik Vannevel)</p>
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| fondazioneantoniodallenogare.com |
<div class="broadcast-date">
07/10/23 </div>
<img width="1024" height="1536" src="https://janmot.com/files/21760-1024x1536.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/21760-1024x1536.jpg 1024w, https://janmot.com/files/21760-768x1152.jpg 768w, https://janmot.com/files/21760-1920x2880.jpg 1920w, https://janmot.com/files/21760-1365x2048.jpg 1365w, https://janmot.com/files/21760-300x450.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The Fondazione Antonio Dalle Nogare (Bolzano, IT) presents Part II of the exhibition <em>David Lamelas. </em><em>I Have to Think About It</em>, the first retrospective in Italy devoted to the Argentinean artist <strong>David Lamelas</strong>. Curated by Andrea Viliani with Eva Brioschi, the exhibition includes some of the artist’s most important historical works, alongside new productions and an unprecedented programme of live events. <em>David Lamelas. I Have To Think About It, Part II</em> runs until February 24, 2024. (Photo: Hannes Ochsenreiter)</p>
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| fondazioneratti.org |
<div class="broadcast-date">
06/10/23 </div>
<img width="1024" height="582" src="https://janmot.com/files/556351-e9eac8a9c772bff0e94b6e22b0e99f96-e1696588512342-1024x582.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/556351-e9eac8a9c772bff0e94b6e22b0e99f96-e1696588512342-1024x582.jpg 1024w, https://janmot.com/files/556351-e9eac8a9c772bff0e94b6e22b0e99f96-e1696588512342-768x437.jpg 768w, https://janmot.com/files/556351-e9eac8a9c772bff0e94b6e22b0e99f96-e1696588512342-300x171.jpg 300w, https://janmot.com/files/556351-e9eac8a9c772bff0e94b6e22b0e99f96-e1696588512342.jpg 1275w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <section class="Article-text">
<p dir="ltr">The exhibition <em>Seth Siegelaub: textile art theory</em> marks the Antonio Ratti Foundation's recent acquisition of <strong>Seth Siegelaub</strong>'s prestigious book collection, and the subsequent donation of his textile collection by Marja Bloem, director of <strong>Egress Foundation</strong>. Across two sites, through works, textiles and documents, the exhibition reconstructs the journey of one of the most fascinating figures in contemporary culture. At Triennale Milano, the exhibition celebrates Siegelaub's multifaceted activity of gallery owner, curator, publisher, archivist and collector. In the new spaces of the Antonio Ratti Foundation (Como, IT), the exhibition takes a biographical approach to Siegelaub's work and research. Curated by Lorenzo Benedetti, Marja Bloem and Maddalena Terragni. On view from October 8, 2023, till January 7, 2024. (Image: Portrait of Seth Siegelaub. Photo: Marja Bloem.)</p>
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| morepublishers.be |
<div class="broadcast-date">
05/10/23 </div>
<img width="640" height="480" src="https://janmot.com/files/19-evening-standard-news2.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/19-evening-standard-news2.jpeg 640w, https://janmot.com/files/19-evening-standard-news2-300x225.jpeg 300w" sizes="auto, (max-width: 640px) 100vw, 640px"> <p>MOREpublishers (Quenast, BE) continues its collaboration with <strong>Pierre Bismuth</strong> with the new edition <em>19 Evening Standard News + 1 retail price</em>, a set of 20 A4 digital prints in a stamped envelope, signed by the artist in an edition of 30 (+ 10 A.P.) at a cost of 80 €. For more information on this and other MORE editions by Bismuth, please contact info@morepublishers.be.</p>
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| centrobotin.org |
<div class="broadcast-date">
02/10/23 </div>
<img width="1024" height="341" src="https://janmot.com/files/elgreco-1200-1024x341.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/elgreco-1200-1024x341.jpg 1024w, https://janmot.com/files/elgreco-1200-768x256.jpg 768w, https://janmot.com/files/elgreco-1200-300x100.jpg 300w, https://janmot.com/files/elgreco-1200.jpg 1200w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The Centro Botín (Santander, ES) presents <em>El Greco / Tino Sehgal,</em> a dialogue between El Greco´s painting <em>Adoración de los Pastores</em> [<em>Adoration of the Shepherds</em>] and a new work by <strong>Tino Sehgal</strong>, <em>This youiiyou</em>. Like all of his ‘constructed situations’, Sehgal's engagement with El Greco's <em>Adoración</em> allows for a live encounter between visitors and those enacting the work. <em>This youiiyou </em>also underscores the artist's keen sensitivity to classical considerations of form, composition and space, grounded in the history of dance and western traditions of sculpture and painting. Curated by Udo Kittelman, from October 7, 2023 to February 2024. (Image: El Greco, <em>Adoración de los Pastores,</em> 1577-1579, Fundación Botín art collection)</p>
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| kunsthaus.ch |
<div class="broadcast-date">
27/09/23 </div>
<p>Works by <strong>Manon de Boer</strong>, <strong>David Lamelas</strong> and <strong>Ian Wilson</strong> are currently on view in the large-scale exhibition <em>Time</em>, presented until 14 January, 2021 at Kunsthaus Zürich. Starting with the clock as an instrument for measuring time, the exhibition curated by Cathérine Hug invites visitors — through six chapters over 1,200 square meters — to reflect on different visions of the future against the backdrop of the Anthropocene, marked by increasing speculation about how much time both individuals and humanity have left to ensure their survival on – and with – planet earth.</p>
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| sprengel-museum.de |
<div class="broadcast-date">
15/09/23 </div>
<img width="1024" height="681" src="https://janmot.com/files/dsc-1639-1024x681.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/dsc-1639-1024x681.jpg 1024w, https://janmot.com/files/dsc-1639-768x511.jpg 768w, https://janmot.com/files/dsc-1639-1920x1277.jpg 1920w, https://janmot.com/files/dsc-1639-1536x1022.jpg 1536w, https://janmot.com/files/dsc-1639-2048x1363.jpg 2048w, https://janmot.com/files/dsc-1639-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 7">
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<p><strong>Pierre Bismuth</strong> is among 16 artists invited by curator Inka Shube to take part in <em>Ocular Witness: Schweinebewusstsein</em>, an exhibition presented at Sprengel Museum, Hannover (DE) until November 5. The presentation and accompanying catalogue are exploring the multifaceted relationship between humans and pigs, focussing on the history of the meat industry, its impact on the environment and on human relations. Bismuth created a new installation for the exhibition entitled <i class="">Librairie Chacuterie / Wurstwarenbuchhandlung </i>/ <i class="">Bookshop Delicatessen</i>, consisting in a refrigerated display of processed meats and a selection of books that address the meat industry from philosophical, political and ecological perspectives. The artist <span class="" lang="EN-US">is also presenting two older works: 3 sculptures from the series </span><i class=""><span class="" lang="EN-GB">Fried Chicken Flavoured Polyethylene (2016)</span></i><span class="" lang="EN-GB"> and a wall paper entitled </span><i class=""><span class="" lang="EN-GB">I agree the idea of cloning humans is degusting</span></i><span class="" lang="EN-GB"> (2007).</span> (Image: <em>Ocular Witness: Schweinebewusstsein</em>, installation view at Sprengel Museum, 2023)</p>
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| 35.bienal.org.br |
<div class="broadcast-date">
01/09/23 </div>
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<p>A large group of works by <strong>stanley brouwn</strong>, selected by Manuel Borja-Villel, will feature in the 35th Bienal de São Paulo from September 6 till December 10. The title of the biennial is choreographies of the impossible and is curated by Borja-Villel, Diane Lima, Grada Kilomba and Hélio Menezes.</p>
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| wiels.org |
<div class="broadcast-date">
20/07/23 </div>
