Анализ сайта theframeblog.com
Основное Готовность: 70%
Домен
theframeblog.com
Состояние доменного имени
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Проверяем корректность доменного имени и наличие технических проблем на уровне домена.
Длина домена велика. Но если вы продвигаете запрос, входящий в название домена, то это хорошо.
Домен второго уровня идеален для продвижения.
Ответ сервера
200 Успешный ответ
HTTP-код ответа и цепочка редиректов
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Код 200 — страница доступна. Коды 3xx — редиректы (цепочки замедляют загрузку и размывают ссылочный вес). Коды 4xx/5xx — ошибки, поисковик не сможет проиндексировать страницу.
Сервер настроен корректно.
Цепочка редиректов:
http://theframeblog.com
301 MovedPermanently
https://theframeblog.com/
200 OK
Безопасность
Сайт безопасен
Использование HTTPS и SSL-сертификат
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HTTPS — обязательный стандарт. Google и Яндекс отдают предпочтение защищённым сайтам. Отсутствие SSL или просроченный сертификат ведут к предупреждениям в браузере и снижению позиций.
На сайте работает защищенный протокол ssl и сайт открывается по https.
Ssl-сертификат действителен до 19.11.2026 20:44:02.
Включён HSTS (Strict-Transport-Security) — защита от подмены на http.
HTTP автоматически перенаправляется на HTTPS.
Поздравляем! Сайт не содержится в реестре РКН.
Кодировка
UTF-8
Кодировка символов страницы
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Стандарт — UTF-8. Неправильная кодировка вызывает нечитаемые символы и мешает поисковику корректно распознать текст страницы.
Указана кодировка на странице UTF-8.
Язык
en-US
Атрибут lang в HTML-теге
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Атрибут lang (<html lang="ru">) сообщает поисковикам и браузерам, на каком языке написана страница. Помогает при ранжировании в региональном поиске.
Язык документа указан явно: en-US.
Скорость загрузки
~1,01сек
Время отклика сервера (TTFB)
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Time To First Byte — время до получения первого байта от сервера. Норма до 200 мс. Медленный отклик ухудшает пользовательский опыт и ранжирование: Яндекс и Google учитывают скорость страниц.
Скорость загрузки сайта 1,01сек превышает 1 секунду. Желательно улучшить работу сайта!
Объем документа
261Кб
Размер HTML-кода страницы
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Слишком большой HTML замедляет парсинг браузером и сканирование поисковым роботом. Рекомендуется не более 200 Кб.
Объем html-документа 261Кб оптимален.
Структура html-документа корректна.
Ресурсы
Ресурсы: 11
Внешние ресурсы страницы (CSS, JS, изображения)
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Количество и тип подключённых ресурсов влияют на скорость загрузки. Большое число запросов увеличивает время рендеринга страницы.
Кол-во файлов ресурсов 11 много для одной страницы. Приемлемо до 10. Проведите оптимизацию файлов ресурсов!
Показать полный список ресурсов
| Тип | Название | Значение |
|---|---|---|
| stylesheet | text/css | https://theframeblog.com/_static/??-eJydyzEOwjAMQNELEUwrFCbEWdzEai1SJ4rdptyeMjAy0PXrv1ZcyGIkBiUtI4tCyEPK4akQWQ3UXonctzna9lc5i56D6qn9yVF4Rtv5Lz1WXNGwOpIJJVCEYeEUoaAZVVGnE1aKhzlFtsN4ZWof/Jjv3e168b7zff8G/i560g== |
| stylesheet | https://theframeblog.com/wp-includes/css/dashicons.min.css?ver=7.1 | |
| stylesheet | text/css | https://theframeblog.com/_static/??-eJyNjjEOwjAMRS9EawpDWBBLJQ7ACVLHBKuJE+FEVW9PRJkYEOP//nrPS+4wSSEpkEP1LAq+tjjR08NUOTjQsgZSKA+KBI6UvXQlzSTaR5YeVXfL3xRMMSdpQ92aXwhMU0g4K7BgqM0MI2USR4LcwjWN1rkVbht50wRbSMs38f27QrTC93b+qNvoEs+DOZnhaMz+8AKZ7WWg |
| stylesheet | text/css | https://theframeblog.com/_static/??-eJyNjEsKhDAQBS80mTagmI14lCHTNhLtfEgnhLn94MKl4rJe8aolhTEUCgUS19UFgY1KsrjDxwWEL0fcBaS5RPmNIq92/fBxqUwCaHOsQnwKdQ5PA8UxLWq1zJR/d3QEZz/p0Qym06bv/9xmTnk= |
| stylesheet | text/css | https://theframeblog.com/_static/??wp-content/plugins/jetpack/modules/sharedaddy/sharing.css,wp-content/plugins/jetpack/_inc/build/social-logos/social-logos.css?m=1784576016 |
| js | https://s0.wp.com/wp-content/js/bilmur.min.js?m=202634 | |
| js | text/javascript | https://theframeblog.com/_static/??wp-content/plugins/coblocks/dist/js/coblocks-animation.js,wp-content/plugins/jetpack/_inc/build/carousel/jetpack-carousel.min.js?m=1785801844 |
| js | https://theframeblog.com/wp-content/plugins/jetpack/_inc/build/tiled-gallery/tiled-gallery/tiled-gallery.min.js?ver=16.2-a.1 | |
| js | text/javascript | https://theframeblog.com/wp-content/plugins/jetpack/_inc/build/likes/queuehandler.min.js?m=1787255688 |
| js | https://stats.wp.com/e-202634.js | |
| js | https://theframeblog.com/wp-content/plugins/jetpack/_inc/build/sharedaddy/sharing.min.js?ver=16.2-a.1 |
Серверные заголовки
Кол-во: 12
HTTP-заголовки ответа сервера
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Заголовки сервера передают браузеру и поисковику служебную информацию: кеширование, безопасность (CSP, HSTS), сжатие (gzip). Правильная настройка ускоряет загрузку и повышает защищённость.
Найдены серверные заголовки 12шт. Подробнее про серверные заголовки.
Показать полный список серверных заголовков
| Ключ | Значение |
|---|---|
| Server | nginx |
| Date | Sat, 22 Aug 2026 16:01:02 GMT |
| Strict-Transport-Security | max-age=31536000 |
| Vary | Accept-Encoding |
| x-hacker | Want root? Visit join.a8c.com and mention this header. |
| host-header | WordPress.com |
| Link | <https://theframeblog.com/wp-json/>; rel="https://api.w.org/" |
| Cache-Control | must-revalidate, max-age=300 |
| x-nananana | Batcache-Set |
| x-ac | 14.arn _atomic_ams MISS |
| Alt-Svc | clear |
| Server-Timing | a8c-cdn, dc;desc=arn, cache;desc=MISS;dur=521.0 |
CMS
WordPress
Система управления сайтом (движок)
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CMS — это движок, на котором работает сайт (WordPress, 1C-Bitrix, Tilda и др.). Знание CMS помогает понять возможности SEO-оптимизации и подобрать подходящие инструменты. «Не определена» — вероятно, самописный сайт или нестандартная сборка.
Сайт работает на CMS WordPress.
Веб-сервер
nginx
Программное обеспечение сервера
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Веб-сервер — это ПО, которое отдаёт страницы посетителям (nginx, Apache, IIS, LiteSpeed и др.). Определяется по серверным заголовкам ответа (Server, X-Powered-By и т.п.). «Не определён» — сервер намеренно скрывает эти заголовки, это нормальная практика безопасности.
Сайт работает на веб-сервере nginx.
