Анализ сайта stellamara.com
Основное Готовность: 65%
Домен
stellamara.com
Состояние доменного имени
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Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Домен второго уровня идеален для продвижения.
Отличный запоминающийся домен.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Безопасность
Сайт небезопасен
Использование HTTPS и SSL-сертификат
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HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
На сайте не найден защищенный протокол ssl и сайт не открывается по https!
Не настроен HSTS (Strict-Transport-Security) — рекомендуется включить.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
utf-8
Кодировка символов страницы
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Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице utf-8.
Язык
en-US
Атрибут lang в HTML-теге
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Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en-US.
Скорость загрузки
~0,97сек
Время отклика сервера (TTFB)
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Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 0,97сек оптимальна.
Объем документа
39Кб
Размер HTML-кода страницы
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Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 39Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 6
Внешние ресурсы страницы (CSS, JS, изображения)
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Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 6 достаточно.
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | text/css | https://stellamara.com/wp-content/themes/Equilibrium/style.css |
| js | text/javascript | https://stellamara.com/wp-includes/js/swfobject.js?ver=2.2-20120417 |
| js | text/javascript | https://stellamara.com/wp-includes/js/jquery/jquery.js?ver=1.12.4 |
| js | text/javascript | https://stellamara.com/wp-includes/js/jquery/jquery-migrate.min.js?ver=1.4.1 |
| js | text/javascript | https://stellamara.com/wp-includes/js/comment-reply.min.js?ver=4.9.3 |
| js | text/javascript | https://stellamara.com/wp-includes/js/wp-embed.min.js?ver=4.9.3 |
Серверные заголовки
Кол-во: 7
HTTP-заголовки ответа сервера
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Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 7шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| Transfer-Encoding | chunked |
| Connection | keep-alive |
| X-WS-Origin | available |
| X-WS-RateLimit-Limit | 1000 |
| X-WS-RateLimit-Remaining | 999 |
| Date | Sat, 22 Aug 2026 22:33:35 GMT |
| Server | Apache |
CMS
WordPress
Система управления сайтом (движок)
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CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS WordPress.
Веб-сервер
Apache
Программное обеспечение сервера
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Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Сайт работает на веб-сервере Apache.
Мета-теги Готовность: 7%
Title
Заголовок страницы в браузере и поисковой выдаче
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Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо увеличить число символов в title (текущее значение мало: 6, минимум: 25, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Описание страницы в поисковой выдаче (сниппет)
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Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Установите мета-тег description!
Keywords
Список ключевых слов страницы (устаревший тег)
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Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
https://stellamara.com/
Указывает поисковику основную версию страницы
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Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Пропишите корректный канонический Url!
Robots
Ошибок нет
Директивы для поисковых роботов на уровне страницы
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Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots не указан. Страница свободна для индексации.
Адаптивность
Настройка масштабирования на мобильных устройствах
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Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport не указан. Страница не адаптивная.
Разметка OpenGraph
Не найдено
Мета-теги для красивых превью в соцсетях
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OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph не задана. Страница не оптимизирована под социальные сети. Мета-теги с разметкой Og помогают социальным роботам лучше структурировать Ваш сайт.
Все мета-теги
Кол-во: 2
Полный список мета-тегов страницы
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Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 2шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | description | |
| name | generator | WordPress 4.9.3 |
Оптимизация Готовность: 70%
Структура
Ошибок нет
Семантические HTML-элементы страницы
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Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют в одном экземпляре).
Контент
Есть ошибки
Объём и качество текстового содержимого
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Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 0 встречаются в тексте редко. Добавьте в контент страницы слова из тега <title>!
Абзацев с текстом 19 достаточно.
Среднее число слов в абзаце 94 достаточно.
Кол-во знаков контента 18355 на странице оптимально.
Кол-во слов 2833 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
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H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 1. Это прекрасно.
На странице присутствуют заголовки <h2> 1. Это хорошо.
Тошнота
4
Насколько одно слово доминирует в тексте
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Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота страницы в пределах нормы 4.