<img width="1024" height="576" src="https://janmot.com/files/childrensgame26-kisolo-2021-still-4-1024x576.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/childrensgame26-kisolo-2021-still-4-1024x576.jpg 1024w, https://janmot.com/files/childrensgame26-kisolo-2021-still-4-768x432.jpg 768w, https://janmot.com/files/childrensgame26-kisolo-2021-still-4-1920x1080.jpg 1920w, https://janmot.com/files/childrensgame26-kisolo-2021-still-4-1536x864.jpg 1536w, https://janmot.com/files/childrensgame26-kisolo-2021-still-4-2048x1152.jpg 2048w, https://janmot.com/files/childrensgame26-kisolo-2021-still-4-300x169.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p class="p1">Twelve years after the artist's retrospective at WIELS, Brussels, <strong>Francis Alÿs</strong> returns with the exhibition <i>The Nature of the Game</i> — a new, more comprehensive version of the exhibition he first presented at the Belgian Pavilion at the 59th Venice Biennale in 2022. In Venice, Alÿs presented a series of filmed children games made in Belgium, the Democratic Republic of the Congo, Hong Kong, Mexico and Switzerland, in dialogue with a group of his discreet, small-format paintings. At WIELS, the artist adds several new films, including of children's games he recently saw in Ukraine. He confronts them with the film installation <i>The Silence of Ani </i>(2015). Curated by Dirk Snauwaert and Hilde Teerlinck, <i>The Nature of the Game</i> runs until January 7, 2024. (Photo: Children’s Game #26: Kisolo, Tabacongo 2021 [detail], in collaboration with Julien Devaux and Félix Blume)</p>
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| mep-fr.org |
<div class="broadcast-date">
14/07/23 </div>
<img width="1024" height="683" src="https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-1024x683.jpg 1024w, https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-768x512.jpg 768w, https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-1920x1281.jpg 1920w, https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-1536x1025.jpg 1536w, https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-2048x1366.jpg 2048w, https://janmot.com/files/exposition-rineke-dijkstra-a-la-mep-quentin-chevrier-1-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 7">
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<p>The MEP (Maison Européenne de la Photographie, Paris) is currently presenting a solo exhibition by <strong>Rineke Dijkstra</strong>. Taking over a complete floor of the museum, the artist shows four of her most important video installations. The selected videos deal exclusively with the ways in which younger people look and present themselves to be seen as portrait subjects in the process of establishing their identities, whether as students, performers and/or consumers of visual culture. On view till October 10. (Image: installation view, <i class="">Rineke Dijkstra: I see you, </i>MEP, Paris, 2023. Photo: Quentin Chevrier)</p>
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| leopoldhoeschmuseum.de |
<div class="broadcast-date">
04/07/23 </div>
<img width="1024" height="616" src="https://janmot.com/files/lhm-108-e3ph0026-1024x.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/lhm-108-e3ph0026-1024x.jpg 1024w, https://janmot.com/files/lhm-108-e3ph0026-1024x-768x462.jpg 768w, https://janmot.com/files/lhm-108-e3ph0026-1024x-300x180.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>In the exhibition "Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)" at the Leopold-Hoesch-Museum, curator, editor, and collector Moritz Küng brings together a wide selection of international positions dedicated to the blank book as an artistic medium. Among the 259 artists' books on display, Küng includes fine examples by <strong>Pierre Bismuth</strong>, <strong>stanley brouwn</strong> and <strong>Ian Wilson</strong>. The exhibition is accompanied by an extensive catalogue published by Walther & Franz König, as well as a lecture performance by Küng entitled "Conceptual Art for Dummies".</p>
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| factoryinternational.org |
<div class="broadcast-date">
27/06/23 </div>
<p>As part of the Manchester International Festival, <em>This entry</em>, a new work by <strong>Tino Sehgal</strong> will premiere at the National Football Museum (June 29 to July 5) and the Whitworth gallery (July 7–9 and 11–16). <i>This entry</i> brings together a group of highly skilled people from various fields – a footballer, violinist, cyclist and a singer/dancer. It is also the first work of <i>The</i> <i>Trequartista – Art and Football United</i>, a two-year project co-curated by Hans Ulrich Obrist and Juan Mata whose aim is to bring together artists and footballers, inviting them into creative play.</p>
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| kunstmuseumbasel.ch |
<div class="broadcast-date">
24/05/23 </div>
<img width="1024" height="682" src="https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-1024x682.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-1024x682.jpg 1024w, https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-768x511.jpg 768w, https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-1920x1278.jpg 1920w, https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-1536x1022.jpg 1536w, https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-2048x1363.jpg 2048w, https://janmot.com/files/0-pianodestructions-auswahl-kommunikation-banff-performance2-1001f1c8-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="spacer">Complimentary tickets are available for <strong>Andrea Büttner</strong>'s performance <em>Piano Destructions</em> at Kunstmuseum Basel | Neubau, on 15 June at 6pm. The performance coincides with <em>The Heart of Relations</em>, Büttner's solo exhibition at Kunstmuseum Basel, on view until 1 October. First realized in 2014, <em>Piano Destructions</em> includes a selection of projected archival material showing Fluxus artists destroying pianos. In Büttner's response to these acts of musical destruction, nine pianists perform compositions by Frédéric Chopin, Fanny Hensel and Robert Schumann, as well as parts of Claudio Monteverdi's <em>Marian Vespers</em> — not least, Büttner notes, because Monteverdi was "the favorite composer of one of the founders of Fluxus, George Maciunas." (Image: Andrea Büttner, <em>Piano Destructions</em>, 2014, Walter Phillips Gallery, Banff Centre for Arts and Creativity, Canada. Photo: Rita Taylor.)</div>
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Анализировать url |
| festivaldelhistoiredelart.fr |
<div class="broadcast-date">
19/05/23 </div>
<img width="720" height="576" src="https://janmot.com/files/dissonant-08-light.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/dissonant-08-light.jpg 720w, https://janmot.com/files/dissonant-08-light-300x240.jpg 300w" sizes="auto, (max-width: 720px) 100vw, 720px"> <p><strong>Manon de Boer</strong>'s film <em>Dissonant </em>(2010) will screen on Friday 2 June, 4pm, at Cinéma Ermitage, Fontainebleau, as part of the 2023 Festival de l'histoire de l'art. Belgium is the guest country of this year's edition of the Festival, and the overarching theme is 'The Climate'. Every year since 2011, the Festival draws hundreds of art historians, museum professionals, artists, filmmakers, writers, curators, researchers and students to Fontainebleau for three days of events, including lectures, panel discussions, film screenings and exhibitions. (Image: Manon de Boer, <em>Dissonant</em>, 2010, still, 16mm film, colour, 10 min. 40 sec.)</p>
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Анализировать url |
| artbasel.com |
<div class="broadcast-date">
12/05/23 </div>