Мета-теги Готовность: 33%
Title
The Frame Blog | Articles, interviews and reviews to do with antique and modern picture frames
Заголовок страницы в браузере и поисковой выдаче
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Title — главный SEO-заголовок страницы. Влияет на CTR в поиске и ранжирование. Оптимальная длина: 50–70 символов. Ключевые слова — ближе к началу.
Необходимо уменьшить число символов в title (текущее значение: 94, оптимально: от 40 до 45)
Дублей словоформ в title не найдено.
Description
Articles, interviews and reviews to do with antique and modern picture frames
Описание страницы в поисковой выдаче (сниппет)
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Meta Description — текст под заголовком в выдаче. Напрямую на позиции не влияет, но влияет на CTR. Оптимальная длина: 120–160 символов.
Необходимо увеличить число символов в description (текущее значение мало: 77, минимум: 80, оптимально: от 120 до 130)
Keywords
Список ключевых слов страницы (устаревший тег)
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Meta Keywords не учитывается Яндексом и Google для ранжирования с 2009–2012 годов. Заполнение не обязательно, но не вредит. Конкурент может использовать содержимое для анализа.
Установите мета-тег keywords!
Канонический Url
Указывает поисковику основную версию страницы
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Canonical (rel=canonical) предотвращает проблему дублей страниц. Должен точно совпадать с URL проверяемой страницы. Неправильный canonical может передать ссылочный вес на другую страницу.
Рекомендуем прописать канонический Url.
Robots
Есть ошибки
Директивы для поисковых роботов на уровне страницы
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Meta Robots управляет индексацией конкретной страницы: index/noindex — индексировать ли, follow/nofollow — следовать ли по ссылкам. Noindex полностью исключает страницу из поиска.
Meta-тег robots указан, но в нем содержится неизвестное значение...
Адаптивность
Настройка масштабирования на мобильных устройствах
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Тег viewport (<meta name="viewport">) сообщает браузеру, как масштабировать страницу на мобильных. Стандарт: width=device-width, initial-scale=1. Отсутствие — признак отсутствия мобильной версии.
Meta-тег viewport не указан. Страница не адаптивная.
Разметка OpenGraph
Кол-во: 10
Мета-теги для красивых превью в соцсетях
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OpenGraph (og:title, og:description, og:image) управляет тем, как страница выглядит при репосте в социальных сетях и мессенджерах. Отсутствие OG-тегов — невзрачный превью при шеринге.
Разметка OpenGraph задана. Страница оптимизирована под социальные сети.
Показать полный список og мета-тегов
| Тип | Значение |
|---|---|
| og:type | website |
| og:title | The Frame Blog |
| og:description | Articles, interviews and reviews to do with antique and modern picture frames |
| og:url | https://theframeblog.com/ |
| og:site_name | The Frame Blog |
| og:image | https://i0.wp.com/theframeblog.com/wp-content/uploads/2018/08/theframeblogwordpress-image.jpg?fit=681%2C681&ssl=1 |
| og:image:width | 681 |
| og:image:height | 681 |
| og:image:alt | |
| og:locale | en_US |
Все мета-теги
Кол-во: 15
Полный список мета-тегов страницы
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Таблица всех meta-тегов, включая нестандартные. Позволяет найти опечатки, дубли и лишние теги.
Найдены мета-теги 15шт. Мета-теги не видимы для человека и предназначены для обмена информацией между веб-страницей и поисковыми системами, браузерами и другими веб-службами. С ними роботы 🤖 и устройства ведут себя более ожидаемо.
Показать полный список мета-тегов
| Тип | Название | Значение |
|---|---|---|
| name | robots | max-image-preview:large |
| name | google-site-verification | google-site-verification: google636bb80f69add45e.html |
| name | description | Articles, interviews and reviews to do with antique and modern picture frames |
| name | msapplication-TileImage | https://i0.wp.com/theframeblog.com/wp-content/uploads/2018/08/theframeblogwordpress-image.jpg?fit=270%2C270&ssl=1 |
| property | og:type | website |
| property | og:title | The Frame Blog |
| property | og:description | Articles, interviews and reviews to do with antique and modern picture frames |
| property | og:url | https://theframeblog.com/ |
| property | og:site_name | The Frame Blog |
| property | og:image | https://i0.wp.com/theframeblog.com/wp-content/uploads/2018/08/theframeblogwordpress-image.jpg?fit=681%2C681&ssl=1 |
| property | og:image:width | 681 |
| property | og:image:height | 681 |
| property | og:image:alt | |
| property | og:locale | en_US |
| property | bilmur:data |
Оптимизация Готовность: 72%
Структура
Ошибок нет
Семантические HTML-элементы страницы
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Проверяет наличие основных структурных элементов: nav, header, footer, main. Корректная семантическая структура помогает поисковику понять архитектуру страницы.
Структура документа корректна (теги <html> и <body> присутствуют в одном экземпляре).
Контент
Ошибок нет
Объём и качество текстового содержимого
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Анализирует объём полезного текста на странице. Слишком мало — страница может считаться малополезной. Слишком много — ухудшается читаемость и восприятие.
Слова из title 14 встречаются в тексте достаточно.
Абзацев с текстом 150 достаточно.
Среднее число слов в абзаце 63 достаточно.
Кол-во знаков контента 43875 на странице оптимально.
Кол-во слов 7314 на странице оптимально.
Заголовки
Ошибок нет
Иерархия заголовков H1–H6
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H1 должен быть один и содержать ключевой запрос. H2–H6 описывают подразделы. Пропуск уровней (H1 → H3) и несколько H1 — типичные ошибки, снижающие понятность страницы для поисковика.
На странице присутствуют заголовки <h1> 1. Это прекрасно.
На странице присутствуют заголовки <h3> 8.
Тошнота
8,49
Насколько одно слово доминирует в тексте
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Классическая тошнота = √(частота самого повторяющегося слова). Норма до 7–8: текст воспринимается естественно. Выше — поисковик может счесть страницу переспамленной.
Тошнота превышает норму 5. Измените текст страницы!
Академич. тошнота
43,27%
Насколько текст перенасыщен ключевыми словами
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Академическая тошнота = (частота слова / общее количество слов) × 100%. Показывает долю конкретного слова в тексте. Норма 5–15%.
Академическая тошнота превышает норму 5-15%. Измените текст страницы!
Семантическое ядро
20
Наиболее часто встречающиеся слова на странице
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Топ слов по частоте использования. Показывает, какие слова доминируют в тексте с точки зрения поисковика.
Контент страницы содержит осмысленный текст и слова.
Показать список слов
| Слово | Кол-во | Частота |
|---|---|---|
| crucifixion | 72 | 0,98% |
| century | 46 | 0,63% |
| christ | 30 | 0,41% |
| carved | 24 | 0,33% |
| altarpiece | 24 | 0,33% |
| museum | 19 | 0,26% |
| framed | 17 | 0,23% |
| scenes | 17 | 0,23% |
| school | 17 | 0,23% |
| frames | 14 | 0,19% |
| domestic | 14 | 0,19% |
| figures | 14 | 0,19% |
| christs | 13 | 0,18% |
| church | 13 | 0,18% |
| window | 12 | 0,16% |
| acanthus | 11 | 0,15% |
| border | 11 | 0,15% |
| louvre | 11 | 0,15% |
| columns | 11 | 0,15% |
| smaller | 10 | 0,14% |
Индексация Готовность: 60%
Индексирование
Ошибок нет
Разрешено ли индексирование страницы
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Проверяет, не закрыта ли страница от индексации через robots.txt, meta robots или X-Robots-Tag. Страница, закрытая от индексации, не появится в поисковой выдаче.