Академич. тошнота
26,01%
Насколько текст перенасыщен ключевыми словами
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Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
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Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| stellamara | 16 | 0,56% |
| eastern | 15 | 0,53% |
| turkish | 12 | 0,42% |
| arabic | 12 | 0,42% |
| musical | 12 | 0,42% |
| european | 11 | 0,39% |
| classical | 11 | 0,39% |
| ensemble | 9 | 0,32% |
| balkan | 9 | 0,32% |
| expression | 9 | 0,32% |
| playing | 9 | 0,32% |
| vocalist | 8 | 0,28% |
| through | 8 | 0,28% |
| passionate | 8 | 0,28% |
| performing | 8 | 0,28% |
| devotional | 7 | 0,25% |
| medieval | 7 | 0,25% |
| traditions | 7 | 0,25% |
| musicians | 7 | 0,25% |
| studies | 7 | 0,25% |
Индексация Готовность: 80%
Индексирование
Ошибок нет
Разрешено ли индексирование страницы
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Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 16 оптимально. Поисковые роботы обязательно проиндексируют сайт.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
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Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 40193 байт. Загружен за: 1сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Показать содержимое robots.txt
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" lang="en-US">
<head profile="http://gmpg.org/xfn/11">
<title>
</title>
<meta http-equiv="content-type" content="text/html; charset=UTF-8" />
<meta name="description" content="" />
<link rel="stylesheet" type="text/css" href="https://stellamara.com/wp-content/themes/Equilibrium/style.css" media="screen" />
<!--[if IE 6]>
<link rel="stylesheet" type="text/css" href="https://stellamara.com/wp-content/themes/Equilibrium/ie6.css" media="screen" />
<![endif]-->
<!--[if IE 7]>
<link rel="stylesheet" type="text/css" href="https://stellamara.com/wp-content/themes/Equilibrium/ie7.css" media="screen" />
<![endif]-->
<link rel="alternate" type="application/rss+xml" title="Stellamara RSS Feed" href="https://stellamara.com/feed/" />
<link rel="pingback" href="https://stellamara.com/xmlrpc.php" />
<link rel='dns-prefetch' href='//s.w.org' />
<script type="text/javascript">//<![CDATA[
// Google Analytics for WordPress by Yoast v4.2.3 | http://yoast.com/wordpress/google-analytics/
var _gaq = _gaq || [];
_gaq.push(['_setAccount','UA-2993697-1']);
_gaq.push(['_trackPageview']);
(function() {
var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true;
ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js';
var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s);
})();
//]]></script>
<link rel="alternate" type="application/rss+xml" title="Stellamara » About Comments Feed" href="https://stellamara.com/about-2/feed/" />
<script type="text/javascript">
window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/2.4\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/2.4\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/stellamara.com\/wp-includes\/js\/wp-emoji-release.min.js?ver=4.9.3"}};
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<style type="text/css">
img.wp-smiley,
img.emoji {
display: inline !important;
border: none !important;
box-shadow: none !important;
height: 1em !important;
width: 1em !important;
margin: 0 .07em !important;
vertical-align: -0.1em !important;
background: none !important;
padding: 0 !important;
}
</style>
<script type='text/javascript' src='https://stellamara.com/wp-includes/js/swfobject.js?ver=2.2-20120417'></script>
<script type='text/javascript' src='https://stellamara.com/wp-includes/js/jquery/jquery.js?ver=1.12.4'></script>
<script type='text/javascript' src='https://stellamara.com/wp-includes/js/jquery/jquery-migrate.min.js?ver=1.4.1'></script>
<link rel='https://api.w.org/' href='https://stellamara.com/wp-json/' />
<link rel="EditURI" type="application/rsd+xml" title="RSD" href="https://stellamara.com/xmlrpc.php?rsd" />
<link rel="wlwmanifest" type="application/wlwmanifest+xml" href="https://stellamara.com/wp-includes/wlwmanifest.xml" />
<meta name="generator" content="WordPress 4.9.3" />
<link rel="canonical" href="https://stellamara.com/" />
<link rel='shortlink' href='https://stellamara.com/' />
<link rel="alternate" type="application/json+oembed" href="https://stellamara.com/wp-json/oembed/1.0/embed?url=https%3A%2F%2Fstellamara.com%2F" />
<link rel="alternate" type="text/xml+oembed" href="https://stellamara.com/wp-json/oembed/1.0/embed?url=https%3A%2F%2Fstellamara.com%2F&format=xml" />
</head>
<body>
<div id="page-wrap">
<div id="top">
<h1 class="logo"><a href="https://stellamara.com/"><img src="http://stellamara.com/wp-content/uploads/2009/08/Stellmara_Logo.jpg"</a></h1>
<ul id="nav">
<li class="page_item page-item-5 current_page_item"><a href="https://stellamara.com/">About</a></li>
<li class="page_item page-item-14"><a href="https://stellamara.com/releases/">Releases</a></li>
<li class="page_item page-item-113"><a href="https://stellamara.com/tour/">Tour</a></li>
<li class="page_item page-item-199"><a href="https://stellamara.com/media/">Media</a></li>