<img width="1024" height="443" src="https://janmot.com/files/patrick-tourneboeuf-pour-la-rmn-gp-20217-banniere-gpe-1024x443.webp" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/patrick-tourneboeuf-pour-la-rmn-gp-20217-banniere-gpe-1024x443.webp 1024w, https://janmot.com/files/patrick-tourneboeuf-pour-la-rmn-gp-20217-banniere-gpe-768x332.webp 768w, https://janmot.com/files/patrick-tourneboeuf-pour-la-rmn-gp-20217-banniere-gpe-300x130.webp 300w, https://janmot.com/files/patrick-tourneboeuf-pour-la-rmn-gp-20217-banniere-gpe.webp 1440w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>Jan Mot is honored to have been selected for the 2023 edition of Paris+ by Art Basel, one of only seven international galleries to join the existing roster of participants in the main 'Galeries' section. This second edition of Paris+ by Art Basel will once again take place in the Grand Palais Éphémère from 20 to 22 October. Jan Mot's booth will include major examples of conceptual art by artists such as <strong>stanley brouwn</strong>, <strong>David Lamelas</strong> and <strong>Ian Wilson</strong>, along with rare pieces by French artist <strong>Philippe Thomas</strong> and selected works by the Belgian artist <strong>Lili Dujourie</strong>.</p>
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| kunstmuseumbasel.ch |
<div class="broadcast-date">
22/04/23 </div>
<img width="500" height="331" src="https://janmot.com/files/cddfe23e-2be0-479f-f33f-d6feaaa15ea3.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/cddfe23e-2be0-479f-f33f-d6feaaa15ea3.jpg 500w, https://janmot.com/files/cddfe23e-2be0-479f-f33f-d6feaaa15ea3-300x199.jpg 300w" sizes="auto, (max-width: 500px) 100vw, 500px"> <p>Kunstmuseum Basel presents <em>The Heart of Relations</em>, a major solo exhibition by <strong>Andrea Büttner</strong>. Since the early 2000s, Büttner “images” on such subjects as labour, poverty, shame, forms of coexistence, and belief systems that have had a far-reaching impact on society. The exhibition shows a confluence of narrative lines, from the benevolence of monastic communal life to coercive labour in biodynamic agriculture under National Socialism. <em>The Heart of Relations</em> runs until 1 October 2023. (Image: Andrea Büttner, <em>Erntende</em>, 2021, woodcut on paper, 118 x 119 cm, unique. Exhibition view, <em>Blindsight</em> — Manon de Boer in dialogue with Latifa Laâbissi and Laszlo Umbreit, Museum Dhondt-Dhaenens, Deurle [BE], 2022. Photo: Rik Vannevel.)</p>
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| casino-luxembourg.lu |
<div class="broadcast-date">
14/03/23 </div>
<img width="1024" height="683" src="https://janmot.com/files/lynntheisen-dgf-5-1024x683.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/lynntheisen-dgf-5-1024x683.jpeg 1024w, https://janmot.com/files/lynntheisen-dgf-5-768x512.jpeg 768w, https://janmot.com/files/lynntheisen-dgf-5-1920x1281.jpeg 1920w, https://janmot.com/files/lynntheisen-dgf-5-1536x1024.jpeg 1536w, https://janmot.com/files/lynntheisen-dgf-5-2048x1366.jpeg 2048w, https://janmot.com/files/lynntheisen-dgf-5-300x200.jpeg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>On the occasion of <em>Endodrome</em>, <strong>Dominique Gonzalez-Foerster</strong>'s solo exhibition at Casino Luxembourg (on view till April 4), the artist and senior researcher Jean Botev are invited on Friday, March 17 to discuss the exhibition as well as the potential of Virtual reality (VR) and other simulated experiences in visual arts. The discussion will take place from 7 to 9 pm and will be moderated by Vincent Crapon. (image: Dominique Gonzalez-Foerster, <em>Endodrome</em>, installation view at Casino Luxembourg – Forum d'art contemporain, 2023)</p>
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| palaisdetokyo.com |
<div class="broadcast-date">
02/03/2023 </div>
<p>As part of the exhibition <em>Exposé.es</em> at the Palais de Tokyo in Paris a series of 5 conversations moderated by Elisabeth Lebovici and François Piron are organised. Marion Scemama, Ralf Marsault and Jan Mot are invited for the first part of this program called <em>Les Pointes perché.es : Transmissions part 1</em>, taking place on March 8 at 6:30 pm. The panel of speakers will talk about the way to keep the memory of a deceased artist alive, how to care for their work while questioning their legacy.</p>
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| palaisdetokyo.com |
<div class="broadcast-date">
14/02/2023 </div>
<img width="826" height="1240" src="https://janmot.com/files/pdt-2023-exposees-020.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/pdt-2023-exposees-020.jpg 826w, https://janmot.com/files/pdt-2023-exposees-020-768x1153.jpg 768w, https://janmot.com/files/pdt-2023-exposees-020-300x450.jpg 300w" sizes="auto, (max-width: 826px) 100vw, 826px"> <div class="page" title="Page 7">
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<p>Works by <strong>Philippe Thomas</strong> are included in <em>EXPOSÉ·ES</em>, a major exhibition at the Palais de Tokyo in Paris dedicated to the effects of the aids epidemic on the art world. The show curated by François Piron and inspired by Elisabeth Lebovici's book, <em>Ce que le sida m'a fait. Art et activisme à la fin du XXe siècle,</em> will open on February 17. (Image: Exhibition view, <em>Exposé·es</em> (cur. François Piron), Palais de Tokyo, Paris, 17.02-14.05.2023. Photo: Aurélien Molè)</p>
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| muac.unam.mx |
<div class="broadcast-date">
07/02/2023 </div>
<p><em>Children’s Games</em><em>, 1999-2022</em>, a solo exhibition by <strong>Francis Alÿs</strong> will open on February 11 at The Museo Universitario Arte Contemporáneo, MUAC in Mexico City, and will be on view until September 17, 2023. Curated by Cuauhtémoc Medina and Virginia Roy, the exhibition presents a large selection of Children's Games, from the videos marking the beginnings of the series in the late 1990s to the most recent ones produced in 2022.</p>
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| louvre.fr |
<div class="broadcast-date">
21/01/2023 </div>
<img width="1024" height="684" src="https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-1024x684.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-1024x684.jpg 1024w, https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-768x513.jpg 768w, https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-1920x1282.jpg 1920w, https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-1536x1025.jpg 1536w, https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-2048x1367.jpg 2048w, https://janmot.com/files/portrait-dgf-giasco-bertoli-copy-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>JIFA, the 16th International Days of Films on Art screenings, meetings and concerts held from January 20 to 29, 2023, in Musée du Louvre, Auditorium du Louvre – Michel Laclotte, Paris will introduce a selection of films, a concert and an artist talk by <strong>Dominique Gonzalez-Foerster</strong>. <em>Concert – Exotourisme</em>, a musical project by the artist and the musician and performer Perez will be presented on Sunday, January 22 at 8:30 pm.<br>
<em>Christophe...définitivement</em> will be screened on January 20 at 8 pm, <em>Narrations obliques</em> at 3 pm and <em>Parc central</em> at 5:30 pm, both on January 21 and <em>Des corps dans lieux</em> on January 22 at 3 pm. <br>
(Image: <em>Exoportrait</em>, Dominique Gonzalez-Foerster <b>©</b> Giasco Bertoli).</p>
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| kdmofa.tnua.edu.tw |
<div class="broadcast-date">
16/12/2022 </div>
<p><i>Touches of Games</i>, a solo exhibition by<b> Francis Alÿs </b>will open today December 16 at Kuandu Museum of Fine Arts in Taipei. Alÿs will present a selection of video projections. In his curatorial statement, Chien-Hung Huang describes how "in the freedom of game, "children “come into contact” with the environment, skills in handling objects, and the mastery of interacting with their friends. Alÿs’ arrangement and camera lens in particular highlight the “role-playing” and “action decision” within a group, which is a sort of “politicalness” that comes naturally with the game. The “game” suspends all the limits of reality and allows them (and even us) to draw lines and cross them." The exhibition is part of the 2022 Kuandu Biennale <em>Time of the Art Society: How to Become Indi-genous? </em>and it will be on view until March 12, 2023.</p>
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| centrepompidou.fr |
<div class="broadcast-date">
06/12/22 </div>