Анкоров на странице 183 оптимально. Поисковые роботы обязательно проиндексируют сайт.
Robots.txt
Найден корректный robots.txt
Файл управления сканированием сайта роботами
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Robots.txt указывает поисковым роботам, какие страницы сканировать, а какие — нет. Ошибки в файле могут случайно закрыть важные разделы от индексации.
Robots.txt настроен корректно. Размер файла: 163 байт. Загружен за: 0сек.
Проверяемая страница не запрещена в robots.txt.
Robots.txt доступен по постоянному адресу
Цепочка редиректов для файла robots.txt:
http://theframeblog.com/robots.txt
301 MovedPermanently
https://theframeblog.com/robots.txt
200 OK
Показать содержимое robots.txt
Sitemap: https://theframeblog.com/sitemap.xml
Sitemap: https://theframeblog.com/news-sitemap.xml
User-agent: *
Disallow: /wp-admin/
Allow: /wp-admin/admin-ajax.php
Sitemap
Кол-во: 2
XML-карта сайта для поисковиков
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Sitemap.xml помогает поисковику быстрее находить и индексировать страницы. Особенно важен для крупных сайтов и новых страниц, на которые ещё нет входящих ссылок.
Robots.txt содержит несколько карт сайтов 2. Это профессионально!
Robots.txt не содержит ошибок в картах сайта.
Показать карты сайта
| Url | Статус |
|---|---|
| https://theframeblog.com/sitemap.xml |
|
| https://theframeblog.com/news-sitemap.xml |
|
Внутренние ссылки
Кол-во: 67
Ссылки на другие страницы своего сайта
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Внутренние ссылки распределяют ссылочный вес между страницами и помогают поисковику обходить сайт. Пустые анкоры и ссылки на запрещённые robots.txt страницы — типичные ошибки.
Внутренних ссылок на странице 67 оптимально.
Внутренние ссылки не запрещены к индексации в robots.txt.
На странице присутствуют изображения 1.
Показать внутренние ссылки
| Url | Анкор | Состояние | Анализировать |
|---|---|---|---|
| / |
The Frame Blog
|
|
Анализировать url |
| /about/ |
About
|
|
Анализировать url |
| /archives/ |
Archives
|
|
Анализировать url |
| /drawings-and-designs-for-frames/ |
Drawings
|
|
Анализировать url |
| /contributors/ |
Contributors
|
|
Анализировать url |
| /links/ |
LINKS
|
|
Анализировать url |
| /2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/ |
August 5, 2026
|
|
Анализировать url |
| /2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/ |
Framed crucifixes. Part 2: Tenth to sixteenth century
|
|
Анализировать url |
| /2025/04/20/framed-crucifixes-part-1-conserving-an-italian-calvary/ |
the carved boxwood and walnut example featured in Part 1
|
|
Анализировать url |
| /2022/06/21/photography-with-borders-an-interview-with-sailko/ |
Sailko
|
|
Анализировать url |
| /2022/06/21/photography-with-borders-an-interview-with-sailko/ |
Sailko
|
|
Анализировать url |
| /wp-content/uploads/2022/07/27-domenico-gagini-fl1149to92-nativity-c1460-90x52cm-nga-washington.jpg |
framed relief sculptures in marble and stucco
|
|
Анализировать url |
| /wp-content/uploads/2023/02/20a-c16-joos-van-cleve-annunciation-c1525-panel-86.4x80cm-34x31.5ins-met-mus-ny.jpg |
painted domestic altarpiece
|
|
Анализировать url |
| /2025/04/20/framed-crucifixes-part-1-conserving-an-italian-calvary/ |
the 16<sup>th</sup>-17<sup>th</sup> century crucifixion scene
|
|
Анализировать url |
| /2021/04/24/print-rooms-prints-and-their-printed-borders/ |
the printed image
|
|
Анализировать url |
| /2021/04/24/print-rooms-prints-and-their-printed-borders/ |
Print rooms, prints, and their printed borders
|
|
Анализировать url |
| /page/2/ |
« Older
|
|
Анализировать url |
| /category/13th-14th-century/ |
13th-14th century
|
|
Анализировать url |
| /category/14th-century/ |
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| Url | Анкор | Анализировать |
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| i0.wp.com |
<img data-recalc-dims="1" fetchpriority="high" decoding="async" data-attachment-id="19603" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/triptyque-crucifixion-vierge-a-lenfant-et-des-saints/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?fit=2500%2C3500&ssl=1" data-orig-size="2500,3500" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"D\u00e9partement des Objets d'art du","camera":"","caption":"MuseumPlus 5.1.850 Access 2010","created_timestamp":"1719792000","copyright":"\u00a9 2024 Mus\u00e9e du Louvre / D\u00e9partement des Objets d'art du Moyen Age, de la Renaissance et des temps modernes","focal_length":"0","iso":"0","shutter_speed":"0","title":"Triptyque : Crucifixion ; Vierge \u00e0 l'Enfant et des saints","orientation":"1","alt":""}" data-image-title="0 Cover" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?fit=500%2C700&ssl=1" class="size-full wp-image-19603" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=500%2C700&ssl=1" alt="" width="500" height="700" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?w=2500&ssl=1 2500w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=214%2C300&ssl=1 214w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=731%2C1024&ssl=1 731w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=107%2C150&ssl=1 107w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=768%2C1075&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=1097%2C1536&ssl=1 1097w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?resize=1463%2C2048&ssl=1 1463w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/0-Cover.jpg?w=1000&ssl=1 1000w" sizes="(max-width: 500px) 100vw, 500px">
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| i0.wp.com |
<img data-recalc-dims="1" decoding="async" data-attachment-id="19604" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/1a-andrea-ferrucci-monumental-marble-altarpiece-with-crucifixion-scene-c1493-v-a/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?fit=1688%2C2367&ssl=1" data-orig-size="1688,2367" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Victoria and Albert Museum","camera":"","caption":"","created_timestamp":"0","copyright":"\u00a9 Victoria and Albert Museum, London","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="1A Andrea Ferrucci Monumental marble altarpiece with crucifixion scene c1493 V &#038; A" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?fit=500%2C701&ssl=1" class="aligncenter size-full wp-image-19604" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=500%2C701&ssl=1" alt="" width="500" height="701" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?w=1688&ssl=1 1688w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=214%2C300&ssl=1 214w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=730%2C1024&ssl=1 730w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=107%2C150&ssl=1 107w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=768%2C1077&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=1095%2C1536&ssl=1 1095w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?resize=1461%2C2048&ssl=1 1461w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1A-Andrea-Ferrucci-Monumental-marble-altarpiece-with-crucifixion-scene-c1493-V-A.jpeg?w=1000&ssl=1 1000w" sizes="(max-width: 500px) 100vw, 500px">
|
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| i0.wp.com |
<img data-recalc-dims="1" decoding="async" data-attachment-id="19606" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-351/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?fit=1656%2C2743&ssl=1" data-orig-size="1656,2743" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="1B Andrea Ferrucci Monumental marble altarpiece Detail of crucifixion scene c1493 V &#038; A" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?fit=500%2C828&ssl=1" class="aligncenter size-full wp-image-19606" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=500%2C828&ssl=1" alt="" width="500" height="828" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?w=1656&ssl=1 1656w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=181%2C300&ssl=1 181w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=618%2C1024&ssl=1 618w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=91%2C150&ssl=1 91w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=768%2C1272&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=927%2C1536&ssl=1 927w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?resize=1236%2C2048&ssl=1 1236w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/1B-Andrea-Ferrucci-Monumental-marble-altarpiece-Detail-of-crucifixion-scene-c1493-V-A.jpeg?w=1500&ssl=1 1500w" sizes="(max-width: 500px) 100vw, 500px">
|
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| collections.vam.ac.uk |
V & A Museum
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19608" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/2-donatello-crucifix-c1406to08-brunelleschi-crucifix-1410to15-michelangelo-crucifix-c1492/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?fit=2032%2C2900&ssl=1" data-orig-size="2032,2900" data-comments-opened="1" data-image-meta="{"aperture":"3.5","credit":"","camera":"Canon EOS 700D","caption":"","created_timestamp":"1393839176","copyright":"","focal_length":"18","iso":"2500","shutter_speed":"0.033333333333333","title":"","orientation":"1","alt":""}" data-image-title="2 Donatello Crucifix c1406to08 Brunelleschi Crucifix 1410to15 Michelangelo Crucifix c1492" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?fit=500%2C713&ssl=1" class="aligncenter size-full wp-image-19608" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=500%2C714&ssl=1" alt="" width="500" height="714" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?w=2032&ssl=1 2032w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=210%2C300&ssl=1 210w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=718%2C1024&ssl=1 718w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=105%2C150&ssl=1 105w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=768%2C1096&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=1076%2C1536&ssl=1 1076w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?resize=1435%2C2048&ssl=1 1435w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/2-Donatello-Crucifix-c1406to08-Brunelleschi-Crucifix-1410to15-Michelangelo-Crucifix-c1492.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| commons.wikimedia.org |
the early rood screen crucifix