<li class="page_item page-item-252"><a href="https://stellamara.com/press/">Press</a></li>
<li class="page_item page-item-23"><a href="https://stellamara.com/connect/">Connect</a></li>
</ul>
</div>
<div class="clear"></div><div class="content">
<div class="post" id="post-5">
<h4>About</h4>
<p><iframe width="500" height="281" src="https://www.youtube.com/embed/BVVaKHgu8OI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen title="STELLAMARA "Ya Wasi" teaser"></iframe></p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">
<p><iframe width="500" height="281" src="https://www.youtube.com/embed/BVVaKHgu8OI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen title="STELLAMARA "Ya Wasi" teaser"></iframe></p>
<p><iframe width="500" height="281" src="https://www.youtube.com/embed/BVVaKHgu8OI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen title="STELLAMARA "Ya Wasi" teaser"></iframe></p>
<p>Electro-acoustic world music ensemble steeped in the Middle East, Balkans and beyond…</p>
</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">
<p>Stellamara began when vocalist Sonja Drakulich followed her vision and created a vehicle for the development of devotional music based in Near Eastern and medieval modal traditions. Extraordinary musicians from diverse cultural backgrounds have since come together within the vessel of Stellamara, creating music with a common intention: to celebrate love, beauty and unity through transcendent harmony and passionate rhythms.</p>
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<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Rooted in Turkish, Arabic, Balkan, Medieval European and Persian musical traditions, Stellamara carries a deep devotion to the music of these cultures with a unique timeless expression.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">At Stellamara’s core are Sonja Drakulich and multi-instrumentalist Gari Hegedus. Together with co-writer and cellist Rufus Cappodocia, they weave together a bridge of unity as they collaborate with an array of inspired musicians. Their music unveils the deep relationship between seemingly disparate cultures while surpassing any confines of tradition.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Through the use of makam (traditional Middle Eastern modal scales and melodic structure) Stellamara’s strong connection to cultural origin is clear, yet they gracefully blend musical forms with both a passionate, highly personal aesthetic and subtle, otherworldly ambiance.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">With two critically acclaimed CDs, several compilations and independent film scores, Stellamara is now at the forefront in creating highly innovative performances and recordings. They are internationally regarded as a new model in contemporary world music and have developed as an everexpanding vehicle, revealing sublime new levels of mystery, beauty and depth.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Sonja Drakulich was born of Serbian and Hungarian decent and raised primarily in an Armenian district of Los Angeles. She sought out the study of Eastern European singing on her own in as a teenager, and its expression quickly became, for her, a homecoming. She began performing Balkan and Medieval European music and her own compositions at the age of 18. At that time she also began her studies in classical Hindustani and Persian singing, and later continued to expand her voice through Turkish, Greek and Arabic singing. She was adopted as protégé by the legendary Bulgarian vocalist Tatiana Sarbinska at the age of 20, and currently continues her studies with both Tatiana and the renowned Bulgarian vocalist Tsvetanka Varimezova. Sonja has toured extensively with Bulgarian and Turkish ensembles and has produced and engineered several recordings and independent film scores. She has toured with the Mevlevi Dervishes as a singer and percussionist and has provided music for Sufi gatherings and devotional events around the country. She is the founder of Stellamara and performs with the group as the lead vocalist, percussionist and hammered dulcimer player. Throughout her studies, Sonja has maintained a voice that is unique, reverent and exquisite. She is not confined by any one tradition, and uses her voice with the freedom of a soaring musical instrument. In her voice, one can hear her center residing in the devotional aspect of song, as she carries within her a signature passionate and rhythmic style, graced with the delicate ornamentations of Eastern melody.