<img width="959" height="721" src="https://janmot.com/files/mdb-ll-ghost-party-2-screen-shot.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/mdb-ll-ghost-party-2-screen-shot.jpg 959w, https://janmot.com/files/mdb-ll-ghost-party-2-screen-shot-768x577.jpg 768w, https://janmot.com/files/mdb-ll-ghost-party-2-screen-shot-300x226.jpg 300w" sizes="auto, (max-width: 959px) 100vw, 959px"> <div class="page" title="Page 7">
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<p>The works <em>Ghost Party 2</em> (2022) and <em>Persona</em> (2022) by <strong>Manon de Boer</strong> and Latifa Laâbissi will be screened on December 10 from 5 to 7:30 pm at Centre Pompidou in Paris (Petite salle, niveau -1). The projection will be followed by a discussion with the two artists.</p>
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| museomacro.it |
<div class="broadcast-date">
21/10/22 </div>
<img width="1024" height="689" src="https://janmot.com/files/078-jay-chiat-copy-1024x689.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/078-jay-chiat-copy-1024x689.jpg 1024w, https://janmot.com/files/078-jay-chiat-copy-768x516.jpg 768w, https://janmot.com/files/078-jay-chiat-copy-1536x1033.jpg 1536w, https://janmot.com/files/078-jay-chiat-copy-300x202.jpg 300w, https://janmot.com/files/078-jay-chiat-copy.jpg 1768w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 3">
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<p><em>Philippe Thomas declines his identity, </em>a large-scale exhibition dedicated to <strong>Philippe Thomas</strong>, will be opening on October 28 at MACRO, in Rome. Taking its title from that of a book signed by Daniel Bosser connected with a lecture-performance by Thomas, the exhibition will display readymades belong to everyone®, a service agency. First established in 1987 at the Cable Gallery in New York in its English version (readymades belong to everyone®) and then in Paris at Galerie Claire Burrus in the corresponding French translation (les ready-made appartiennent à tout le monde®), the agency carried out countless international projects, with over sixty collectors and institutions as its signatories. Since the agency’s closure in 1993, its legacy has been conserved in the collection of MAMCO (Geneva), and will be displayed at MACRO in its entirety. With the purpose of perpetuation of a position like that of readymades belong to everyone®, the exhibition project, on three different historical levels, incorporates the contributions of figures who lived in the same period, or were influenced by the agency, such as Claire Fontaine, Christopher D’Arcangelo and The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince and Winters. (Image: Jay Chiat, <em>Insight</em>, 1989, color photograph, plexi title card, 124 x 185 x 5 cm (frame), 4,5 x 11 cm (title card))</p>
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| biennaledelubumbashi.com |
<div class="broadcast-date">
05/10/22 </div>
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<p><strong>Francis Alÿs</strong> will take part in the 7th Lubumbashi Biennial (DRC) which will open tomorrow October 6 under the artistic direction of Picha, an association founded in 2008, and joined by five associate curators, Paula Nascimento, Lucrezia Cipitelli, Bruno Leitão, René Francisco Rodríguez, Mpho Matsipa and curatorial advisor Ugochukwu-Smooth C. Nzewi. The biennial which was co-founded by artist Sammy Baloji, offers a vibrant public platform to local and international artists as well as cultural actors alike. Under the title <em>ToxiCité</em> or <em>ToxiCity</em> it will interrogate toxicity as a condition of existence that has inextricably affected social worlds. As a starting point, the theme will open the collective elaboration of a critical, transformative take on the social and cultural environment, in Lubumbashi and in the world. On this occasion, Alÿs will present works from his series <em>Children's Games</em>, some of which were filmed in Lubumbashi in 2021 and are currently also shown in the Belgian Pavilion in Venice. <em>Children's Game #29: La Roue</em> will be screened on October 6 in a basketball court in front of Picha Association. Other works from this series will be shown at the National Museum of Lubumbashi. The biennial will take place until November 6, 2022.</p>
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| hamburger-kunsthalle.de |
<div class="broadcast-date">
27/09/22 </div>
<img width="1024" height="1182" src="https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1-1024x1182.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1-1024x1182.jpg 1024w, https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1-768x886.jpg 768w, https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1-1331x1536.jpg 1331w, https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1-300x346.jpg 300w, https://janmot.com/files/koester-cannabis-sem-3-silver-gelatin-print-2019-1.jpg 1742w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>The exhibition <em>BREATHING</em> at Hamburger Kunsthalle (DE) on view from September 30 till January 15 will present a selection of works by <strong>Joachim Koester</strong>. This large-scale exhibition on the theme of breathing in the art of the Old Masters and the present day explores the many different facets of the act of breathing and its representation. The selected works by Joachim Koester were exhibited at the gallery on the occasion of his 2021 solo exhibition <em>The Invisible Index</em>. They come from the series <em>From the Secret Garden of Sleep </em>composed of photographs and microscope scans of several strains of home-grown marijuana which reflect a sub-genre of plant photography and point to the history behind the otherworldly appearance of modern cannabis. (Image: Joachim Koester, <i>Cannabis SEM #3</i>, 2019, silver gelatin print, 62 x 55 cm)</p>
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| villaempain.com |
<div class="broadcast-date">
23/09/22 </div>
<img width="1024" height="683" src="https://janmot.com/files/dsc5206-2-low-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/dsc5206-2-low-1024x683.jpg 1024w, https://janmot.com/files/dsc5206-2-low-768x513.jpg 768w, https://janmot.com/files/dsc5206-2-low-1920x1281.jpg 1920w, https://janmot.com/files/dsc5206-2-low-1536x1025.jpg 1536w, https://janmot.com/files/dsc5206-2-low-2048x1367.jpg 2048w, https://janmot.com/files/dsc5206-2-low-300x200.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 7">
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<p>On the occasion of the exhibition <em>Flags</em> at Fondation Boghossian, <strong>Pierre Bismuth</strong> will present <i>Variations sur le thème des nations</i>, 2022, a new work made from a combination between the Armenian, Belgian and Ukrainian’s flags. Through this group exhibition on view from September 29 till January 15, the Boghossian Foundation explores the question of territory, multiple identities and intercultural dialogue. (Image: Installation view at Fondation Boghossian – Villa Empain © Lola Pertsowsky)</p>
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| berlinerfestspiele.de |
<div class="broadcast-date">
15/09/22 </div>
<p><strong>Andrea Büttner</strong> is taking part in the exhibition <em>YOYI! Care, Repair, Heal </em>on view from September 16 till January 15 at Gropius Bau in Berlin. This group exhibition whose title comes from a ceremonial song, dance and coming together central to Tiwi culture gathers the works of 26 artists and collectives. Through video works, installations, paintings and performances, the invited artists address issues such as the politics of health, the resilience of Indigenous knowledge systems, forms of kinship, fair land use and its distribution, decoloniality and the rights of the non-human, all entangled with various concepts of care, repair and healing.</p>
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| gesellschaft-museum-ludwig.de |
<div class="broadcast-date">
03/09/22 </div>
<p>Jan Mot is pleased to announce that <strong>Francis Alÿs</strong> will receive the Museum Ludwig’s 2023 Wolfgang Hahn Prize. The award provides for an exhibition of Alÿs’ work at the Cologne museum in the autumn of 2023. The institution will also acquire his work for its collection.<span class="Apple-converted-space"> </span></p>