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19611" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/3-c2-to-c3-the-pereire-gem-with-the-crucified-christ-bm/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?fit=1866%2C2203&ssl=1" data-orig-size="1866,2203" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"Exp10000XL","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="3 C2 to C3 The Pereire gem with the crucified Christ BM" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?fit=500%2C591&ssl=1" class="aligncenter size-full wp-image-19611" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=500%2C590&ssl=1" alt="" width="500" height="590" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?w=1866&ssl=1 1866w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=254%2C300&ssl=1 254w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=867%2C1024&ssl=1 867w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=127%2C150&ssl=1 127w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=768%2C907&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=1301%2C1536&ssl=1 1301w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?resize=1735%2C2048&ssl=1 1735w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/3-C2-to-C3-The-Pereire-gem-with-the-crucified-Christ-BM.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| britishmuseum.org |
© The Trustees of the British Museum
|
Анализировать url |
| christies.com |
mounted in a ring
|
Анализировать url |
| christies.com |
very plain
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19613" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/4-late-c10-irish-gilt-bronze-sculpture-of-crucifixion-ng-of-ireland-sailko/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?fit=1638%2C1830&ssl=1" data-orig-size="1638,1830" data-comments-opened="1" data-image-meta="{"aperture":"5.6","credit":"","camera":"Canon EOS 6D","caption":"","created_timestamp":"1580309905","copyright":"","focal_length":"105","iso":"12800","shutter_speed":"0.01","title":"","orientation":"1","alt":""}" data-image-title="4 Late C10 Irish gilt-bronze sculpture of Crucifixion NG of Ireland Sailko" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?fit=500%2C558&ssl=1" class="aligncenter size-full wp-image-19613" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=500%2C559&ssl=1" alt="" width="500" height="559" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?w=1638&ssl=1 1638w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=269%2C300&ssl=1 269w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=917%2C1024&ssl=1 917w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=134%2C150&ssl=1 134w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=768%2C858&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?resize=1375%2C1536&ssl=1 1375w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/4-Late-C10-Irish-gilt-bronze-sculpture-of-Crucifixion-NG-of-Ireland-Sailko.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| museum.ie |
NG of Ireland
|
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| commons.wikimedia.org |
Sailko
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| i0.wp.com |
the book shrine for the Stowe Missal
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| en.wikipedia.org |
similar figural plaques in geometrically ornamented frames
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19617" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/5a-crucifixion-panel-c860to70-ivory-21x11-8cm-metz-v-a/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?fit=2122%2C3600&ssl=1" data-orig-size="2122,3600" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Victoria and Albert Museum","camera":"","caption":"","created_timestamp":"0","copyright":"\u00a9 Victoria and Albert Museum, London","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="5A Crucifixion panel c860to70 ivory 21&#215;11.8cm Metz V &#038; A" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?fit=500%2C848&ssl=1" class="aligncenter size-full wp-image-19617" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=500%2C848&ssl=1" alt="" width="500" height="848" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?w=2122&ssl=1 2122w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=177%2C300&ssl=1 177w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=604%2C1024&ssl=1 604w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=88%2C150&ssl=1 88w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=768%2C1303&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=905%2C1536&ssl=1 905w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?resize=1207%2C2048&ssl=1 1207w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5A-Crucifixion-panel-c860to70-ivory-21x11.8cm-Metz-V-A.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.vam.ac.uk |
V & A
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19619" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/5b-crucifixion-panel-c860to70-ivory-v-a-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?fit=1971%2C2270&ssl=1" data-orig-size="1971,2270" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="5B Crucifixion panel c860to70 ivory V &#038; A detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?fit=500%2C576&ssl=1" class="aligncenter size-full wp-image-19619" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=500%2C576&ssl=1" alt="" width="500" height="576" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?w=1971&ssl=1 1971w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=260%2C300&ssl=1 260w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=889%2C1024&ssl=1 889w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=130%2C150&ssl=1 130w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=768%2C885&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=1334%2C1536&ssl=1 1334w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?resize=1778%2C2048&ssl=1 1778w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/5B-Crucifixion-panel-c860to70-ivory-V-A-detail.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19621" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/6-panel-with-ivory-criucifixion-scene-spanish-c11-met-mus-ny/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?fit=1609%2C2200&ssl=1" data-orig-size="1609,2200" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="6 Panel with ivory criucifixion scene Spanish C11 Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?fit=500%2C684&ssl=1" class="aligncenter size-full wp-image-19621" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=500%2C684&ssl=1" alt="" width="500" height="684" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?w=1609&ssl=1 1609w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=219%2C300&ssl=1 219w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=749%2C1024&ssl=1 749w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=110%2C150&ssl=1 110w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=768%2C1050&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=1123%2C1536&ssl=1 1123w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?resize=1498%2C2048&ssl=1 1498w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/6-Panel-with-ivory-criucifixion-scene-Spanish-C11-Met-Mus-NY.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19623" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/7a-walrus-ivory-crucifiion-panel-c1100-bm/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?fit=1517%2C1719&ssl=1" data-orig-size="1517,1719" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"1175089464","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="7A Walrus ivory crucifiion panel c1100 BM" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?fit=500%2C566&ssl=1" class="aligncenter size-full wp-image-19623" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=500%2C567&ssl=1" alt="" width="500" height="567" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?w=1517&ssl=1 1517w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=265%2C300&ssl=1 265w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=904%2C1024&ssl=1 904w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=132%2C150&ssl=1 132w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=768%2C870&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?resize=1356%2C1536&ssl=1 1356w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7A-Walrus-ivory-crucifiion-panel-c1100-BM.jpeg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| britishmuseum.org |
© The Trustees of the British Museum
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19625" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/7b-icon-with-the-crucifixion-byzantine-mid-c10-ivory-met-mus-ny/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?fit=2789%2C3875&ssl=1" data-orig-size="2789,3875" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"The Metropolitan Museum of Art","camera":"","caption":"Icon with the Crucifixion, mid-10th century\rByzantine, \rIvory; Overall: 5 15/16 x 3 1/2 x 5/16 in. (15.1 x 8.9 x 0.8 cm)\rThe Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917 (17.190.44)\rhttp://www.metmuseum.org/Collections/search-the-collections/464428","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","alt":""}" data-image-title="7B Icon with the Crucifixion Byzantine mid C10 ivory Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?fit=500%2C695&ssl=1" class="aligncenter size-full wp-image-19625" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=500%2C695&ssl=1" alt="" width="500" height="695" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?w=2789&ssl=1 2789w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=216%2C300&ssl=1 216w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=737%2C1024&ssl=1 737w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=108%2C150&ssl=1 108w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=768%2C1067&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=1106%2C1536&ssl=1 1106w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?resize=1474%2C2048&ssl=1 1474w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7B-Icon-with-the-Crucifixion-Byzantine-mid-C10-ivory-Met-Mus-NY.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19627" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/plaque-crucifixion/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?fit=948%2C1221&ssl=1" data-orig-size="948,1221" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"D\u00e9partement des Objets d'art du","camera":"","caption":"MuseumPlus 5.1.00 422 122","created_timestamp":"1199145600","copyright":"\u00a9 2008 GrandPalaisRmn (mus\u00e9e du Louvre) / Martine Beck-Coppola","focal_length":"0","iso":"0","shutter_speed":"0","title":"Plaque : Crucifixion","orientation":"1","alt":""}" data-image-title="7C Plaque : Crucifixion" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?fit=500%2C644&ssl=1" class="aligncenter size-full wp-image-19627" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?resize=500%2C644&ssl=1" alt="" width="500" height="644" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?w=948&ssl=1 948w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?resize=233%2C300&ssl=1 233w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?resize=795%2C1024&ssl=1 795w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?resize=116%2C150&ssl=1 116w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/7C-C13-French-School-ivory-plaque-of-the-Crucifixion-poss-fragment-of-retable-1240to60-11.8x9.6cm-Musee-du-Louvre-Departement-des-Objets-dart-du-Moyen-Age-de-la-Renaissance-et-des-temps-modernes.jpeg?resize=768%2C989&ssl=1 768w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.louvre.fr |