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Gari Hegedus began devoting his life to music with the study of Celtic and Bretagne music. From there he was led eastward into the intense practice and performance of Turkish classical and Mevlevi ceremonial music. He toured with the Mevlevi Dervish Order of America for several years, and continues to participate in Turkish ceremonial and devotional gatherings around the country. Gari is widely sought after as a highly accomplished and versatile recording and performing artist. His repertoire and playing styles reach outward from Turkey and Greece into the Arab lands, Iran and India. Gari began his musical career with fiddle and mandolin, and had devoted a decade of his life to the violin before learning of his ancestral Hungarian name, Hegedus, meaning “violinist.” Gari’s main instruments are the oud, violin, saz and mandocello, yet his talent is also proficiently and soulfully expressed on many other instruments, including the yayli tanbur, sarod and setar. Being largely self taught, with an insatiable drive for the discovery of new depths and intricacies of playing, he asserts a distinctive talent for capturing the delicate essence of traditional music, offering a passionate, heartfelt uniqueness and freedom of expression. As a composer and performer, Gari has developed the art of taksim (improvisation) to a deeply soulful level for which he has become highly recognized.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Stellamara’s newest co-writer and instrumentalist is cellist Rufus Cappadocia. Rufus was first introduced to the cello in Hamilton, Ontario at age three through the Suzuki method. By age six he had begun his studies with the renowned Czech cellist Zdenick Konicek. Throughout his training in classical music Rufus was increasingly inspired to find a voice that would transcend cultural and stylistic boundaries. After years of experimentation, he now plays a self-designed five string electric cello in which he creates an entire world of sound completely transformative to the listener. He expresses mastery of the cello with a passion and intensity that has led him to perform with some of the greatest contemporary musicians, including Ross Daly, Odetta, Vishal Vaid, Adoulai Diabate, Esma Redzepova, Theodossi Spassoff and Tamalalou, as well as The Black Rock Coalition, Vernon Reid, and the legendary Aretha Franklin. In the words of Ross Daly, “In Rufus’s playing, one can clearly discern the influences deriving from as far afield as Jimi Hendrix, rhythmic and melodic patterns of west African music, the phraseology of Balkan folk music, Cretan lyra technique, as well as innumerable other influences, all of which point to a deep extended relationship within a rich variety of musical traditions. Particularly noteworthy is his improvisational work, where all of these elements combine harmoniously in a distinctly original and individual way.”</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">On stage and in the studio, Stellamara incorporates the talents of the following extraordinary musicians: Arabic and Balkan percussionists Tobias Roberson and Faisal Zedan, clarinet and ney player Peter Jaques and violinist Briana Waters.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Tobias Roberson is widely recognized as a prodigy of percussion. He began his percussion training at age 14 with the UC Santa Barbara Middle Eastern Ensemble. When learning the classical forms of Egyptian music with unusual speed and proficiency he was introduced to Souhail Kaspar, who became his teacher for the next several years. By age 17, he was invited on staff as an instructor at the East European Folklife Center’s Balkan Music and Dance Camp in Mendocino, where he has taught for the last 5 years. Tobias has studied classical Arabic and Turkish percussion in both Cairo and in Istanbul and now resides in the San Francisco Bay Area performing with a large collection of dance troupes and music ensembles.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Faisal Zedan embodies the elements essential to Arabic drumming: impeccable technique combined with an inherent understanding of the complexities of Middle Eastern musical structures. From the classical Mowashahat style to simpler folkloric or fusion genres, his unique approach mixes thousands of years of tradition with pure emotion and a contemporary feel. Born in Syria, Faisal grew up obsessed with the derbakki. At the age of fifteen he learned what he could from the only local drummer in the village. He then began to teach himself to play by listening to and reproducing the rhythms he heard on both Classical and Arabic pop recordings. His tireless practicing soon made him proficient on the instrument and he began experimenting with playing both the riqq and the frame drum, both of which he mastered quickly. After coming to California in 1992, he met UCLAs noted ethnomusicology professor Dr. Ali Jihad Racy, as well as renowned Arabic percussionist Souhail Kaspar, and was asked to join the acclaimed UCLA Near East Music Ensemble. Zedan soon thereafter became a founding member of Near East music group Kan Zaman. Since 1996, Zedan has played and studied with artists and musicians from all over the globe, including Julian Weiss of the Syrian Al Kindi Ensemble and George Sawa, a music professor and Qanun player residing in Canada. Faisal is also a founding member of the Youm It Talaata percussion group.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Peter Jaques has been a bright star of the Near Eastern music scene since 1995. Founding member of the Brass Menagerie Balkan Brass Band, as well as the legendary Gonnifs klezmer band, Peter has performed and/or recorded with many notable groups, including the Toids, the San Francisco Klezmer Experience, the pickPocket Ensemble, and Ara Anderson’s Iron & the Albatross in San Francisco, as well as Zlatne Uste Balkan Brass Band, Zagnut Cirkus Orkestar, and Uzaylilar in New York. He has studied clarinet with Lefteris Bournias, Ivo Papasov, Yuri Yunakov, Goce Dimovski, Beth Custer, and Christos Govetas, Turkish music with Sinan Erdemsel, and Arabic music & nay with Dr. Qadri Sourour in Cairo. Peter is an uniquely sensitive wind player expressing both soulful virtuosity and simplicity, similar to the renouned Turkish clarinetist: Barbaros Erköse.</div>