<p>“Of course I am much honored, and in these polarized times, receiving such an award is significant and invigorating, as it makes me feel that there is some coincidence of my own preoccupations and the public’s, and that a dialogue is possible,” — Francis Alÿs</p>
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| by-association.online |
<div class="broadcast-date">
23/07/22 </div>
<p>You can now purchase two new publications by <strong>Francis Alÿs</strong> on BY ASSOCIATION website: <em>Francis Alÿs</em> first published in 2007 is now available in its second expanded edition. A fully updated artist's first comprehensive monograph contains essays by Russell Ferguson, Cuauhtémoc Medina, Jean Fisher and Michael Taussig.</p>
<p>The second publication - <em>Francis Alÿs – The Nature of the Game</em> is the official publication of the Belgian pavilion at the 59th Biennale di Venezia, curated by Hilde Teerlinck. The richly illustrated book contains Alÿs’ ideas and sketches he compiled in preparation for the <em>Children’s Games</em>, long-term projects which are now presented at the pavilion. It lets us glimpse into the engine room of his artistic practice, revealing key elements of his filmic poetics. An essay by the ethnographer and filmmaker David MacDougall embeds Alÿs’s observations of children’s play in the contexts of childhood studies as well as the history of ethnographic documentary film. </p>
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| kunstmuseum.li |
<div class="broadcast-date">
22/07/22 </div>
<img width="1024" height="802" src="https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-1024x802.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-1024x802.jpg 1024w, https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-768x601.jpg 768w, https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-1920x1504.jpg 1920w, https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-1536x1203.jpg 1536w, https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-2048x1604.jpg 2048w, https://janmot.com/files/3c4b6894-4996-5159-be5b-2a9f6203f009-300x235.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><a title="https://hollybushgardens.us2.list-manage.com/track/click?u=7299eb01670545dcc19d25ff9&id=ccbce91e02&e=cd6da36767" contenteditable="false" href="https://hollybushgardens.us2.list-manage.com/track/click?u=7299eb01670545dcc19d25ff9&id=ccbce91e02&e=cd6da36767" target="_blank" rel="noopener">Johanniterkirche Feldkirch</a> presents a solo exhibition by <strong>Andrea Büttner</strong> in partnership with <a title="https://hollybushgardens.us2.list-manage.com/track/click?u=7299eb01670545dcc19d25ff9&id=02bfc6f298&e=cd6da36767" contenteditable="false" href="https://hollybushgardens.us2.list-manage.com/track/click?u=7299eb01670545dcc19d25ff9&id=02bfc6f298&e=cd6da36767" target="_blank" rel="noopener">Kunstmuseum Liechtenstein</a>. It opens today, July 22 and it will be on view until September 23, 2022. Büttner’s work <em>Shepherds and Kings</em> (2017) consists of a double slide projection of 160 historical images, showing how shepherds and kings have been depicted in Nativity scenes throughout art history. This comparative presentation of Büttner’s assembled collection of historical images follows no particular chronology or style, engaging instead in an iconographic exploration of gestures and their implicit resonances with qualities of shame, vulnerability and dignity. (Image: © Andrea Büttner, <em>Shepherds and Kings</em>, 2017)</p>
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| hollybushgardens.us2.list-manage.com |
Johanniterkirche Feldkirch
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| hollybushgardens.us2.list-manage.com |
Kunstmuseum Liechtenstein
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| remaimodern.org |
<div class="broadcast-date">
20/07/22 </div>
<p>Remai Modern presents three works by <strong>Tino Sehgal</strong> that span the breadth of his practice: <i>Yet untitled;</i> <i>This Situation (solo); </i>and <i>This Success/This Failure</i>. <i>Yet untitled </i>is enacted by: Liz Kinoshita and Erik Nevin with local dancers: Peace Akintade, Promita Das, Kirk Ford, Aunya Jayde, Mitchell Larsen, Annika Lessing, Bryn Rawlyk, Dean Stockdale, Tatum Wildeman and Megan Zong. <i>This Situation (solo)</i> is coordinated by Julia Simpson and enacted by Laurel Beyer, Cody Brayshaw, Jaron Francis, Paxton Francis, Jordan Hansen, Danica Lorer, Mannie Mirzaei and Narges Porsandekhial. The artist has also curated a selection of sculpture from Remai Modern’s collection, on view in the museum’s atrium and Connect Gallery. The exhibition is on view until September 5, 2022 at Remai Modern, 102 Spadina Crescent East, Saskatoon SK S7K 0L3, Canada.</p>
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| new.pinchukartcentre.org |
<div class="broadcast-date">
17/07/22 </div>
<img width="1024" height="768" src="https://janmot.com/files/wfmm-1024x768.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/wfmm-1024x768.jpg 1024w, https://janmot.com/files/wfmm-768x576.jpg 768w, https://janmot.com/files/wfmm-1920x1440.jpg 1920w, https://janmot.com/files/wfmm-1536x1152.jpg 1536w, https://janmot.com/files/wfmm-2048x1536.jpg 2048w, https://janmot.com/files/wfmm-300x225.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Francis Alÿs</strong>' work is part of <em>When Faith Moves Mountains</em>, a major group show presented on the occasion of the reopening of the PinchukArtCentre (Kyiv), 144 days after the beginning of the full-scale Russian invasion. The exhibition, whose title comes from the large scale project conducted by Alÿs in 2002, brings together works chosen from M HKA/the collection of the Flemish Community and focus on Ukraine as a country open to the world. (Image: Francis Alÿs)</p>
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| open.spotify.com |
<div class="broadcast-date">
08/07/22 </div>
<img width="1024" height="1239" src="https://janmot.com/files/dp0a0001-dbok-c-1024x1239.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/dp0a0001-dbok-c-1024x1239.jpeg 1024w, https://janmot.com/files/dp0a0001-dbok-c-768x929.jpeg 768w, https://janmot.com/files/dp0a0001-dbok-c-1920x2323.jpeg 1920w, https://janmot.com/files/dp0a0001-dbok-c-1269x1536.jpeg 1269w, https://janmot.com/files/dp0a0001-dbok-c-1693x2048.jpeg 1693w, https://janmot.com/files/dp0a0001-dbok-c-300x363.jpeg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>New episodes of <em>Asi sí</em>, <strong>Mario Garcia Torres</strong>' podcast are now available on Spotify. Questions like 'what is this work of art about', 'can you explain it' are addressed by the artist about his own work while posing the same questions to other artists friends. For these two new episodes, he interviewed Urs Fischer who's currently presenting a solo exhibition at Museo Jumex in Mexico City.</p>
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| teatrstudio.pl |
<div class="broadcast-date">
30/06/22 </div>
<img width="1024" height="683" src="https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-1024x683.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-1024x683.jpeg 1024w, https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-768x512.jpeg 768w, https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-1920x1280.jpeg 1920w, https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-1536x1024.jpeg 1536w, https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n-300x200.jpeg 300w, https://janmot.com/files/291508127-10161485735830348-4108696772258261105-n.jpeg 2048w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><em>The Future Should Always Be Better,</em> <strong>Sharon Lockhart</strong>'s work from 2021 is currently on view until July 31 on the façade of the Pałac Kultury i Nauki (PKiN) in Warsaw, as part of the "Plac Defilad" project curated by Paulina Olszewska. Created during the lockdown caused by the COVID-19 pandemic, the work was a response to the situation of isolation and closure as well as the inability to participate in social and cultural life. The neon sign was hanging in Hanover on the facade of the Kestner Gesellschaft art institution. Thus, residents walking around the city could enjoy art while staying in the space available to them. Two years after the first presentation, the slogan by Sharon Lockhart takes on a new meaning, added by history itself. Presented in the public space, the work inspires reflection, both in the context of individual stories as well as collective social and political narratives. (Image: Sisi Cecylia)</p>