Musée du Louvre, Département des Objets d’art du Moyen Age, de la Renaissance et des temps modernes
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| en.wikipedia.org |
a ciborium – the canopy raised over the altar of an Orthodox church
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19629" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/8-jorge-ingles-retablo-de-los-gozos-de-santa-maria-c1455-prado/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?fit=1473%2C1684&ssl=1" data-orig-size="1473,1684" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="8 Jorge Inglés Retablo de los Gozos de Santa Maria c1455 Prado" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?fit=500%2C571&ssl=1" class="aligncenter size-full wp-image-19629" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=500%2C572&ssl=1" alt="" width="500" height="572" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?w=1473&ssl=1 1473w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=262%2C300&ssl=1 262w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=896%2C1024&ssl=1 896w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=131%2C150&ssl=1 131w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=768%2C878&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?resize=1344%2C1536&ssl=1 1344w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/8-Jorge-Ingles-Retablo-de-los-Gozos-de-Santa-Maria-c1455-Prado.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| museodelprado.es |
Museo del Prado
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19631" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/9-ivory-diptych-v-a-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?fit=3058%2C4075&ssl=1" data-orig-size="3058,4075" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Victoria and Albert Museum","camera":"","caption":"","created_timestamp":"0","copyright":"\u00a9 Victoria and Albert Museum, London","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="9 Ivory diptych V &#038; A &#038; detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?fit=500%2C667&ssl=1" class="size-full wp-image-19631 aligncenter" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=500%2C666&ssl=1" alt="" width="500" height="666" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?w=3058&ssl=1 3058w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=225%2C300&ssl=1 225w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=768%2C1023&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=113%2C150&ssl=1 113w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=1153%2C1536&ssl=1 1153w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?resize=1537%2C2048&ssl=1 1537w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/9-Ivory-diptych-V-A-detail.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.vam.ac.uk |
V & A Museum
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19633" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/10-stefano-mossettaz-crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-museo-civico-darte-antica-turin/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?fit=1600%2C3154&ssl=1" data-orig-size="1600,3154" data-comments-opened="1" data-image-meta="{"aperture":"2.7","credit":"","camera":"COOLPIX P5000","caption":"","created_timestamp":"1292652812","copyright":"","focal_length":"7.5","iso":"400","shutter_speed":"0.036363636363636","title":"","orientation":"1","alt":""}" data-image-title="10 Stefano Mossettaz Crucifixion c1418-20 gypsum alabaster 71x32x10cm Museo Civico dArte Antica Turin" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?fit=500%2C987&ssl=1" class="aligncenter size-full wp-image-19633" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=500%2C986&ssl=1" alt="" width="500" height="986" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?w=1600&ssl=1 1600w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=152%2C300&ssl=1 152w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=519%2C1024&ssl=1 519w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=76%2C150&ssl=1 76w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=768%2C1514&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=779%2C1536&ssl=1 779w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?resize=1039%2C2048&ssl=1 1039w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/10-Stefano-Mossettaz-Crucifixion-c1418-20-gypsum-alabaster-71x32x10cm-Museo-Civico-dArte-Antica-Turin.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| palazzomadamatorino.it |
Museo Civico d’Arte Antica, Turin
|
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| commons.wikimedia.org |
Sailko
|
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| commons.wikimedia.org |
the coffered ceiling in the Roman Arch of Titus
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19637" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-352/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?fit=1510%2C2524&ssl=1" data-orig-size="1510,2524" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="11 Embriachi workshop Triptych with the Crucifixion and Madonna &#038; Child c.1400 Venice Mus du Louvre" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?fit=500%2C835&ssl=1" class="aligncenter size-full wp-image-19637" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=500%2C836&ssl=1" alt="" width="500" height="836" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?w=1510&ssl=1 1510w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=179%2C300&ssl=1 179w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=613%2C1024&ssl=1 613w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=90%2C150&ssl=1 90w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=768%2C1284&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=919%2C1536&ssl=1 919w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?resize=1225%2C2048&ssl=1 1225w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/11-Embriachi-workshop-Triptych-with-the-Crucifixion-and-Madonna-Child-c.1400-Venice-Mus-du-Louvre.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.louvre.fr |
Musée du Louvre, Département des Objets d’art du Moyen Age, de la Renaissance et des temps modernes
|
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| i0.wp.com |
the Arab Nasrid rule of Spain
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19635" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/la-crucifixion/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=548%2C768&ssl=1" data-orig-size="548,768" data-comments-opened="1" data-image-meta="{"aperture":"16","credit":"Collection Edmond de Rothschild","camera":"Hasselblad H3DII-50","caption":"original ANONYME ALLEMAND DU SUD vers 1450-1460 allemande","created_timestamp":"1373885184","copyright":"Photo RMN - Philippe Fuzeau","focal_length":"80","iso":"50","shutter_speed":"0.004","title":"La Crucifixion","orientation":"1","alt":""}" data-image-title="12 Anon S German Crucifixion c1470 partly coloured engraving Mus du Louvre Département des Arts graphiques.jpeg" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=500%2C701&ssl=1" class="aligncenter size-full wp-image-19635" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=500%2C701&ssl=1" alt="" width="500" height="701" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?w=548&ssl=1 548w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=214%2C300&ssl=1 214w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/12-Anon-S-German-Crucifixion-c1470-partly-coloured-engraving-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=107%2C150&ssl=1 107w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.louvre.fr |
Musée du Louvre, Département des Arts graphiques
|
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| collections.louvre.fr |
13<sup>th</sup> century ivory diptych
|
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| nationalgallery.org.uk |
quotations relevant to the painting
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19640" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/crucifixion/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?fit=576%2C768&ssl=1" data-orig-size="576,768" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"D\u00e9partement des Arts graphiques","camera":"","caption":"0580000_L36LR103_R_000","created_timestamp":"1454424485","copyright":"\u00a92016 Mus\u00e9e du Louvre Philippe Fuzeau","focal_length":"0","iso":"0","shutter_speed":"0","title":"Crucifixion","orientation":"1","alt":""}" data-image-title="13 Dürer Crucifixion engraving 1516 Mus du Louvre Département des Arts graphiques illustr in Missel d&#8217;Eichstätt publié par Hieronymus Höltzel en 1517" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?fit=500%2C667&ssl=1" class="aligncenter size-full wp-image-19640" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?resize=500%2C667&ssl=1" alt="" width="500" height="667" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?w=576&ssl=1 576w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?resize=225%2C300&ssl=1 225w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/13-Durer-Crucifixion-engraving-1516-Mus-du-Louvre-Departement-des-Arts-graphiques-illustr-in-Missel-dEichstatt-publie-par-Hieronymus-Holtzel-en-1517.jpeg?resize=113%2C150&ssl=1 113w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.louvre.fr |