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<p>Together, the musicians of Stellamara express profound devotion and passion for the great muse, the Star of the Sea. They evoke for the listener the lost gardens of Shalimar, the mysterious landscapes of the Caucasus, and the transcendent whirling of Rumi’s dervishes, revealing the poetic yearning that lies within</p>
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<p style="text-align: left;">Electro-Acoustic / Eastern European / Near Eastern / World Music Ensemble</p>
<p style="text-align: left;">Internationally acclaimed world music ensemble Stellamara premiers electro-acoustic sets emphasizing their signature passionate rhythms and eastern melodies with dramatic orchestral sections, otherworldly ambience and deep bass grooves. Evolving for over a decade of recording and performing, Stellamara unites world-renowned musicians from diverse cultural backgrounds in a shared devotion for folk and classical music rooted in Near Eastern, Eastern European, Medieval European, Arabic and Persian traditions.<span style="color: #0f0f0f;"> Stellamara is regarded as being at the forefront of contemporary world music, giving new life and a fresh, modern expression to the beautiful and mysterious qualities of traditional modal music. </span></p>
<p style="text-align: left;">Stellamara is currently performing as an electro-acoustic trio, featuring <span class="Apple-style-span">vocalist and producer Sonja Drakulich, multi instrumentalist and producer</span> Miles Jay and multi instrumentalist Evan Fraser. Stellamara also continues to perform as a full acoustic based ensemble, featuring<span class="Apple-style-span"> multi-instrumentalist Gari Hegedus, and including guest musicians: percussionists </span><span class="Apple-style-span">Evan Fraser, Sean Tergis, and Faisal Zedan, violinist Briana Di Mara, and accordionist Dan Cantrell and cellist Rufus Cappadocia. </span></p>
<p style="text-align: left;"><em><span style="font-style: normal;">Stellamara began when vocalist / producer Sonja Drakulich created a vehicle for the development of devotional music based in Near Eastern and medieval modal traditions. Extraordinary musicians from diverse cultural backgrounds have since come together within the vessel of Stellamara, creating music with a common intention: to celebrate love, beauty and unity through transcendent harmony and passionate rhythms. Rooted in Turkish, Arabic, Balkan, Medieval European and Persian musical traditions, Stellamara carries a deep devotion to the music of these cultures with a unique timeless expression. </span></em>As an actively touring ensemble, they are internationally regarded as being at the forefront of contemporary world music, giving new life and a fresh, modern expression to the beautiful and mysterious qualities of traditional modal music.</p>
<p style="text-align: left;">Stellamara’s founder and producer, Sonja Drakulich, was born of Serbian and Hungarian descent and raised in Los Angeles. She sought out the study of Eastern European singing on her own as a young girl, and its expression quickly became, for her, a homecoming. She began performing Balkan and Medieval European music as well as her own compositions at the age of 18. At that time she also began her studies in classical Hindustani and Persian singing, and later continued to expand her voice through Turkish, Greek and Arabic singing. She was adopted as protégé by the legendary Bulgarian vocalist Tatiana Sarbinska at the age of 20, and continued her studies with both Tatiana and the renowned Bulgarian vocalist Tsvetanka Varimezova. She toured for almost three consecutive years as lead singer, hammered dulcimer player and percussionist for the Northern European Medieval- Folk band, Faun, and completed three extensive tours throughout Europe and recorded on their top ten charted, platinum albums Von den Elben and Luna, from Universal Music. She has toured with the Mevlevi Dervishes as a singer and percussionist and has provided music for Sufi gatherings and devotional events around the country. She toured Indonesia as part of the Gamelan theater group, Situbanda, where she performed a lead role in a contemporary rendition the Ramayana. Her voice and music can be heard in many independent films and she has been sought after by composers, producers re-mixers, and many cirque and dance companies for lead roles in their productions. Throughout her successes as performer and producer, and throughout her continued studies, Sonja has maintained a voice that is unique, reverent and exquisite. She is not confined by any one tradition, and uses her voice with the freedom of a soaring musical instrument. In her voice, one can hear her center residing in the devotional aspect of song, as she carries within her a signature passionate and rhythmic style, graced with the delicate ornamentations of Eastern melody.</p>