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| kunsthalaarhus.dk |
<div class="broadcast-date">
31/05/22 </div>
<img width="1024" height="576" src="https://janmot.com/files/joao_04-1024x576.jpg" class="attachment-big size-big wp-post-image" alt="Manon de Boer - Caco, Jaoa, Mava and Rebecca" decoding="async" loading="lazy" srcset="https://janmot.com/files/joao_04-1024x576.jpg 1024w, https://janmot.com/files/joao_04-768x432.jpg 768w, https://janmot.com/files/joao_04-1536x864.jpg 1536w, https://janmot.com/files/joao_04-300x169.jpg 300w, https://janmot.com/files/joao_04.jpg 1920w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><strong>Manon de Boer</strong>'s solo show <em>Down Time</em> will take place at Kunsthal Aarhus (DK) from 3 June till 7 August 2022. The exhibition will present the series <em>From Nothing to Something to Something Else</em> (2018–2019) which features a group of young adults between the ages of sixteen and twenty. The artist does not give them any systematized scenario or instructions for producing the work but simply invites them to play music, dance and spend time together. All three films explore the time span between the already and the not yet, the time of potentiality. The three films are presented along with <em>The Untroubled Mind</em> (2016) in which de Boer observes and films her son’s playful constructions at home over a period of 3 years, setting the duration of each shot at 20 seconds, the length of time one can film with a Bolex 16mm camera when winding it manually. (Image: <span class="s1">Manon de Boer, </span><span class="s1"><i>Caco, João, Mava and Rebecca (From nothing to something to something else, part 2)</i>, 2019, </span><span class="s1">HD video, color, sound, 48 minutes, film still)</span></p>
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| international-galleries-alliance.org |
<div class="broadcast-date">
24/05/22 </div>
<img width="1024" height="1272" src="https://janmot.com/files/cannabis-7-1024x1272.jpg" class="attachment-big size-big wp-post-image" alt="Joachim Koester: Cannabis #7, 2021 archival pigment print, framed 92 × 74.5 cm / 35.88 × 29.05 in edition of 5 and 2 A.P." decoding="async" loading="lazy" srcset="https://janmot.com/files/cannabis-7-1024x1272.jpg 1024w, https://janmot.com/files/cannabis-7-768x954.jpg 768w, https://janmot.com/files/cannabis-7-1920x2384.jpg 1920w, https://janmot.com/files/cannabis-7-1237x1536.jpg 1237w, https://janmot.com/files/cannabis-7-1649x2048.jpg 1649w, https://janmot.com/files/cannabis-7-300x373.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 7">
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<p>Jan Mot is a founding member of the International Galleries Alliance, a new collaborative non-profit association for art galleries. Since October last year, 250 members have joined IGA from across 53 countries. In March IGA launched its newsletter, a weekly showcase of artists represented by its members. These temporary formations are randomly generated to create combinations of galleries and artists new, established, and rediscovered. Visit www.international-galleries-alliance.org for more information and to subscribe. Our contribution with works by <strong>Joachim Koester</strong> can be found in the archive section of the IGA’s website.</p>
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| festival-cannes.com |
<div class="broadcast-date">
11/05/22 </div>
<img width="600" height="600" src="https://janmot.com/files/christophe-jpg.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/christophe-jpg.png 600w, https://janmot.com/files/christophe-jpg-150x150.png 150w, https://janmot.com/files/christophe-jpg-300x300.png 300w" sizes="auto, (max-width: 600px) 100vw, 600px"> <p style="font-weight: 400;">The documentary <em>Christophe… définitivement</em> (2022, 1h26) directed by <strong>Dominique Gonzalez-Foerster </strong>and Ange Leccia was officially selected by the Festival de Cannes. The world premiere of the intimate and musical documentary about the French singer will take place on 25 May in Cannes, on the Macé beach, as part of the 2022 Cinema de la Plage lineup. The artists and director will be present and the projection will be followed by a giant karaoke hosted by Aline Afanoukoé.</p>
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| belgianpavilion.be |
<div class="broadcast-date">
14/04/22 </div>
<img width="1024" height="768" src="https://janmot.com/files/91710f26-78e5-56db-c6bf-942d56b737ea-1024x768.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/91710f26-78e5-56db-c6bf-942d56b737ea-1024x768.jpg 1024w, https://janmot.com/files/91710f26-78e5-56db-c6bf-942d56b737ea-768x576.jpg 768w, https://janmot.com/files/91710f26-78e5-56db-c6bf-942d56b737ea-300x225.jpg 300w, https://janmot.com/files/91710f26-78e5-56db-c6bf-942d56b737ea.jpg 1280w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 3">
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<div class="layoutArea"><strong>Francis Alÿs</strong> is presenting <em>The Nature of the Game</em> in the Belgian Pavilion (Flemish Community) as part of the 59th Venice Biennale, from 23 April to 27 November 2022. The exhibition curated by Hilde Teerlinck, will feature a selection of new short films related to his series of children’s games, a body of work started in 1999 which has gained a central position in his practice. The films were shot during Alÿs’ recent travels to Hong Kong, the Democratic Republic of Congo, Belgium, Switzerland and Mexico. Filming without interfering in the games, Alÿs reveals the hidden rules of playing, the ingenious interaction of the children with their environment, their deep complicity and their hopeful mood and joy. The installation in the Pavilion invites the visitor to walk through a labyrinth of screens as if they were in the middle of a global playground. The sound and image of the different films interact with each other, fragments forming together a whole, allegories translating the complexity of a sometimes harsh reality. A series of paintings covering a period from 1994 to 2021 accompanies the presentation providing the context in which some of the films were made. (Image: Francis Alÿs shooting <em>Slakken</em>, August 2021, Herne, Belgium.)</div>
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| serpentinegalleries.org |
<div class="broadcast-date">
12/04/22 </div>
<img width="1024" height="576" src="https://janmot.com/files/detail-of-metapanorama-c-2022-dominique-gonzalez-foerster-1100x619-1-1024x576.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/detail-of-metapanorama-c-2022-dominique-gonzalez-foerster-1100x619-1-1024x576.jpg 1024w, https://janmot.com/files/detail-of-metapanorama-c-2022-dominique-gonzalez-foerster-1100x619-1-768x432.jpg 768w, https://janmot.com/files/detail-of-metapanorama-c-2022-dominique-gonzalez-foerster-1100x619-1-300x169.jpg 300w, https://janmot.com/files/detail-of-metapanorama-c-2022-dominique-gonzalez-foerster-1100x619-1.jpg 1100w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <div class="page" title="Page 5">
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<div class="column"><em>Alienarium 5</em>, an exhibition by <strong>Dominique Gonzalez-Foerster</strong>, will be presented at Serpentine, in London from 14 April until 4 September 2022. It is the artist’s first major institutional solo show in the UK since <em>TH.2058</em> at the Tate Modern’s Turbine Hall in 2008. In <em>Alienarium 5</em>, Gonzalez-Foerster imagines possible encounters with extra-terrestrials through speculative, performative and visual fiction. Conceived of specifically for Serpentine, the exhibition will feature almost entirely new work situated both inside and outside the gallery. Approaching from the park, visitors will first come across a statue in remembrance of the coming alien developed together with writer and philosopher Paul B. Preciado, as well as elements of a soundscape made with musician Perez, a long-time collaborator and co-conspirator for "Exotourisme", a video and film installation developed for the Centre Pompidou in 2002 which later led to a collaborative musical project. (Image: Dominique Gonzalez-Foerster, <em>Metapanorama</em>, 2022, detail)</div>