Musée du Louvre, Département des Arts graphiques
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19642" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/la-crucifixion-2/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?fit=531%2C768&ssl=1" data-orig-size="531,768" data-comments-opened="1" data-image-meta="{"aperture":"8","credit":"Collection Edmond de Rothschild","camera":"Credo 80","caption":"original ANONYME FRANCAIS XVI\u00cb s fran\u00c1aise Recueil : Livre d'heures XVI\u00cb s -12-","created_timestamp":"1498579178","copyright":"\u00a9 RMN - Grand Palais - Tony Querrec","focal_length":"80","iso":"50","shutter_speed":"0.004","title":"La Crucifixion","orientation":"1","alt":""}" data-image-title="14 C16 French School Crucifixion woodcut from a Book of Hours 1531 printed by Geoffroy Tory 21.5&#215;15.2cm Mus du Louvre Département des Arts graphiques" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?fit=500%2C723&ssl=1" class="aligncenter size-full wp-image-19642" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?resize=500%2C723&ssl=1" alt="" width="500" height="723" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?w=531&ssl=1 531w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?resize=207%2C300&ssl=1 207w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/14-C16-French-School-Crucifixion-woodcut-from-a-Book-of-Hours-1531-printed-by-Geoffroy-Tory-21.5x15.2cm-Mus-du-Louvre-Departement-des-Arts-graphiques-.jpeg?resize=104%2C150&ssl=1 104w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.louvre.fr |
Musée du Louvre, Département des Arts graphiques
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19644" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/15-jean-pichore-fl1501to20-crucifixion-scene-from-a-book-of-hours-c1520-17x11cm-the-walters-art-museum/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?fit=1142%2C1798&ssl=1" data-orig-size="1142,1798" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Walters Art Museum (Baltimore/Maryland/USA)","camera":"","caption":"","created_timestamp":"0","copyright":"http://purl.org/thewalters/rights/standard","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="15 Jean Pichore fl1501to20 Crucifixion scene from a Book of Hours c1520 17x11cm The Walters Art Museum" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?fit=500%2C788&ssl=1" class="aligncenter size-full wp-image-19644" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=500%2C787&ssl=1" alt="" width="500" height="787" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?w=1142&ssl=1 1142w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=191%2C300&ssl=1 191w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=650%2C1024&ssl=1 650w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=95%2C150&ssl=1 95w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=768%2C1209&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/15-Jean-Pichore-fl1501to20-Crucifixion-scene-from-a-Book-of-Hours-c1520-17x11cm-The-Walters-Art-Museum.jpeg?resize=976%2C1536&ssl=1 976w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| art.thewalters.org |
The Walters Art Museum
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19646" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-353/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=2078%2C2894&ssl=1" data-orig-size="2078,2894" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="16 C16 French School Crucifixion page of a breviary illuminated on vellum 15.5&#215;10.5cm Mus du Louvre Département des Arts graphiques" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=500%2C697&ssl=1" class="aligncenter size-full wp-image-19646" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=500%2C696&ssl=1" alt="" width="500" height="696" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?w=2078&ssl=1 2078w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=215%2C300&ssl=1 215w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=735%2C1024&ssl=1 735w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=108%2C150&ssl=1 108w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=768%2C1070&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=1103%2C1536&ssl=1 1103w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=1471%2C2048&ssl=1 1471w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/16-C16-French-School-Crucifixion-page-of-a-breviary-illuminated-on-vellum-15.5x10.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.louvre.fr |
Musée du Louvre, Département des Arts graphiques
|
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| sothebys.com |
the realistic <em>trompe l’oeil</em> frame of Jacopo Bassano’s 1566 <em>Portrait of Torquato Tasso</em>
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19648" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/la-crucifixion-3/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=768%2C765&ssl=1" data-orig-size="768,765" data-comments-opened="1" data-image-meta="{"aperture":"11","credit":"Collection Edmond de Rothschild","camera":"IQ3 100MP Trichr","caption":"grav\u00c8 par LUCAS DE LEYDE anciens Pays-Bas","created_timestamp":"1711472696","copyright":"\u00a9 GrandPalaisRmn (mus\u00e9e du Louvre) / St\u00e9phane Mar\u00e9challe","focal_length":"120","iso":"35","shutter_speed":"0.0025","title":"La Crucifixion","orientation":"1","alt":""}" data-image-title="17 C16 Lucas van Leyden 1494to1533 Crucifixion engraving diam 28.5cm Mus du Louvre Département des Arts graphiques.jpeg" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?fit=500%2C498&ssl=1" class="aligncenter size-full wp-image-19648" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=500%2C498&ssl=1" alt="" width="500" height="498" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?w=768&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=300%2C300&ssl=1 300w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/17-C16-Lucas-van-Leyden-1494to1533-Crucifixion-engraving-diam-28.5cm-Mus-du-Louvre-Departement-des-Arts-graphiques.jpeg?resize=150%2C150&ssl=1 150w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.louvre.fr |
Musée du Louvre, Département des Arts graphiques
|
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| metmuseum.org |
<em>Mohammed & the monk Sergius</em>
|
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| britishmuseum.org |
<em>The agony in the Garden</em>
|
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| christies.com |
Christie’s dates the paper
|
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| clevelandart.org |
Cleveland Museum of Art
|
Анализировать url |
| artic.edu |
The Art Institute of Chicago
|
Анализировать url |
| metmuseum.org |
1530-40 stained-glass roundel of the Crucifixion
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19650" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/18-german-stained-glass-panel-of-the-crucifixion-early-c16-69-85x62-56cm-va/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?fit=1898%2C2247&ssl=1" data-orig-size="1898,2247" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Victoria and Albert Museum","camera":"","caption":"","created_timestamp":"0","copyright":"\u00a9 Victoria and Albert Museum, London","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="18 German stained glass panel of The Crucifixion early C16 69.85&#215;62.56cm V&#038;A" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?fit=500%2C592&ssl=1" class="aligncenter size-full wp-image-19650" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=500%2C592&ssl=1" alt="" width="500" height="592" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?w=1898&ssl=1 1898w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=253%2C300&ssl=1 253w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=865%2C1024&ssl=1 865w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=127%2C150&ssl=1 127w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=768%2C909&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=1297%2C1536&ssl=1 1297w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?resize=1730%2C2048&ssl=1 1730w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/18-German-stained-glass-panel-of-The-Crucifixion-early-C16-69.85x62.56cm-VA-.jpeg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| collections.vam.ac.uk |
V & A Museum
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19652" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-354/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?fit=1264%2C2462&ssl=1" data-orig-size="1264,2462" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="19 Orphrey English lateC15toearlyC16 Bonhams Edinburgh 2May2012 Lot343" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?fit=500%2C973&ssl=1" class="aligncenter size-full wp-image-19652" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=500%2C974&ssl=1" alt="" width="500" height="974" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?w=1264&ssl=1 1264w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=154%2C300&ssl=1 154w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=526%2C1024&ssl=1 526w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=77%2C150&ssl=1 77w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=768%2C1496&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=789%2C1536&ssl=1 789w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?resize=1051%2C2048&ssl=1 1051w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-2May2012-Lot343.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| bonhams.com |
Bonhams, Edinburgh, 2 May 2012, Lot 343
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19654" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-355/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?fit=1596%2C1514&ssl=1" data-orig-size="1596,1514" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="19B Orphrey English lateC15toearlyC16 Bonhams Edinburgh detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?fit=500%2C474&ssl=1" class="aligncenter size-full wp-image-19654" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=500%2C474&ssl=1" alt="" width="500" height="474" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?w=1596&ssl=1 1596w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=300%2C285&ssl=1 300w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=1024%2C971&ssl=1 1024w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=150%2C142&ssl=1 150w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=768%2C729&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/19B-Orphrey-English-lateC15toearlyC16-Bonhams-Edinburgh-detail.jpg?resize=1536%2C1457&ssl=1 1536w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| periodoakantiques.co.uk |