<p style="text-align: left;">Originally from Orcas Island in Washington State, Evan Fraser ( Dirtwire, Dogon Lights) is a world renowned multi-instrumentalist, performer, teacher, and recording artist currently based in the San Francisco Bay Area of California. His teachers include: John Bergamo, Randy Gloss, Alfred & Kobla Ladzekpo, Sulley Imoro, Nyomen Wenton, Jim Santi Owen, Mark Growden, Mamadou Sidibe & Yacouba Diarra. , Evan learned to play music at an early age in Waldorf school and studied the piano. Through his love of music and the outdoors, he discovered the smaller, more portable instruments and has never stopped exploring the vast diversity of musical instruments, music cultures, their histories, and how they relate to each other. Today Evan has a collection of over 200 instruments. Each one is a unique tool, a special sound in Evan’s palate of musical expression. Keyboards, kalimbas (thumb pianos) kamale ngonis (African harps), winds, slide guitars, drums & global percussion. Evan has been collecting and playing jaw harps from around the globe for over 20 years. With a collection of over 50 jaw harps from 15 different countries, Evan enjoys sharing the many styles & techniques of playing this very small and portable instrument with everyone who wants to learn.</p>
<p class="p1" style="text-align: left;"><span class="s1">Miles Jay has achieved international praise for his musicianship on the Contrabass, Buzuk, and Lyra. He is also a composer and instrument maker, and an active performer with many prominent artists around the world. Broad in range of his musical influences and communities, Miles has lived abroad for years absorbing styles from many traditions, has performed in such venues as Carnegie Hall, the Emirates Palace Abu Dhabi, TED 2013 Long Beach, the United Nations, and was the music director for the internationally acclaimed “Nile Project” with world tours for three consecutive years. Raised in Los Angeles, Miles is a graduate of the University of California Santa Barbara, where he studied jazz and classical music, composition and orchestration, and earned his BA in Ethnomusicology.</span></p>
<p class="p1" style="text-align: left;"><span class="s1">Miles lived in Egypt and Lebanon, performing and collaborating with many beloved artists of the region, including Youssou N’Dour, Ziad Rahbani, Naseer Shamma, Ross Daly, and the Cairo Symphony Orchestra. During this time he co-founded and co-produced several ensembles and albums, as well as traveled extensively around the region for concerts in Dubai, Turkey, Greece, Tunisia, Oman, Algeria, Senegal, Syria, and Western Europe. Throughout all of this valuable experience, Miles focused on re-imagining the bass’s role both as an accompanying instrumental and as a melodic lead, adapting a wide range of Arabic, Greek, and Turkish ornamentation to develop his own extended technique when playing with a bow.</span></p>
<p style="text-align: left;">Gari Hegedus began devoting his life to music with the study of Celtic and Bretagne music. From there he was led eastward into the intense practice and performance of Turkish classical and Mevlevi ceremonial music and he toured with the Mevlevi Dervish Order of America for several years. Gari is widely sought after as a highly accomplished and versatile recording and performing artist. His repertoire and playing styles reach outward from Turkey and Greece into the Arab lands, Iran and India. Gari began his musical career with fiddle and mandolin, and had devoted a decade of his life to the violin before learning of his ancestral Hungarian name, Hegedus, meaning “violinist.” Gari’s main instruments are the oud, violin, saz and mandocello, yet his talent is also proficiently expressed on many other instruments, including the yayli tanbur, sarod and setar. Being largely self taught, with an insatiable drive for the discovery of new depths and intricacies of playing, he asserts a distinctive talent for capturing the delicate essence of traditional music, offering a passionate, heartfelt uniqueness and freedom of expression. As a composer and performer, Gari has developed the art of taksim (improvisation) to a deeply soulful level for which he has become highly recognized.</p>
<p style="text-align: left;"><em>“The power in the music is obvious from the opening tones… Listening to Stellamara is a new experience of mystical fables, deep soulful voices, rhythms from the core of the earth and expansive waves of music that ebb and flow as they penetrate through and beyond the listeners spirit into unseen horizons barely even imagined.” ––Backroads Music</em></p>