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| westdenhaag.nl |
<div class="broadcast-date">
16/03/22 </div>
<p>Following his recent solo exhibition at the Centre Pompidou in Paris, <strong>Pierre Bismuth</strong> will open an iteration of <em>Everybody is an artist but only the artist knows it</em> at West Den Haag (NL) (25/03 - 10/07). The presentation and catalogue, which title alludes to Joseph Beuys' famous statement ‘Jeder Mensch ist ein Künstler’ were created together with the Centre Pompidou. The show at West Den Haag varies widely in form, including new productions such as a culinary collaboration with Asad Raza, as well as Bismuth's readymades, photographs, flags, videos, food and even a modified car that once belonged to a famous Belgian art collector. Visitors can taste a new chocolate with a ‘decolonial’ flavor, specially manufactured for the Dutch public. Bismuth stimulates different senses and his work becomes fantasy reality. The coherence is in the way meaning and poetry can be produced from the most mundane activities. Without necessarily wanting to be innovative, and with a strong awareness of his numerous influences, Bismuth has built up a large body of work in which deconstruction of the norm is the way to influence reality and perception of it. </p>
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| arco-exhibitions.ifema.es |
<div class="broadcast-date">
22/02/22 </div>
<img width="1024" height="683" src="https://janmot.com/files/4258-72dpi-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="DGF Astrocytes" decoding="async" loading="lazy" srcset="https://janmot.com/files/4258-72dpi-1024x683.jpg 1024w, https://janmot.com/files/4258-72dpi-768x512.jpg 768w, https://janmot.com/files/4258-72dpi-300x200.jpg 300w, https://janmot.com/files/4258-72dpi.jpg 1452w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <ol>
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<p><span style="font-style: inherit !important; font-weight: inherit !important;">Jan Mot participates in ARCOmadrid (23/02 - 27/02) with a solo presentation of <strong>Dominique Gonzalez-Foerster</strong>, featuring the recent installation <em>Astrocytes</em> (2021). The gallery was invited to the fair's commemorative section, ARCO40 (+1) Anniversary, a programme made up of galleries selected by María Inés Rodríguez, Francesco Stocchi and Sergio Rubira.</span></p>
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| international-galleries-alliance.org |
www.international-galleries-alliance.org
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Анализировать url |
| museumdd.be |
<div class="broadcast-date">
09/02/22 </div>
<img width="1024" height="763" src="https://janmot.com/files/capture-decran-2022-02-09-a-132149-1024x763.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/capture-decran-2022-02-09-a-132149-1024x763.jpeg 1024w, https://janmot.com/files/capture-decran-2022-02-09-a-132149-768x572.jpeg 768w, https://janmot.com/files/capture-decran-2022-02-09-a-132149-300x223.jpeg 300w, https://janmot.com/files/capture-decran-2022-02-09-a-132149.jpeg 1078w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>Opening on February 13th, <em>Blindsight</em> (2022) for which <strong>Manon de Boer</strong> and Latifa Laâbissi collaborated furthermore with Laszlo Umbreit will be on view at the Museum Dhondt-Dhaenens until May 22nd. In addition to the extensive sound installation, the show will include works by artists such as <strong>stanley brouwn</strong>, <strong>Andrea Büttner</strong>, Lygia Clark, Marlene Dumas, Valeska Gert, Felix Gonzalez-Torres, Agnes Martin, Louise Lawler, Sophie Taeuber-Arp and Joëlle Tuerlinckx who all shaped Manon de Boer’s practice. The starting point of this sound installation is de Boer and Laâbissi's continuous dialogue about the numerous voices that inhabit their thinking and bodies. During a long process of exchange and ‘cannibalizing’, the performance <em>Ghost Party (1)</em> (2021) was created that further lead to the production of the film <em>Ghost Party (2)</em> (2022) as well as sound installation <em>Blindsight</em> (2022). While <em>Ghost Party (1)</em> & <em>(2)</em> are currently presented in their duo show at the Frac Bretagne in Rennes (FR) (until 15/05), the film will have its Belgian premiere at the Cinematek in Brussels on March 1st.</p>
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| centrepompidou.fr |
<div class="broadcast-date">
08/01/22 </div>
<img width="1024" height="576" src="https://janmot.com/files/bismuth-cleaned-chocolate-contrast-1024x576.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/bismuth-cleaned-chocolate-contrast-1024x576.jpg 1024w, https://janmot.com/files/bismuth-cleaned-chocolate-contrast-768x432.jpg 768w, https://janmot.com/files/bismuth-cleaned-chocolate-contrast-1920x1080.jpg 1920w, https://janmot.com/files/bismuth-cleaned-chocolate-contrast-1536x864.jpg 1536w, https://janmot.com/files/bismuth-cleaned-chocolate-contrast-2048x1152.jpg 2048w, https://janmot.com/files/bismuth-cleaned-chocolate-contrast-300x169.jpg 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p>As part of <em>Everybody is an artist but only the artists knows it,</em> <strong>Pierre Bismuth</strong>'s solo exhibition on view until February 28th at Centre Pompidou, the artist will give a talk at the museum on January 13th, at 7pm (in French, Petite Salle, free entry). Pierre Bismuth will be discussing with Jean-Pierre Criqui, curator of the exhibition, Pauline Mari, art historian specialized in the links between cinema and the fine arts as well as with Hans Theys, philosopher and art critic. The evening will be punctuated by an intervention of Mathilde Serrell and her guest Victoire Finaz de Villaine, expert in chocolate and member of the French Academy of Chocolate and Confectionery.</p>
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| pinaultcollection.com |
<div class="broadcast-date">
25/11/21 </div>
<img width="444" height="445" src="https://janmot.com/files/screenshot-2021-11-25-at-135851.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/screenshot-2021-11-25-at-135851.png 444w, https://janmot.com/files/screenshot-2021-11-25-at-135851-150x150.png 150w, https://janmot.com/files/screenshot-2021-11-25-at-135851-300x301.png 300w" sizes="auto, (max-width: 444px) 100vw, 444px"> <p>The Bourse de Commerce — Pinault Collection in Paris will present <em>Exotourisme</em>, a musical project by <strong>Dominique Gonzalez-Foerster</strong> and the musician and performer <strong>Perez</strong> on December 3rd, 9.30-10.30 pm. Their artistic collaboration that began in 2017 is inspired by the film <em>Blade Runner</em> and the French Cold Wave of the 1980s. </p>
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| loop-barcelona.com |
<div class="broadcast-date">
16/11/21 </div>
<img width="1000" height="563" src="https://janmot.com/files/one-two-many-01.jpeg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/one-two-many-01.jpeg 1000w, https://janmot.com/files/one-two-many-01-768x432.jpeg 768w, https://janmot.com/files/one-two-many-01-300x169.jpeg 300w" sizes="auto, (max-width: 1000px) 100vw, 1000px"> <p><strong>Manon de Boer</strong> will present 4 of her films (<em>Attica</em>, 2008 - <em>Dissonant</em>, 2010 - <em>On a Warm Day in July</em>, 2015 - <em>One, Two, Many</em>, 2012) this Friday 19 November, at 7 pm as part of LOOP Festival in Barcelona. The screening will be followed by a discussion between the artist, Pascale Cassagnau and Pascale Pronnier.</p>
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| galleryclimatecoalition.org |
<div class="broadcast-date">
12/11/21 </div>
<p>We want to spread the word about the <strong>Gallery Climate Coalition</strong>'s upcoming conference: <em>Decarbonising the Art World</em> taking place at the Barbican in London on Nov. 24th, 2021, 9.30 - 13.30 GMT (and available online). <br>