Period Oak Antiques
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19655" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/20a-c15-german-crucifixion-triptych-cloisters-met-mus-ny/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?fit=1075%2C917&ssl=1" data-orig-size="1075,917" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","alt":""}" data-image-title="20A C15 German Crucifixion triptych Cloisters Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?fit=500%2C426&ssl=1" class="aligncenter size-full wp-image-19655" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?resize=500%2C427&ssl=1" alt="" width="500" height="427" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?w=1075&ssl=1 1075w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?resize=300%2C256&ssl=1 300w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?resize=1024%2C873&ssl=1 1024w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?resize=150%2C128&ssl=1 150w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20A-C15-German-Crucifixion-triptych-Cloisters-Met-Mus-NY.jpg?resize=768%2C655&ssl=1 768w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
|
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19657" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/20b-c15-german-crucifixion-triptych-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?fit=1082%2C1308&ssl=1" data-orig-size="1082,1308" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="20B C15 German Crucifixion triptych detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?fit=500%2C604&ssl=1" class="aligncenter size-full wp-image-19657" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?resize=500%2C604&ssl=1" alt="" width="500" height="604" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?w=1082&ssl=1 1082w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?resize=248%2C300&ssl=1 248w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?resize=847%2C1024&ssl=1 847w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?resize=124%2C150&ssl=1 124w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?resize=768%2C928&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-C15-German-Crucifixion-triptych-detail.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19659" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-356/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?fit=1544%2C1806&ssl=1" data-orig-size="1544,1806" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="20B Crucifixion scene from The Queen Mary Psalter f256v BL" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?fit=500%2C585&ssl=1" class="aligncenter size-full wp-image-19659" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=500%2C585&ssl=1" alt="" width="500" height="585" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?w=1544&ssl=1 1544w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=256%2C300&ssl=1 256w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=875%2C1024&ssl=1 875w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=128%2C150&ssl=1 128w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=768%2C898&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?resize=1313%2C1536&ssl=1 1313w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/20B-Crucifixion-scene-from-The-Queen-Mary-Psalter-f256v-BL.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| searcharchives.bl.uk |
British Library
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19661" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-357/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?fit=1778%2C2268&ssl=1" data-orig-size="1778,2268" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="21A Sch of Michel Colombe Crucifixion scene French c1500 limestone 77x60x15cm Mus of Fine Arts Budapest" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?fit=500%2C638&ssl=1" class="aligncenter size-full wp-image-19661" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=500%2C638&ssl=1" alt="" width="500" height="638" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?w=1778&ssl=1 1778w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=235%2C300&ssl=1 235w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=803%2C1024&ssl=1 803w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=118%2C150&ssl=1 118w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=768%2C980&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=1204%2C1536&ssl=1 1204w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?resize=1606%2C2048&ssl=1 1606w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21A-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-limestone-77x60x15cm-Mus-of-Fine-Arts-Budapest.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
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| mfab.hu |
© Museum of Fine Arts, Budapest
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19663" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-358/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?fit=1602%2C2396&ssl=1" data-orig-size="1602,2396" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="21B Sch of Michel Colombe Crucifixion scene French c1500 Budapest detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?fit=500%2C747&ssl=1" class="aligncenter size-full wp-image-19663" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=500%2C748&ssl=1" alt="" width="500" height="748" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?w=1602&ssl=1 1602w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=201%2C300&ssl=1 201w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=685%2C1024&ssl=1 685w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=100%2C150&ssl=1 100w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=768%2C1149&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=1027%2C1536&ssl=1 1027w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?resize=1369%2C2048&ssl=1 1369w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/21B-Sch-of-Michel-Colombe-Crucifixion-scene-French-c1500-Budapest-detail.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| mfab.hu |
catalogue entry
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19665" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-359/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?fit=2895%2C3700&ssl=1" data-orig-size="2895,3700" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="22 Hans Wydutz I of Freiburg im Breisgau Crucifixion group 1490to1510 lime 94&#215;69.2&#215;22.9cm Cloisters Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?fit=500%2C639&ssl=1" class="aligncenter size-full wp-image-19665" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=500%2C639&ssl=1" alt="" width="500" height="639" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?w=2895&ssl=1 2895w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=235%2C300&ssl=1 235w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=801%2C1024&ssl=1 801w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=117%2C150&ssl=1 117w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=768%2C982&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=1202%2C1536&ssl=1 1202w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?resize=1602%2C2048&ssl=1 1602w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-1490to1510-lime-94x69.2x22.9cm-Cloisters-Met-Mus-NY.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19667" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/22b-hans-wydutz-i-of-freiburg-im-breisgau-crucifixion-group-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?fit=1770%2C2487&ssl=1" data-orig-size="1770,2487" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="22B Hans Wydutz I of Freiburg im Breisgau Crucifixion group detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?fit=500%2C702&ssl=1" class="aligncenter size-full wp-image-19667" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=500%2C703&ssl=1" alt="" width="500" height="703" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?w=1770&ssl=1 1770w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=214%2C300&ssl=1 214w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=729%2C1024&ssl=1 729w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=107%2C150&ssl=1 107w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=768%2C1079&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=1093%2C1536&ssl=1 1093w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?resize=1458%2C2048&ssl=1 1458w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/22B-Hans-Wydutz-I-of-Freiburg-im-Breisgau-Crucifixion-group-detail.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19669" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/triptyque-aux-scenes-de-la-vie-du-christ-porte-par-le-tetramorphe/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?fit=1170%2C1670&ssl=1" data-orig-size="1170,1670" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"MuseumPlus 5.1.00 422 122","created_timestamp":"1378339200","copyright":"\u00a9 2013 GrandPalaisRmn (mus\u00e9e du Louvre) / St\u00e9phane Mar\u00e9challe","focal_length":"0","iso":"0","shutter_speed":"0","title":"Triptyque aux sc\u00e8nes de la vie du Christ, port\u00e9 par le t\u00e9tramorphe","orientation":"1","alt":""}" data-image-title="23A Micro sculpture with scenes from the Life of Christ 1st 1/3 C16 boxwood, 19.5&#215;13.2cm open Mus du Louvre" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?fit=500%2C714&ssl=1" class="aligncenter size-full wp-image-19669" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=500%2C714&ssl=1" alt="" width="500" height="714" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?w=1170&ssl=1 1170w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=210%2C300&ssl=1 210w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=717%2C1024&ssl=1 717w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=105%2C150&ssl=1 105w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=768%2C1096&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?resize=1076%2C1536&ssl=1 1076w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23A-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-19.5x13.2cm-open-Mus-du-Louvre.jpeg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.louvre.fr |