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background-color: #bd081c; background-size: 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; border: none; -webkit-font-smoothing: antialiased; top: 36px; left: 20px; background-position: 3px 50%; background-repeat: no-repeat no-repeat;">Save</span><span style="border-top-left-radius: 2px; border-top-right-radius: 2px; border-bottom-right-radius: 2px; border-bottom-left-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font-style: normal; font-variant-caps: normal; font-weight: bold; font-size: 11px; line-height: 20px; font-family: 'Helvetica Neue', Helvetica, sans-serif; color: #ffffff; background-image: url(data:image/svg+xml; base64,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); background-color: #bd081c; background-size: 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; border: none; -webkit-font-smoothing: antialiased; top: 36px; left: 20px; background-position: 3px 50%; background-repeat: no-repeat no-repeat;">Save</span></p>
<p><span style="border-top-left-radius: 2px; border-top-right-radius: 2px; border-bottom-right-radius: 2px; border-bottom-left-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font-style: normal; font-variant-caps: normal; font-weight: bold; font-size: 11px; line-height: 20px; font-family: 'Helvetica Neue', Helvetica, sans-serif; color: #ffffff; background-image: url(data:image/svg+xml; base64,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); background-color: #bd081c; background-size: 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; border: none; -webkit-font-smoothing: antialiased; top: 384px; left: 20px; background-position: 3px 50%; background-repeat: no-repeat no-repeat;">Save</span><span style="border-top-left-radius: 2px; border-top-right-radius: 2px; border-bottom-right-radius: 2px; border-bottom-left-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font-style: normal; font-variant-caps: normal; font-weight: bold; font-size: 11px; line-height: 20px; font-family: 'Helvetica Neue', Helvetica, sans-serif; color: #ffffff; background-image: url(data:image/svg+xml; base64,phn2zyb4bwxucz0iahr0cdovl3d3dy53my5vcmcvmjawmc9zdmciighlawdodd0imzbwecigd2lkdgg9ijmwchgiihzpzxdcb3g9ii0xic0xidmxidmxij48zz48cgf0acbkpsjnmjkundq5lde0ljy2mibdmjkundq5ldiyljcymiaymi44njgsmjkumju2ide0ljc1ldi5lji1nibdni42mzismjkumju2idaumduxldiyljcymiawlja1mswxnc42njigqzaumduxldyunjaxidyunjmyldaumdy3ide0ljc1ldaumdy3iemymi44njgsmc4wnjcgmjkundq5ldyunjaxidi5ljq0oswxnc42njiiigzpbgw9iinmzmyiihn0cm9rzt0ii2zmziigc3ryb2tllxdpzhropsixij48l3bhdgg+phbhdgggzd0itte0ljczmywxljy4nibdny41mtysms42odygms42njusny40otugms42njusmtqunjyyiemxljy2nswymc4xntkgns4xmdksmjquodu0idkuotcsmjyunzq0iem5ljg1niwyns43mtggos43ntmsmjqumtqzidewljaxniwymy4wmjigqzewlji1mywymi4wmsaxms41ndgsmtyuntcyidexlju0ocwxni41nzigqzexlju0ocwxni41nzigmteumtu3lde1ljc5nsaxms4xntcsmtqunjq2iemxms4xntcsmtiuodqyideyljixmswxms40otugmtmuntiyldexljq5nsbdmtqunjm3ldexljq5nsaxns4xnzusmtiumzi2ide1lje3nswxmy4zmjmgqze1lje3nswxnc40mzygmtqundyylde2ljegmtqumdkzlde3ljy0mybdmtmunzg1lde4ljkznsaxnc43ndusmtkuotg4ide2ljayocwxos45odggqze4ljm1mswxos45odggmjaumtm2lde3lju1niaymc4xmzysmtqumdq2iemymc4xmzysmtauotm5ide3ljg4ocw4ljc2nyaxnc42nzgsoc43njcgqzewljk1osw4ljc2nya4ljc3nywxms41mzygoc43nzcsmtqumzk4iem4ljc3nywxns41mtmgos4ymswxni43mdkgos43ndksmtcumzu5iem5ljg1niwxny40odggos44nzismtcunia5ljg0lde3ljczmsbdos43ndesmtgumtqxidkuntismtkumdizidkundc3lde5ljiwmybdos40miwxos40nca5lji4ocwxos40otegos4wncwxos4znzygqzcunda4lde4ljyymia2ljm4nywxni4yntigni4zodcsmtqumzq5iem2ljm4nywxmc4yntygos4zodmsni40otcgmtuumdiyldyundk3iemxos41ntusni40otcgmjmumdc4ldkunza1idizlja3ocwxmy45otegqzizlja3ocwxoc40njmgmjaumjm5ldiylja2miaxni4yotcsmjiumdyyiemxnc45nzmsmjiumdyyidezljcyocwyms4znzkgmtmumzayldiwlju3mibdmtmumzayldiwlju3miaxmi42ndcsmjmumdugmtiundg4ldizljy1nybdmtiumtkzldi0ljc4ncaxms4zotysmjyumtk2idewljg2mywyny4wntggqzeylja4niwyny40mzqgmtmumzg2ldi3ljyznyaxnc43mzmsmjcunjm3iemyms45nswyny42mzcgmjcuodaxldixljgyocayny44mdesmtqunjyyiemyny44mdesny40otugmjeuotusms42odygmtqunzmzldeunjg2iibmawxspsijymqwodfjij48l3bhdgg+pc9npjwvc3znpg==); background-color: #bd081c; background-size: 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; border: none; -webkit-font-smoothing: antialiased; top: 384px; left: 20px; background-position: 3px 50%; background-repeat: no-repeat no-repeat;">Save</span></p>
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<div id="sidebar">
<ul>
<li id="pages-3" class="widget widget_pages"><h2 class="widgettitle">Pages</h2> <ul>
<li class="page_item page-item-5 current_page_item"><a href="https://stellamara.com/">About</a></li>
<li class="page_item page-item-23"><a href="https://stellamara.com/connect/">Connect</a></li>
<li class="page_item page-item-199"><a href="https://stellamara.com/media/">Media</a></li>
<li class="page_item page-item-252"><a href="https://stellamara.com/press/">Press</a></li>
<li class="page_item page-item-14"><a href="https://stellamara.com/releases/">Releases</a></li>
<li class="page_item page-item-113"><a href="https://stellamara.com/tour/">Tour</a></li>
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Sitemap
Кол-во: 0
XML-карта сайта для поисковиков
?
Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
Robots.txt не содержит ссылку на карту сайта. Рекомендуется добавить карту сайта и указать ссылку на нее в robots.txt.
Внутренние ссылки
Кол-во: 13
Ссылки на другие страницы своего сайта
?
Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 13 оптимально.
Внутренние ссылки не запрещены к индексации в robots.txt.
На странице присутствуют изображения 1.
Показать внутренние ссылки
| Url | Анкор | Состояние | Анализировать |
|---|---|---|---|
| / |
About
|
|
Анализировать url |
| /releases/ |
Releases
|
|
Анализировать url |
| /tour/ |
Tour
|
|
Анализировать url |
| /media/ |
Media
|
|
Анализировать url |
| /press/ |
Press
|
|
Анализировать url |
| /connect/ |
Connect
|
|
Анализировать url |
| / |
About
|
|
Анализировать url |
| /connect/ |
Connect
|
|
Анализировать url |
| /media/ |
Media
|
|
Анализировать url |
| /press/ |
Press
|
|
Анализировать url |
| /releases/ |
Releases
|
|
Анализировать url |
| /tour/ |
Tour
|
|
Анализировать url |
| /feed/ |
RSS feed
|
|
Анализировать url |
Внешние ссылки
Кол-во: 2
Ссылки на сторонние сайты
?
Исходящие внешние ссылки передают часть ссылочного веса на чужие сайты. Ссылки на авторитетные ресурсы безопасны; ссылки на мусорные сайты могут навредить репутации страницы.
Внешних ссылок на странице 2 оптимально.
Показать внешние ссылки
| Url | Анкор | Анализировать |
|---|---|---|
| wordpress.org |
WordPress
|
Анализировать url |
| madebyon.com |
Made By On
|
Анализировать url |
Конкуренты Готовность: 0%
Конкуренты в Яндексе
Кол-во: 0
Топ сайтов-конкурентов в Яндексе
?
Сайты, чаще всего появляющиеся в ТОПе Яндекса по запросам из семантического ядра этой страницы.
Мы не нашли у вас конкурентов в Яндексе. Сайт или очень молодой или плохо продвигается.
Конкурентов в ТОП-10 Яндекса не нашлось.
Конкуренты в Google
Кол-во: 0
Топ сайтов-конкурентов в Google
?
Сайты, чаще всего появляющиеся в ТОПе Google по запросам из семантического ядра этой страницы.
Конкуренты в Google тоже не найдены. Займитесь продвижением сайта!
Конкурентов в ТОП-10 Google не нашлось.
ЗоЗПП: права потребителей Готовность: 100%
Нарушения
Не выявлены
Признаков дистанционной продажи товаров (интернет-магазина) не обнаружено — требования ЗоЗПП о раскрытии информации продавца к сайту не применяются. Нарушений нет.
ФЗ-149: рекомендательные технологии Готовность: 100%
Нарушения
Не выявлены
Рекомендательные блоки («с этим покупают», «похожие товары» и т.п.) на сайте не обнаружены — требования ст. 10.7 ФЗ-149 к сайту не применяются. Нарушений нет.
ФЗ-38: реклама Готовность: 100%
Нарушения
Не выявлены
Рекламных тематик с обязательными оговорками (медицина, БАД, кредиты и займы, новостройки) на сайте не обнаружено. Нарушений нет.
ФЗ-436: защита детей Готовность: 100%
Нарушения
Не выявлены
Признаков информационной продукции (новости, видео, книги, игры, курсы) не обнаружено — обязательная возрастная маркировка по ФЗ-436 сайту не требуется. Нарушений нет.
Вердикт
Сайт stellamara.com не совсем готов к продвижению (процент готовности лишь 56%). Для попадания в ТОПы поисковых систем нужно:
Постарайтесь исправить общие ошибки.
Исправьте ошибки в мета-тегах.
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