In the first panel discussion, GCC Co-Founder Louisa Buck will speak with artists Fiona Banner and Haroon Mirza, cultural historian and inaugural director of V&A East, Gus Casely-Hayford, Founder of the Serpentine's General Ecology project, Lucia Pietriosti, and Frontline Conservation Specialist and Founder of Synchronicity Earth & Flourishing Diversity, Jessica Sweidan about the value of collaboration, the potential for art to inspire social and ecological change, and the art world’s responsibility to address such issues as the impacts of capitalism and colonialism, the climate crisis, and social injustice.<br>
An array of speakers from across the industry will join for the second talk on ‘Taking Action’. Moderated by V&A Sustainability Lead Sara Kassam, the panel will feature GCC’s Environmental Advisor, Danny Chivers, Director of Nottingham Contemporary, Sam Thorne, GCC Co-Founder and Gallerist, Kate MacGarry, and Sustainable Conservation and Restoration Specialist, Kim Kraczon. The contributors, who have hands-on-experience of environmental action, will discuss the practical measures the art world can take to improve sustainability and lower our collective carbon footprint, based on GCC research and data. The panels will be followed by a reading from Ben Okri.</p>
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| huntercollegeartgalleries.org |
<div class="broadcast-date">
03/11/2021 </div>
<img width="900" height="1011" src="https://janmot.com/files/lamelas-invitation-1-e1636127250895.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/lamelas-invitation-1-e1636127250895.png 900w, https://janmot.com/files/lamelas-invitation-1-e1636127250895-768x863.png 768w, https://janmot.com/files/lamelas-invitation-1-e1636127250895-300x337.png 300w" sizes="auto, (max-width: 900px) 100vw, 900px"> <p>The Hunter College Art Galleries are presenting <i>Life as Activity: David Lamelas</i> (03/11<span lang="EN-US">-</span>18/12), an exhibition marking David Lamelas’s first solo show in New York in more than a decade. It brings together sculpture, film, and photography made across many decades and locations. Among others, <i>Situación de cuatro placas de aluminio (Four Changeable Plaques)</i> (1966), <i>Limit of a Projection</i> (1967), <i>The Violent Tapes of 1975</i> (1975), and two films, <i>The Desert People</i>(1974), and <i>The Invention of Dr. Morel</i> (2000). Showcasing the ways in which Lamelas makes us aware of how the stories we tell ourselves are shaped by encounters with space and time, all of these works invite us to participate inscenarios in which container, contained, observer, and observed become blurred. On the occasion of the exhibition, a publication has been produced including essays and previously unpublished materials from the artist’s papers. The catalog is available for purchase via University of Chicago Press.</p>
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Анализировать url |
| mcba.ch |
<div class="broadcast-date">
15/10/2021 </div>
<img width="1024" height="683" src="https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-1024x683.jpg" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-1024x683.jpg 1024w, https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-768x512.jpg 768w, https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-1920x1281.jpg 1920w, https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-1536x1025.jpg 1536w, https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr-300x200.jpg 300w, https://janmot.com/files/mcba-vue-exposition-francis-alys-12-nr.jpg 2000w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><i>Francis Alÿs. As Long as I’m Walking</i> (15/10-16/01) at the Musée cantonal des Beaux-Arts in Lausanne (CH) presents an overview of the artist’s video work of the last thirty years, with an emphasis on one of the central themes in his practice, namely walking. Through his seemingly insignificant walks, Francis Alÿs not only reimagines the city, he also creates narratives, spreads rumors, maps the social fabric of the place through actions that are sometimes short sometimes carried out over long distances or many hours, by turns dragging, pushing or carrying an accessory that stands in for a clue to reading the fable spun by the body in motion. While Francis Alÿs figures as a protagonist in most of his early videos, he moves behind the camera in a series of works begun in 1999, the <i>Children’s Games</i> <span lang="EN-US">or in </span><i>Reel-Unreel</i> (2011), one of the core works to come out of his explorations in Afghanistan<span lang="EN-US">. They are</span> featured in the Lausanne show along with paintings and works on paper. A catalogue is published on the occasion of the exhibition: <i>Francis Alÿs. As Long as I’m Walking</i>, Nicole Schweizer (ed.). With texts by Julia Bryan-Wilson, Luis Pérez-Oramas, and Judith Rodenbeck, and an introduction by Nicole Schweizer. Co-ed. Musée cantonal des Beaux-Arts of Lausanne and JRP Editions, Geneva, 2021 (2 editions FR. and EN.)<span lang="EN-US">.</span></p>
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Анализировать url |
| centrepompidou.fr |
<div class="broadcast-date">
13/10/21 </div>
<img width="1024" height="610" src="https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-1024x610.png" class="attachment-big size-big wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-1024x610.png 1024w, https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-768x458.png 768w, https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-1920x1145.png 1920w, https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-1536x916.png 1536w, https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-2048x1221.png 2048w, https://janmot.com/files/bismuth-choco-ok-3-page-1-e1634138420148-300x179.png 300w" sizes="auto, (max-width: 1024px) 100vw, 1024px"> <p><em>Everybody is an artist but only the artist knows it</em>, <strong>Pierre Bismuth</strong>'s first solo exhibition at Centre Pompidou, Paris, will open on October 20th and will be on view until February 28th. The title of the exhibition is a paradoxical reinterpretation of a famous statement by the German artist Joseph Beuys (“Everyone is an artist”). It brings together emblematic works alongside others made specially for the occasion. Two new works in particular mark this exhibition: the Saab automobile that once belonged to a great collector of conceptual art, in which the upholstery has been entirely redone and now features the names of the artists included in said collection. The second work, <i>Pierre Bismuth - Chocolat au lait pour amateur de chocolat noir</i> (2021) is based on the artist’s recipe and freely available for visitors to take. “The bachelor [meaning the artist himself] makes his own chocolate”, wrote Marcel Duchamp in the early 20th century. Pierre Bismuth, following in the footsteps of artist-cum-chocolate-makers such as Ed Ruscha and Dieter Roth, is perpetuating this blend of art and cocoa. An exhibition catalog will be published for the occasion, tracing the artist's vast œuvre and including an interview with Jean-Pierre Criqui as well as texts by Bernard Blistène, Marie-José Sondeijker, Dessislava Dimova, Dieter Roelstraete and Asad Raza. </p>
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| nova.fr |
<div class="broadcast-date">
11/10/21 </div>
<img width="400" height="400" src="https://janmot.com/files/dlo-rs-2-copie.png" class="attachment-big size-big wp-post-image" alt="Dominique Gonzalez Foerster" decoding="async" loading="lazy" srcset="https://janmot.com/files/dlo-rs-2-copie.png 400w, https://janmot.com/files/dlo-rs-2-copie-150x150.png 150w, https://janmot.com/files/dlo-rs-2-copie-300x300.png 300w" sizes="auto, (max-width: 400px) 100vw, 400px"> <p><em>Dans les oreilles de… Dominique Gonzalez-Foerster</em>, a podcast proposing an immersion in the musical universe of <strong>Dominique Gonzalez-Foerster</strong>, is available now on Radio Nova (FR).</p>
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| open.spotify.com |
Spotify
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| music.apple.com |
Apple Music
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