Musée du Louvre
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19671" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/23b-micro-sculpture-with-scenes-from-the-life-of-christ-1st-13-c16-boxwood-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?fit=809%2C1275&ssl=1" data-orig-size="809,1275" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="23B Micro sculpture with scenes from the Life of Christ 1st 1:3 C16 boxwood detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?fit=500%2C788&ssl=1" class="aligncenter size-full wp-image-19671" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?resize=500%2C788&ssl=1" alt="" width="500" height="788" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?w=809&ssl=1 809w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?resize=190%2C300&ssl=1 190w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?resize=650%2C1024&ssl=1 650w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?resize=95%2C150&ssl=1 95w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23B-Micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16-boxwood-detail.jpeg?resize=768%2C1210&ssl=1 768w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19673" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-360/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?fit=2249%2C4100&ssl=1" data-orig-size="2249,4100" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="23C Case for micro sculpture with scenes from the Life of Christ 1st 1/3 C16" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?fit=500%2C911&ssl=1" class="aligncenter size-full wp-image-19673" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=500%2C912&ssl=1" alt="" width="500" height="912" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?w=2249&ssl=1 2249w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=165%2C300&ssl=1 165w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=562%2C1024&ssl=1 562w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=82%2C150&ssl=1 82w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=768%2C1400&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=843%2C1536&ssl=1 843w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?resize=1123%2C2048&ssl=1 1123w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/23C-Case-for-micro-sculpture-with-scenes-from-the-Life-of-Christ-1st-13-C16.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| collections.louvre.fr |
Musée du Louvre
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| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19675" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/24a-prayer-bead-adoration-of-magi-crucifixion-netherlandish-early-16-boxwood-11-2x8-1x2-7cm-met-mus-ny/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?fit=1990%2C2700&ssl=1" data-orig-size="1990,2700" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="24A Prayer bead Adoration of Magi &#038; Crucifixion Netherlandish early 16 boxwood 11.2×8.1×2.7cm Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?fit=500%2C678&ssl=1" class="aligncenter size-full wp-image-19675" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=500%2C678&ssl=1" alt="" width="500" height="678" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?w=1990&ssl=1 1990w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=221%2C300&ssl=1 221w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=755%2C1024&ssl=1 755w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=111%2C150&ssl=1 111w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=768%2C1042&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=1132%2C1536&ssl=1 1132w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?resize=1509%2C2048&ssl=1 1509w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24A-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-boxwood-11.2%C3%978.1%C3%972.7cm-Met-Mus-NY.jpg?w=1000&ssl=1 1000w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
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Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19677" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-361/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?fit=1961%2C2168&ssl=1" data-orig-size="1961,2168" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="24B Prayer bead Adoration of Magi &#038; Crucifixion Netherlandish early 16 closed" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?fit=500%2C553&ssl=1" class="aligncenter size-full wp-image-19677" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=500%2C553&ssl=1" alt="" width="500" height="553" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?w=1961&ssl=1 1961w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=271%2C300&ssl=1 271w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=926%2C1024&ssl=1 926w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=136%2C150&ssl=1 136w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=768%2C849&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=1389%2C1536&ssl=1 1389w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?resize=1852%2C2048&ssl=1 1852w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?w=1000&ssl=1 1000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/24B-Prayer-bead-Adoration-of-Magi-Crucifixion-Netherlandish-early-16-closed.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19679" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-362/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?fit=1915%2C3000&ssl=1" data-orig-size="1915,3000" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="25 Rosary bead w Crucifixion &#038; Resurrection Spanish c1500to25 ivory polychromy silver gilt mount Met Mus NY" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?fit=500%2C783&ssl=1" class="aligncenter size-full wp-image-19679" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=500%2C783&ssl=1" alt="" width="500" height="783" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?w=1915&ssl=1 1915w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=192%2C300&ssl=1 192w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=654%2C1024&ssl=1 654w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=96%2C150&ssl=1 96w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=768%2C1203&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=980%2C1536&ssl=1 980w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?resize=1307%2C2048&ssl=1 1307w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/25-Rosary-bead-w-Crucifixion-Resurrection-Spanish-c1500to25-ivory-polychromy-silver-gilt-mount-Met-Mus-NY.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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| metmuseum.org |
Metropolitan Museum, New York
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19681" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/screenshot-363/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?fit=3000%2C2685&ssl=1" data-orig-size="3000,2685" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"Screenshot","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"Screenshot","orientation":"1","alt":""}" data-image-title="26 Circle of Guiot de Beaugrant c1500to49 portable altar parcelgilding polychromy carved wood midC16 Christie s 6Dec2012 Lot91" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?fit=500%2C447&ssl=1" class="aligncenter size-full wp-image-19681" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=500%2C448&ssl=1" alt="" width="500" height="448" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?w=3000&ssl=1 3000w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=300%2C269&ssl=1 300w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=1024%2C916&ssl=1 1024w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=150%2C134&ssl=1 150w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=768%2C687&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=1536%2C1375&ssl=1 1536w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-parcelgilding-polychromy-carved-wood-midC16-Christie-s-6Dec2012-Lot91.jpg?resize=2048%2C1833&ssl=1 2048w" sizes="auto, (max-width: 500px) 100vw, 500px">
|
Анализировать url |
| i0.wp.com |
<img data-recalc-dims="1" loading="lazy" decoding="async" data-attachment-id="19687" data-permalink="https://theframeblog.com/2026/08/05/framed-crucifixes-part-2-tenth-to-sixteenth-century/26b-circle-of-guiot-de-beaugrant-c1500to49-portable-altar-detail/" data-orig-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?fit=1995%2C3079&ssl=1" data-orig-size="1995,3079" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","alt":""}" data-image-title="26B Circle of Guiot de Beaugrant c1500to49 portable altar detail" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?fit=500%2C772&ssl=1" class="aligncenter size-full wp-image-19687" src="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=500%2C772&ssl=1" alt="" width="500" height="772" srcset="https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?w=1995&ssl=1 1995w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=194%2C300&ssl=1 194w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=663%2C1024&ssl=1 663w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=97%2C150&ssl=1 97w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=768%2C1185&ssl=1 768w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=995%2C1536&ssl=1 995w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?resize=1327%2C2048&ssl=1 1327w, https://i0.wp.com/theframeblog.com/wp-content/uploads/2026/08/26B-Circle-of-Guiot-de-Beaugrant-c1500to49-portable-altar-detail.jpg?w=1500&ssl=1 1500w" sizes="auto, (max-width: 500px) 100vw, 500px">
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Анализировать url |
| christies.com |
Christie’s, 6 December 2012, Lot 91
|
Анализировать url |
| britishmuseum.org |
<em>Constanţa gem</em>
|
Анализировать url |
| boxwood.ago.ca |
<em>Small wonders; late Gothic boxwood microcarvings from the Low Countries</em>
|
Анализировать url |
| wordpress.org |
WordPress.org
|
Анализировать url |
| wordpress.com |
Powered by WordPress.com
|
Анализировать url |
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